Cwejman S1 MKII - Sync Overdrive Feedback Study

video upload by verstaerker

"due to popular demand i made another sound-exploration session with the Cwejman S1. This time about a sync-based patch.
It needs quite a bit of finetuning to find a good spot for sync sounds. But i was really surprised how aggressive the S1 can sound if it's combined with it's own overdrive and a touch of feedback.

Yes this session is a bit long... but i think it's worth watching the whole 8 mins if interested in the timbrechanges the S1 offers with small tweaks.

the only external effect added is the some delay/reverb with the Dynacord VRS-23"

Gene GX synth into effects = beautiful lofi atmosphere

video upload by Lo-Fi-Si

"Gene synths Gene GX
Walrus Audio Qi Etherealizer

Sending lofi fuzz and crackles into long delay and reverb with some granular sampling. The grains (at +2 octaves) create subtle trails as they feed into the reverb and delay.

I’m using the VCA Decay to adjust the keys from muffled plucks to longer chords.

The raw sounds of the GX are so interesting but I couldn’t resist exploring what happens when sending them into big effects.

To my ears it’s beautiful.

Playing keys at 1:00
Pitch bends at 2:45"

Guess the movie title ;) #udosupergemini, #rolandd50 #arpaxxe

video upload by Zed AudioLab

PLuto | Eurorack Ambient with Stardust, Neptune, Mimeophone

video upload by Mars Machine

"A ambient patch I did recently!"

multi/poly Maximum Voice Count Tested!

video upload by Alec Sea

"In this video, I am testing the maximum polyphony on the Korg multi/poly synthesizer at different settings."

Sequential Showdown Prophet 10 vs Take-5 vs Fourm

Pt. 1 - Just Jammin' - video upload by Pork Chop Synthesizers

Update:

Sequential Showdown Pt. 2 - Init Patch Exploration - Prophet 10 vs Take-5 vs Fourm

video upload by Pork Chop Synthesizers

Sequential Showdown Pt. 3 - Pads 'n' Organs - Prophet 10 vs Take-5 vs Fourm

video upload by Pork Chop Synthesizers

GS Music - Bree 6 - Anthema Volume 1 #customsound #bree6 #sounds

video upload by Scott McAuley Sounds

"Patches will be available at https://www.synthsounds.co.uk/shop

So the amazing Guido Salaya kindly sent me the bree6 to do some Youtube Demo's and some custom patches. And on first impressions, the bree6 may look small & relatively simple in architecture, but wow does this thing ooze character, punch and sizzle! It is very capable of a multitude of timbres indeed.

I have thoroughly enjoyed programming this little workhorse, it really is a great little synth! the chorus sounds amazing very Junoesque.

The bree6 is an ideal synth for use Live or in the Studio, instant satisfaction for any seasoned programmer. It's a little workhorse of a synth!

Very very impressed indeed.

Well done GS Music!"

2nd video here

Sequential Pro-3 // Tweaking Factory Presets // PT 1 // No Talking

video upload by LESINDES

"Sequential Pro-3 // Tweaking Factory Presets // PT 1 // No Talking
Historical footage from 2020"

Käbiuss | Clip Session #5: Off Vortex

video upload by KÄBIUSS

"Have you ever felt yourself drifting… Off Vortex?"

► CREDITS:
Music: Käbiuss
Audio Mix and Post-Prod: / produccionesgalez

► USED GEAR:
Main Synth: Sequential Take 5.
Workstation: Korg Nautilus.


Käbiuss | Clip Session #4: Visions

video upload by KÄBIUSS

"This time let's turn up the heat with a Session in more of a Dub Techno/Ambient-Käbiuss style. Let the 'Visions' flow."

► CREDITS:
Music: Käbiuss
Audio Post-Prod: / produccionesgalez

► GEAR:
Main Synth: Sequential Take 5.
Workstation: Korg Nautilus.
2nd Synth: Roland Juno-Di.
Drum Machine: Roland TR-6S.

Binaural Synthesis on Novation Summit: Bitimbral Hard-Pan Patches + Build From Scratch

video upload by copenhagennoiselab

"This video is an experiment in binaural-style synthesis on the Novation Summit, using bitimbral mode with each part hard panned left and right.

I start by demoing a handful of binaural patches, then do a real-time build in the middle where I patch a binaural setup from scratch, explaining the decisions as I go. It ends with more patch demos once the core idea is in place.

The trigger for this was the ongoing discussion around the UDO range and how it approaches binaural by design. I realized you can push a similar concept much further on other synths if you’re willing to build it deliberately.

Why the Summit for this? The digital NCOs can be set up so both layers stay phase-aligned and pitch-stable, which makes it possible to control every intentional difference between left and right without the whole thing drifting into 'close enough.'

Headphones recommended. The effect is the point."