Modor NF-1k Synth OS002 Firmware Upgrade

video upload by Modor Music

"A first firmware upgrade for our big keyboarded NF-1k synth. We construct a big atmospherical patch to show the new features one by one.
Use SRC+a key on the keyboard to select aftertouch or velocity in the modulation matrix
Easier access to Arpeggio and Unison parameters: keep down ARPEGGIO / MODE buttons a second to get a little menu New Speed Random parameter for the arpeggio
And also, not mentioned in the video:
a few inconsistencies have been improved, like aftertouch response in arpeggios and chords.

0:00 Hello!
0:40 Aftertouch/Velocity assignement
2:02 Unison parameter menu
3:20 Arpeggio parameter menu
4:14 Arpeggio Speed Random
4:34 Some extra FM modulation
5:17 Music: A bitimbral layered atmospheric pad sound! 😎"

A Matrix Mixer made of Pure Gold! // Goldfinger by Music Thing Modular

video upload by DivKid

"Here's GOLDFINGER, the literal pure gold, finger wiggling, signal routing & mixing matrix mixer from Music Thing Modular. It has 6 bidirectional connections (so ins and outs as you choose), its passive and routes and mixes signals depends on what parts of the surface you touch."

*TIMING INDEX // CHAPTERS*
00:00 Hello & previews
00:49 What is Goldfinger?
02:09 3 in 3 out West Coast Workshop System
05:28 Eurorack techno touched based FX sends
08:17 Exploring abstract filter pings and textures
11:02 Routing pulses, rhythms & clocks across ambient modular patches
13:53 Feeling my way through 4 voice chord intervals

"Goldfinger is a desktop matrix mixer. It’s made of gold. You play it with your fingers. It comes pre-assembled with no DIY required."

Polyend Drums - Polymetric Melody Jam

video upload by Polyend

"This jam explores how microtiming, microtuning, independent track lengths, and per-track playback modes combine to create an evolving polymetric melody that moves beyond linear sequencing. Small timing and tuning shifts, paired with unique playback behavior on each track and custom crossfader assignments, create patterns that continuously transform while remaining musical.

Learn more about Polyend Drums: polyend.com/drums"

E-MU Emulator II – Depeche Mode “It’s Called a Heart” – 80s Synthpop Sound Cover

video upload by RetroSound

"A faithful cover version of Depeche Mode’s 'It’s Called a Heart', recreated with the legendary E-MU Emulator II sampling synthesizer to capture the authentic atmosphere and sound character of the original 1985 production.

The E-MU Emulator II played an important role in the sound of 80s electronic music, delivering the unique sampled textures, rich pads, and distinctive character that defined the era. This cover pays tribute to the iconic synthpop style of Depeche Mode while adding my own interpretation.
Released in 1984, the E-MU Emulator II became one of the most iconic sampling instruments of the 80s, famous for its unique sound and use in electronic and synthpop productions.

If you love Depeche Mode, vintage synthesizers, E-MU Emulator II sounds, 80s electronic music, and authentic synth recreations, enjoy this tribute and feel free to subscribe for more classic synth covers."

45 Years of Yamaha Keyboards in 25 Minutes: Every Major Breakthrough

video upload by Bonedo Synthesizers

"🎹 From PSR to Genos: 45 Years of Yamaha Entertainer Keyboard History"

Yamaha AN1x Demo

video upload by Panu M Savolainen

"Multitracked demo of Yamaha AN1x. Only preset patches and internal fx used. I bought my first AN1x when it came, somewhere in -97/-98. It was my masterkeyboard for over 10 years and used it probably in all the tracks in that era."

Demo at bandcamp:

MATRIA GLOBALESSA - Midiconatroller for Moog® Matriarch™ Globals

video uploads by Stereoping

Playlist:

1. MATRIA GLOBALESSA - Midicontroller for Moog® Matriarch™ Globals

Release trailer for the MATRIA GLOBALESSA, a Stereoping Midicontroller for direct access to the global parameters of the Moog® Matriarch™ Synthesizer

2. MATRIA GLOBALESSA - features and editing demo

This video demonstrates real life usage of the MATRIA GLOBALESSA with the Moog® Matriarch™. No music here, sound starting at about 1:44

0:07 connections and communication
0:42 power supply system and energy saving sleep mode
1:22 parameter organization and editing of various parameters like pitchbend range, OSC frequency range, pitch variance, noise cutoff, delay brightness
4:40 Arpeggiator pots
5:45 round robin fun

3. MATRIA GLOBALESSA - Getting the DIY kit together

Step-by-step video showing how to assemble the MATRIA GLOBALESSA DIY kit

Complete DIY kit for a "MATRIA GLOBALESSA" MIDI controller.

This controller allows for the direct editing of global parameters on the Moog® Matriarch™.

This is the colorful version of the controller; for the Dark Matriarch™, we offer the black/red sister product, PREFS MISTRESS.

The photos show the assembled unit. The product is supplied as a DIY kit; you must assemble it yourself. Please watch the assembly video and consult the assembly instructions.

CLICK FOR MORE »

Atrium meanderings (Whimsical Raps)

video upload by -CALC-

"Exploring and meandering with the Whimiscal Raps Atrium. One of the most original and unique synthesiser playgrounds I've ever used. Its tons of fun to turn on and just explore where you land.
This is an un-edited 14 minute jam filmed back in February '26."

Doboz DVNA Synth Custom Patches (No Talking)

video upload by Demover

"Hey everyone!

I thought I'd share some of the patches I created with the DVNA.

I didn't have any specific goal or sound in mind while making them. I just followed my ears and went with whatever felt right.

What do you think about the DVNA? What kind of sounds would you create with it, and how would you use it in your music?

Let me know in the comments! I'm really curious to hear your thoughts!"

Self-developing generative melody using sample & hold. KALEIDOSCOPE

video upload by Vadjuse

"I was experimenting with using one looping envelope as the sampling clock for another.

Every End-of-Cycle trigger captures the current value of the modulation envelope. Quantizing those sampled values turns a continuous modulation into a melodic sequence.

Small changes to the relationship between the two envelope periods completely change the resulting phrases, even though the patch itself remains very simple.

Then I added another layer by letting the modulation influence the amplitude envelope pattern itself. Since that pattern determines when sampling happens, the melody starts affecting the mechanism that generates it, creating a feedback loop between rhythm and pitch.

I like building systems like this, where musical structure emerges from interactions rather than explicit note programming.

http://vadjuse.ru/kaleidoscope_en"