"Excellent condition Red Sound Systems DarkStar MK1. Features 2 oscillators per voice, 5-part multitimbral set-up, joystick mixing for oscillators, ring modulation, filter resonance and pink/white/blue noise generators. Includes original power supply and V1.09 EPROM chip."
"In this video, Tim Sund introduces a selection of new presets by Californian sound designer Mark Wilcox. In these presets, Mark frequently utilizes the bi-timbrality of the C15 to create sounds from two completely different components, between whose characteristics one can then morph back and forth using modulations (expression pedals and ribbons).
In all examples the ribbons display the movement of the two expression pedals.
The sound was recorded directly with the C15's internal recorder and was not processed in any way.
Mark´s bank as well as the banks of the other sound designers, who have created sounds for the C15, can be downloaded here: https://www.nonlinear-labs.de/support...
Video recording, editing and presentation: Tim Sund
"This is an experimental "harsh yet rhythmic" jam I started on a whim. I connected the Monotron Delay to the Wavebard’s in/out and used it like an external effect. The output is mono, but in post-processing I applied the following effect chain to create a stereo image.
Effect Chain Overview: The signal first passes through Redux, which reduces the sample rate and bit depth slightly to add a subtle crushed texture. Next, the sound is routed into an Audio Effect Rack where one chain applies Reverb and another keeps the signal direct. This creates a balance between the processed and dry sound. The Reverb is set with a short predelay and moderate decay, shaping the reflections with input filters and adding some stereo width. A small amount of chorus is also applied within the reverb to make the stereo image wider and more spacious. Finally, two instances of Utility are used. The first adjusts gain and ensures the stereo width is maintained while controlling the low end with mono-bass settings. The second provides additional level control and ensures that the bass frequencies remain centered in mono.
00:06 part 1 05:48 part 2 07:01 part 3 07:32 part 4 09:12 part 5 10:53 part 6 11:33 part 7 11:38 part 8"
