How to make: DEEP REESE BASS like: Bicep - Water

video upload by Endorphin.es

"Ever wondered how to make a deep, warbly and chorused REESE BASS? Today we will go over the history and techniques used to create one in the context of a track by @feelmybicep called Water."

Ground Control project files: https://files.endorphin.es/Bicep_Wate...

Original track:
BICEP - WATER (FEAT. CLARA LA SAN)
(c) 2022 Ninja Tune

BICEP | WATER (FEAT. CLARA LA SAN) (Official Audio)

video upload by BICEP

'Water', out now on Ninja Tune: https://bicep.lnk.to/waterYo

Against The Clock: Cromby

FACTmagazine

"Against The Clock is a series where we give an artist 10 minutes in the studio and see what they come up with.

Cromby is an Irish producer based in Berlin who specialises in crafting house with a classic feel, big, bold basslines and joyous melodies, skills that have seen him release records on labels including Sulta Selects Silver Service, Feel My Bicep and Unknown To The Unknown.

In the studio, he makes music with hardware such as Korg’s Minilogue, Moog Minitaur and Novation Peak, controlled via Ableton Live and Push. In this episode, he shows us how quickly he can use it all to lay down a track.

Cromby will be launching his own label later this year, which will focus on his own productions made with the dancefloor in mind. 'I have a ton of new music that I’m excited to share,' he says."

MOOGFEST 2016 Lineup & Details Announced

Moogfest 2016 Talent Announcement with Reggie Watts

Published on Dec 8, 2015 Moogfest

"Headlining performances include Gary Numan playing a three night residency of his trailblazing early albums, a two-night residency by GZA, ODESZA, Laurie Anderson, Oneohtrix Point Never, Suzanne Ciani, Blood Orange, and Sun Ra Arkestra; with keynote presentations by transhumanist activist and pharma tycoon Dr. Martine Rothblatt, and computer scientist Jaron Lanier, a pioneer in the field of virtual reality.

More than one hundred other acts are already confirmed to perform, while the conference program continues to develop in partnership with a range of esteemed universities, innovative businesses, and art/technology organizations. Program partners include MIT Media Lab, Google, Duke University, Georgia Institute of Technology, The New Museum’s New Inc., IDEO, Gray Area, and the EyeO Festival.

For the first time ever, Moogfest will take place in Durham, NC. Moogfest activates seventeen venues, throughout the walkable downtown core, from intimate galleries to grand theatres, including a free outdoor stage with participatory, all-ages programming. Durham promises to be an ideal setting for Moogfest: a city uniquely blending diversity, authenticity, world class innovation, and culture, with a long history of great music.

Program highlights:
Pioneers in Electronic Music
Electronic music pioneer Gary Numan will perform his first three albums (Replicas, The Pleasure Principle, and Telekon) over three consecutive nights in three different venues. Musical experimentalist Laurie Anderson weaves stories and song in her solo performance, “The Language of the Future” and then returns to the stage the next day to hosts a daytime conversation.

Future Pop
Headlining talent also charts a zig-zagging course across today’s synthesizer infused pop landscape, from the vibrant electronic duo ODESZA, to the future soul of Blood Orange (playing in North Carolina for the first time), a return of utopian rockers YACHT, and even the comic stylings of Reggie Watts.

Experimentalists
Immersive noise and minimalist sonic-scapes from some of today’s most progressive experimental artists, including sunn O))), Ben Frost, Tim Hecker, Silver Apples, Oneohtrix Point Never, Quintron & Miss Pussycat, Olivia Block, Alessandro Cortini, and Lotic.

Ambient Music Innovators
A rich program of sustained tones and cascading moods led by Daniel Lanois, Brian Eno’s prolific Grammy winning protege, Suzanne Ciani, and the UK’s originators of ambient house The Orb.

Hip-Hop
GZA leads Moogfest’s strongest ever hip-hop and rap lineup, supported by a roster of emerging talent including Lunice, Tory Lanez, Denzel Curry, Dr. Dre protege King Mez, and Well$.

The Future of Creativity
Futurist philosophers set the tone for a mind-expanding conference. Keynotes by Dr. Martine Rothblatt, author, entrepreneur, transhumanist, inventor of satellite radio, and Jaron Lanier, a computer scientist and composer who has pioneered the field of virtual reality. Other visionaries include sound explorer Onyx Ashanti and his 'exo-voice' sonic prosthesis, Tod Machover from MIT Media LAB presenting his work in HyperInstruments, and Gil Weinberg and The Robotic Musicianship Group at Georgia Tech performing with Shimon, an improvising robotic marimba player that uses artificial intelligence.

Orchestral Ensembles
The intergalactic voyagers of Sun Ra Arkestra channel the cosmic philosopher himself. Arthur Russell’s Instrumentals ensemble, making their US debut. Floating Points’ live project veers fluidly from warm electronic to jazz to sonic space rhythms.

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circuit bent YAMAHA RX17 DRUM MACHINE with percussion grinding switch matrix

via this auction

Demos below.

"RECYCLING NOISE SINCE 2001

For over 13 years we have been creating and supplying aural havoc with rewired childrens toys, modified drum machines, abused samplers and audio insanity machines. We have supplied and modified custom machines and sounds for:


The Chemical Brothers, Factory Floor, Senser, Nurse With Wound, BICEP, Yoad Nevo, Pedigree Cuts, Raiden, The Plump DJ's, Jacknife Lee, Bloc Party, Twisted Records (Hallucinogen, Shpongle, OTT, Younger Brother etc), Def Jam Records, Groove Criminals, Sweet Noise, Noise Inc and many many more.

TODAYS VICTIM: YAMAHA RX17

This has been hanging around for some time and we're sick of the sight of it, so its got to go! Bidding starts at 1p

Sometimes you might wonder why Yamaha released so many drum machines under the RX name that were so similar in many ways, and we don't have an answer for you, The Yamaha RX-17 was near the bottom of the RX range with only the RX21 and the dreadful preset only RX120 beneath it in terms of features. Having said that, when the RX17 has been circuit bent like this machine, it is capable of eating its older cousins such as the RX15 or RX11 for breakfast, dinner and any other meal you might care to mention!

The circuit bent RX17 has a kind of gentle savagery to it that you don't find on any other bent drum machine, as the sounds tend to be a little more crisp and separated, rather than mashed together in one terrifying wall of distorted glitching noise.

This machine includes a 24 way Bend Bus switching matrix that warps and glitches the onboard sounds in all manner of unlikely and disturbing ways. Each switch connects one bend point to the common 'bend bus' when activated. If you then use another switch to connect another bend point to the bend bus, these two bend points will interact with each other to create some of the most bizarre and extreme audio mangling effects you'll ever hear.

Each bend point has a different effect and will also change its effect depending on which other points its connected to at the time. You can activate as many switches as you want at any time, but you will need at least two switched on to activate any effect. Effects available range from what sounds like comb filters, ring modulation, bit crushing, distortion, bizarre time stretching, EQ, and what can only be described as audio smearing™.

The RX-17 seems especially good at shimmering ring mod and chopping effects on the high frequency sounds, along with unexpected percussion sequences on each drum hit i.e. the crash cymbal can start as a crash and then strangely morph into a clap, timbale or any / all of the other sounds in sequence. It also seems keen on creating looping within the sound sample, as if a short loop has been set up and the loop start point is moved along the sample as it plays back.

This machine will never be a punchy bass monster, but if you want a cheap source of some of the most bizarre circuit bent percussion sounds you'll ever hear, you won't go far wrong with a RX17.

The RX17 has 26 typically 80's Yamaha onboard sounds, with Midi in/out, and a pair of audio outputs. You can find a copy of the manual HERE, although its about as difficult to use as a toothbrush, so we doubt you'll need it.

Take a listen to the demos below to get an idea of the kind of sounds this machine can now produce. With none of the switches activated, it acts like a normal RX17."