MATRIXSYNTH: Search results for DreamsOfWires AJH


Showing posts sorted by relevance for query DreamsOfWires AJH. Sort by date Show all posts
Showing posts sorted by relevance for query DreamsOfWires AJH. Sort by date Show all posts

Thursday, September 14, 2023

AJH NEW MODULE! 'CHANCE DELAY' Voltage-Controlled Probability/Random Gate Delay and More


video upload by AJH Synth Official



"The Tone Science Chance Delay is a unique concept in Eurorack modules that combines chance and randomness, with pulse delay and pulse conditioning. It is a collaboration between between electronic musician/composer Ian Boddy and AJH Synth. It can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also "divide by n" clock division. There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere between from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds. The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status. It includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length. Its compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system. For a full description of the module, and more information about Ian Boddy & Tone Science, visit the product page on the official AJH Synth website: https://ajhsynth.com/ChanceDelay.html See Ian Boddy's video about the Chance Delay [below]

Tone Science (Ian Boddy) is a sub-label of DiN Records: https://dinrecords.bandcamp.com/album...

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Chance Delay Module

video upload by theianboddy

"It's great to announce my second Eurorack module design, the Chance Delay, in conjunction with AJHSynth. Launching under the Tone Science brand this can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also 'divide by n' clock division.

There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds.

The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status.

Includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length.

Compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system.

Module Width: 8hp
Module Depth: 26mm (Including power lead)
Current Usage: 25mA Positive, 6mA Negative

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability."

Sunday, December 12, 2021

AJH Synth Patch of The Week Videos

video uploads by AJH Synth Official

Videos by supoorting member, DreamsOfWires.

Playlist: 1. Patch of The Week: The Sonic XV's Wave Folder - So many tones from just 1 VCO's Triangle wave
'Sonic Arps': The Sonic XV Transistor Diode Ladder Filter has a built-in Wave Folder, and in this video I'm using an arpeggiator in random mode to show the many subtle flavours of sound it can achieve from just a simple triangle wave from a single VCO. I will also pull a huge variety of timbres from a sine wave in a similar fashion.
The filter is a re-creation and expansion of the VCF from the Musonics Sonic V (5) synth of the 1970's (predecessor of the Moog Sonic Six), and shares a similar character to that of the EMS Synthi and VCS3, also being early diode filters. Bearing that in mind you might expect it to produce aggressive tones and chaotic feedback, which it can do well enough, but you might not have expected that it can also be very subtle, organic and warm in character, particularly well-suited to melodic arps/patterns and percussive sounds. With the added wave shaping functionality that wasn't present on the original, along with 24dB and 6dB low pass modes, and band pass filtering, this module packs a lot of tone shaping into 14hp.

Index:
00:00 'Sonic Arps'
00:34 Introduction
01:01 Assembling the patch
01:39 Sounds & Settings
04:33 Patch Sheet

A PDF file of the patch can be downloaded here: https://kvisit.com/8AE/xfUG

Patch notes:
Green dots show approximate pot and switch positions. Where a pot has two dots, this illustrates the range I move them during the video. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions.
I'm using the VCA as a mixer so that I can use the outputs from both the BP and 6dB outputs of the Sonic XV. Notice in the video they are set at different volumes at different points depending on the sound - you will need to adjust this too, as different combinations of IN LEVEL, IN MIX, IN WAVE, and filter settings can make a significant difference to volume levels.
Modules used from left to right: Vintage Transistor Core VCO, Sonic XV, Contour Generators, Discrete Cascaded VCA.
2. Patch of the Week: 'Schulze School' - Melodic Eurorack performance + 'how-to' guide & patch sheet
This week's patch makes use of the V-Shape wave shaper/wave folder to sculpt the great analogue tone of the MiniMod VCO to create some delicate timbres that reminds us of Klaus Schulze's mesmerising sounds created on his sequencer-driven Moog modular synth systems in the 1970's. It also makes particular use of the Ring SM as a sub oscillator generator, and the rich tones of the Sonic XV diode filter.

Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.
3. Patch of the Week: 'Singing Gemini' - Dual Analogue VCF as a Dual Sine Wave VCO How to & patch sheet
This patch uses each of the 2 analogue filters of the Gemini as a dual VCO, self-oscillating, so that they produce sine waves and can be sequenced melodically using the Korg SQ-1 or any analogue step sequencer. This guide shows you how to make this patch, along with a patch sheet at the end. It is one of the many ways you can use just a couple of Eurorack modules to make music, as modular synthesis can be rewarding even with a minimal gear list.

Sunday, June 17, 2018

AJH SYNTH Sonic XV & MINI MOD eurorack modular improvisation/jam/patch


Published on Jun 17, 2018 DreamsOfWires

"AJH Synth Sonic XV filter & Mini Mod eurorack modular system performance. Simple sequence variations from a Arturia Keystep, into 3 VCO's, all 3 into the AJH Ring SM mixer then the Sonic XV. Other waves from the VCO's are also patched into the AJH Ladder Filter, and both filters patched into the Mini Mod VCA. You can hear the Ladder Filter join in the mix in the latter half of the performance.

A Make Noise Pressure Points is serving as a kind of preset patch bay for the Sonic XV, setting it's frequency, resonance, and waveshaper. Otherwise, only AJH modules were used in this patch.

Purchase my music: https://tomorrowthecure.bandcamp.com
To support my channel: https://www.patreon.com/dreamsofwires
For cross-platform updates: https://www.facebook.com/tomorrowthecure"

Sunday, May 29, 2022

How to use Gated Slew with a Sequencer - Gate signals explained + Sample Hold & Slew module tips


video upload by AJH Synth Official

"Slew allows you to slide/glide between notes in a sequence, like those famous TB-303 Acid House tracks and a whole range of other electronic music styles, but if it's not built into your synthesizer it might be confusing how to achieve it, particularly as there are so many sequencer options available, many of which function differently from each other. This video shows how 3 popular desktop step-sequencers can work with the Sample Hold & Slew module - the Doepfer Dark Time, Korg SQ-1, which are both akin to vintage analogue step sequencers, and the Arturia Beatstep, which functions more like a Roland SH-101. I used just one MiniMod VCO going into the Sonic XV Diode Ladder Filter, since the TB-303 also has a diode ladder VCF, and here I've used it in just 6dB mode for extra squelch! However, I'm also using the Sonic XV's built-in wave folder to significantly change the timbre of the incoming triangle wave. The Sample Hold & Slew can function as a separate gated slew module, with selection of up or down slew only, whilst the sample & hold part of it can be used independently, serving as 2 individual modules in 1. Or both functions can be combined, so that random voltages can slide from one to the next, even at very slow speeds, which is great for modulating gradually evolving drone sounds. The Colour and Restrict controls can be used to fine-tune a more desirable range of random frequencies from the noise source. An external clock can be used to sync the random voltages with other modules, sequencers or keyboard gates.

Additionally, audio can be passed through it to use as a noise source for the sample & hold or track & hold. At high clock speeds this feature can be used a very lo-fi bit-crusher, and slowing the rate down will gradually mangle the audio further, eventually reducing it to random beeps!

Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.

Video by DreamsOfWires

More Videos:
Blade Runner & Vangelis CS-80 Patch [posted here] 'Destination Not Berlin' Performance: [below] Index:
00:00 Intro
00:27 How it works
02:42 Using Doepfer Dark Time
03:35 Using the Korg SQ-1
04:15 Using the Arturia Keystep
08:15 Using CV to control Slew
10:26 Example usage with Sample & Hold"

Performance: Destination Not Berlin - All-analogue Melodic Set using AJH Synth Eurorack Modular rig.

video upload by AJH Synth Official

"This live melodic modular set by 'tomorrow the cure' was originally intended for Superbooth 22 in Berlin, but had to be cancelled due to hearing problems. Since the set was ready to go I thought I'd record it to share with you as another example of what a Mini Mod system can do, and what it can sound like. If this appeals to people there'll be more performance videos in the future, showing AJH Synth modules being used as they're intended - to make music. Hopefully these videos will be an inspiration to people, and compliment the 'User guides' and 'Patch of The Week' videos, which will continue to serve as more practical, or instructional videos.

I've dedicated this performance to Klaus Schulze, who passed away recently. His approach to making music and the sounds he created were a great influence of mine personally. Since then Vangelis has also passed. Fortunately we will always have the gift of their music, both to listen to, and be inspired by.

Performance breakdown:
The synth rig used is based around two voices from just 3 VCO's, 1 of which is paired with a Ring SM, which serves as a waveform mixer, and provides a -1 sub-octave. This then feeds the Gemini 2412 filter, whilst the VCO's triangle goes to the Sonic XV for processing by it's wave folder. All of this is mixed in the Muting Mixer & VCA on the top row. This is responsible for the melodic notes and sequence of the first 8 minutes, the drone in the following section, and then the final sequence.

The other 2 VCO's are going to the Ladder Filter, or the Wave Swarm, which is then passed to both the Ladder Filter and the Fixed Filter Bank 914. These are mixed in the middle row's VCA, and the intervals between the pitch of the 2 VCA's in controlled by the Precision Voltages module. This provides the drone in the first 8 minutes, the played notes/chords thereafter, and the choir-like drone during the final section.

Through the sequencer I switch the keyboard control from one voice to the other. I edited out the re-patching between parts to shorten the video - I took my time over the process as my hearing was still not 100%.

Tracks in this performance:
00:00 Intro
00:31 Part 1 - Opening piece
02:15 Part 2 - 'Monotherapy' from 'Grey Days & Old Ways', 2019
07:47 Part 3 - 'Miserere' from 'Two Voices', 2022
17:33 Part 4 - Untitled...
Parts 2 & 3 are available at https://tomorrowthecure.bandcamp.com

'Two Voices' was recorded entirely using the AJH Synth Mini Mod system - the same modules used in this performance. As was 'One System', and the majority of both 'Grey Days...' and 'Lost Soundtracks'."

Sunday, April 30, 2023

AJH Synth Introduces 2HP Voltage-controlled High Pass Filter

NEW MODULE! Low Fat - 2HP Voltage-controlled High Pass Filter - Features, Examples & User Guide
video upload by AJH Synth Official



"The LOW FAT is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. However, because it can be voltage-controlled it can also be used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter. Visit the module page on the official AJH Synth website: https://ajhsynth.com/LowFat.html

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Video by @DreamsOfWires"

Sunday, December 09, 2018

Minibrute 2 & Modular (Arturia & AJH Synth eurorack) DreamsOfWires


Published on Dec 9, 2018 DreamsOfWires

"My first session using the Minibrute 2 with my Eurorack modular system, just a simple 70's-inspired thing. This is not an instructional video, just a musical session I enjoyed and decided to share. The Minibrute's sequencer is the backbone of the performance, with the AJH MiniMod modules providing additional sounds. Turn on subtitles for a few snippets of patch info. List of gear and effects used below.

My apologies to anyone who finds the clips of the Sparrowhawk taking a lunch break in my garden upsetting - I see my videos as an opportunity to show my view of the world, in experiences, travels, and things I feel are pertinent, or simply important to me.

If you like my uploads/music and would like to help me continue to do it, please consider purchasing my music, supporting me on Patreon, or just by spreading the word about my channel. Links are as follows:
https://tomorrowthecure.bandcamp.com
https://www.patreon.com/dreamsofwires

Gear: Recorded on an iPad using AUM, with EOS2 for reverb, and Dubstation 2 for delay on the main sequence. iConnectAUDIO4+ audio interface.
Modular: AJH Synth VCO(x3), glide + noise, DH-ADSR, VCA, transistor ladder filter, Sonic XV filter. Make Noise Pressure Points & Brains, WMD/SSF Spectrum (as lfo), Frequency Central Wave Runner lfo, Intellijel buffered multiple. Oh, and an Arturia Minibrute 2 :P
Camera: Lumix GX7 & GH4."

Tuesday, November 05, 2019

Sounds of the Seventies Jam (full version) all-analogue Eurorack Modular


Published on Nov 5, 2019 DreamsOfWires

"Live/real-time performance with a 70's-inspired Eurorack modular system, including AJH Synth modules based on a complete R.A.Moog era Minimoog and the 914 fixed filter bank from the Moog Model 55 modular synth. Turn on Subtitles for commentary.

I listen to a lot of so-called 'Berlin school' electronic music that featured these instruments, but I could never afford the originals, so having such a quality instrument in Eurorack format that's this close in terms of sound and technology is really special. This rig is closer to a Model 15 in terms of modules, but goes way beyond it in features and capabilities. The AJH Fixed Filter Bank 914 also has more functionality than its namesake, and my next video will spotlight this filtering monster, explaining a little more about what it does.

All modules are by AJH Synth, and I've also used their Precision Voltages, Ring SM, and Wave Swarm in this composition.

Sequences are driven by an Arturia Keystep, and overlaying notes played manually from a USB keyboard into an Expert Sleepers FH-2, then into the modular.

Recorded into AUM on an iPad, using Audio Damage Dubstation 2 delay and ShimmerFX reverb.

If you wish to help me continue this channel or support my music, my albums are available here:
https://tomorrowthecure.bandcamp.com

Or you can support me on Patreon:
https://www.patreon.com/dreamsofwires

#ajhsynth #dreamsofwires"

Wednesday, September 09, 2020

Eurorack Attenuation w/ AJH Synth CV Mix Offset VCA - Demo and Performance


DreamsOfWires

Part 1 here. Additional AJH Synth posts by DreamsOfWires here.

"Second part of an introduction to the modulation section of my AJH Synth Eurorack modular synth, followed by a performance. This time I'm focusing on attenuation with the CV Mix Offset VCA. In the video I'm demonstrating how I use it with an envelope generator and a modulation controller, but it can be equally useful when used with LFOs, or controlled by sequencers, or processing other control voltages. It's a Swiss army knife in 10hp.
The previous video covered the Dual LFO + VCA, and the next one will concentrate on the Sample Hold + Slew module.

I'm not signing in so often now - since recent YouTube changes the site isn't working properly on my iPad and PC, is a pain in the bum to use, and I no longer get notifications of new comments for some reason, so I might be slow to respond to comments.

My music is available here: https://tomorrowthecure.bandcamp.com
To support this channel: https://www.patreon.com/dreamsofwires"

Sunday, September 18, 2022

'A Space Odyssey' with the LUNAR MODULE - Performance with lo-fi sample processing in eurorack


video upload by AJH Synth Official

"This week's Patch of The Week was inspired by the movie '2001: A Space Odyssey', and uses the LUNAR MODULE by AJH Synth to process audio samples from the film, whilst various other Eurorack modules build the accompanying melodic drone to provide the musical backing.

The Lunar Module is an audio processor and noise generator, which also features distortion, a bit-reduction/bit-crushing effect, and a recreation of the 'Quindar' sounds (beeps) used in the actual NASA Apollo space program/missions of the 1960's to early 70's. In conjunction with the Lunar Module's other sound processing tools this can be used to simulate the lo-fi audio transmissions of the time and then applied to anything. All the features are also useful individually, from a customisable noise source, to adding distortion and bit-reduction to any incoming audio or Eurorack level signals, even melodic sounds. This performance originally appeared at the end of the Lunar Module User Guide video - check it out for all the details on what it can do and how to use it.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself: https://youtu.be/89bv0dI8yw4

Video by DreamsOfWires"

Lunar Module User Guide - Vintage Space Mission Audio/Mic/Sample/Synth Effects for Eurorack

video upload by

"The Lunar Module is a fun Eurorack module for recreating the sound character of early space missions, or adding noise and bandwidth limitation to mics, line-level audio, samples, and synth modules. It's effects can be triggered manually, or from gate signals, and include noise with colour control (a bipolar low pass and high pass filter), hum effects with frequency control, variable distortion, and 'Quindar' - an authentic beep used at the beginning and end of transmissions from the Apollo space capsule back to the NASA Huston control centre.

As with all AJH Synth modules, the Lunar Module is designed to be played, and it's pots and jack sockets are made easily accessible so that live tweaking is not hindered, and controls are all substantial in size and spacing. Most are based on vintage synthesizer circuits and designs, bringing the sounds, behaviour and character of classic synths to Eurorack modular, but with the advantage of modern reliability, compatibility, flexibility, and understanding of the needs of modern musicians.

00:00 Intro
00:13 Overview
00:59 Installation Guide
02:12 Inputs & Controls
09:07 Use with Samples
14:43 Use with Microphones
16:29 Use with Synths
19:43 With Other Audio Devices
22:06 A Patch Clip
23:53 A Short Performance"

Video by DreamsOfWires"

Sunday, August 27, 2023

'Arp & Drone' 2-Voice Melodic Eurorack performance (ambient, minimal, all analogue synth sounds)


video upload by AJH Synth Official

"A rather gentle 2-Voice, all-analog melodic performance using random arp mode on a Keystep Pro, whilst controlling a 2-note drone sound with the keyboard. This time a slightly simpler version of this recording: [below]

The system includes three Vintage Transistor Core VCOs and noise from the Glide + Noise module, which are split between the two filters of the Gemini 2412 dual multi-mode VCF. Two of the VCO sawtooth waves go to the Wave Swarm , which thickens them, creating the effect of many stacked saws (or supersaw) buzzing as their waveform timings collide. This makes an excellent basis for drone sounds, even from a single VCO.

Other important modules here are the Tap Tempo Voltage-controlled LFO, which is clocked by the arp (gate out to clock in), and modulates/varies the frequency of the filter on each new arpeggio note, creating more movement. Also the Ring SM adds a -1 sub-octave to the single VCO of the arpeggio, and mixes in some white noise, fattening the sound hugely.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

'Not moving on' - Mellow, Melodic Eurorack Performance (AJH Synth MiniMod & Gemini 2412)
video upload by DreamsOfWires

"Melodic real-time performance using 2 modular analogue synth voices, a work-in-progress version for this album: https://tomorrowthecure.bandcamp.com/... [posted here w/ video]

This track makes particular use of the Gemini VCF as two seperate filters - the melodic part (an arpeggio from the Keystep in random mode) consists of either the Entropic Doom (alone as a pitched noise VCO, sometimes with a regular VCO mixed into it's audio input, or used as a sync source), or just the standard VCO through the Ring SM (where additional octaves are added). The output of both the Entropic Doom and the Ring SM go to independent filters on the Gemini, Low Pass and Band Pass respectively. Then, the keyboard/sequencer gate from the Keystep triggers the Sample & Hold module, which modulates the mix between the output of these two filters using the Gemini's built-in voltage controlled mixer/cross-fader. I'm also using the CV Mix module to set the modulation level, range, and start/end positions.
The drone sound is two VCOs going through the Wave Swarm to the Ladder Filter, at certain points I manually shift the pitch of one of the VCOs using the Precision Voltages module, via the Glide module (up only). Recorded into AUM on an iPad with EOS2 reverb.
Added video footage is of the North Norfolk Railway, then the Mid Norfolk Railway, UK (before 'lockdown')."

Thursday, November 01, 2018

AJH Synth MiniMod Eurorack System patch/performance


Published on Nov 1, 2018 DreamsOfWires

"AJH Synth MiniMod system jam. I was learning how to use the AJH DH-ADSR module as an LFO (looping mode) and it evolved into a patch and a simple drone-like composition, which I decided to record.
Turn on subtitles for a description of what is going on in the patch.
Modules used: AJH VCOx3, Ladder filter, Sonic XV, Ring SM, DH-ADSR and VCA. Frequency Central Waverunner. Expert Sleepers FH-1.
Recorded into AUM on an iPad, with Audio Damage EOS2 reverb.
Arturia Keystep and Korg Nanokey 2 controllers.
iConnectivity iConnectAUDIO4+ audio interface.

Please consider supporting the development and continuation of my channel by purchasing my music, becoming a patron, subscribing, or just by telling others about my channel and music. Thank you.

Links:
https://tomorrowthecure.bandcamp.com
https://www.patreon.com/dreamsofwires
https://www.facebook.com/tomorrowthecure

Disclaimer: I don't provide technical gear guides, reviews, or buying advice, I just make creative, music-based videos, which I hope people will either enjoy or take inspiration from. I'll answer simple technical questions occasionally if someone is having problems, but I'm no expert and internet searches will usually provide better advice."

Tuesday, October 11, 2016

DreamsOfWires - AJH Mini Mod composition


Published on Oct 11, 2016 DreamsOfWires

"Sounds of the AJH Mini Mod over 4 tracks, using only 3 patches in total. Variations of one patch were created by removing the tuned filter resonance or one of the VCO's using the filters handy 3-channel mixer.
This was recorded into Cubasis on an iPad, using AUFX:DUB (delay) and Virsyn's Audio Reverb.
Some of the sound fidelity, especially lower frequencies, will be lost in the online video compression.
Footage is of a jaunt through the Cheviot Hills in Northumberland, UK."

Sunday, October 16, 2016

DreamsOfWires - AJH Mini Mod single VCO & filter


Published on Oct 16, 2016 DreamsOfWires

"This was the first recording I made with the AJH, just a simple, repeating sequence of notes (taken from a composition I'm working on), but I wanted to see how a single Mini Mod VCO sounded like with the filter and a bit of reverb. I'm gradually mixing the triangle, square and saw waves using the 3-channel mixer on the filter, also adjusting the filter etc. I found that both modules sounded really lovely.
I originally uploaded the audio to Soundcloud here: https://soundcloud.com/tomorrowthecure"

Sunday, October 13, 2019

Ambient Performance with AJH Synth Precision Voltages & Wave Swarm

'Analog Ambient' Performance 1 - with AJH Synth Precision Voltages & Wave Swarm

Published on Oct 13, 2019 DreamsOfWires

"Using the new AJH Precision Voltages Eurorack module in a real-time performance/recording. Also using the Wave Swarm to create string and choir-like timbres. All sounds are purely analogue (all from the AJH Synth system), no samples, and only digital reverb is added. This composition is a work-in-progress for a future Bandcamp release/album, and I have shortened it for the purposes of this video. See 'About...' at the end of the description.

Turn on subtitles to see a step-by-step rundown of how I'm using these modules in the video - hover your mouse over the transport bar at the bottom of the video and click the square Subtitles icon.

The incredibly useful Precision Voltages module makes a lot of things possible in performances that I've wanted to do for some time, and you'll be seeing it in future videos too. I've also used the Wave Swarm which can take the sound of a single VCO and create some very dense, haunting timbres, sometimes reminiscent of choirs, strings, and particularly old string synths of the past.

Please subscribe for more like this.
Check out my music and new album on bandcamp: https://tomorrowthecure.bandcamp.com
To help me fund/continue this channel you can also support me here: https://www.patreon.com/dreamsofwires"

Sunday, October 30, 2022

Expanding the Mother 32 - Sub-octaves, wave multipliers & extra VCO's for chords & vintage fatness


video upload by AJH Synth Official

"Here are some ideas for expanding the sonic possibilities and fattening up the sound of the Moog Mother 32 analogue synth - We're sometimes contacted by customers who have, or want to add AJH Synth modules to theirs, as the Mother 32 has great connectivity for Eurorack integration, so hopefully this will video will show a little of what is possible. The Mother 32 has a single oscillator, so the most obvious choice would be to add more VCO's, in order to perform harmonies and simple chords, but also it doesn't have a sub-bass, or sub-octave generator, so this may also be worth considering. In this video we demonstrate both of these options, using the MiniMod Vintage Transistor Core VCO's, the Ring SM to generate sub-octaves and as a CP3 style mixer, but also the Wave Swarm to simulate multiple stacked sawtooth waves. We also use the Sample Hold & Slew to generate rhythmic, random filter modulation, the Precision Voltages as a convenient way to select precise octave and semitone pitch changes of VCO's, and use the V-Scale to address 1V/Oct scaling/tracking issues that may occur when using the Mother 32 to control external VCO's or other instruments via CV.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Index:
00:00 Introduction/Overview
00:53 Sub-octaves/sub-bass (Ring SM)
02:40 Sawtooth multiplication (Wave Swarm)
03:50 Ring SM as CP3 Input mixer
04:44 Using it with a sequencer
06:33 Sample & Hold filter mod
08:37 The need for the V-SCALE
09:09 Adding more VCO's
10:25 Using the Precision Voltages
11:19 Multiple VCO's & a sequencer

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself: https://youtu.be/89bv0dI8yw4

Video by DreamsOfWires"

Sunday, October 16, 2022

AJH Synth Low Pass Filters Compared: 3 Eurorack VCF's - Sequences & Sweeps (dry audio/no talking)


video upload by AJH Synth Official

"A purely functional video this week - we're sometimes asked which filter we'd recommend, but really it's a subjective thing, so here's some examples of the current 3 AJH Synth Low Pass filters compared, with both a sequence and static sawtooth sweeps. The settings are mostly kept similar, bearing in mind that it's impossible to get an exact match with different VCF designs. The video timeline has an index, so you can skip to particular sections by using the links below, or by hovering the mouse over the timeline on the video player.

Filters featured:
Transistor Ladder Filter (based on the R.A.Moog Minimoog)
Sonic XV Diode Ladder Wave Filter (based on the 'muSonics' Sonic V)
Gemini 2412 Dual Vintage State Variable Filters (based on the Oberheim SEM)

INDEX:
00:00 Intro
00:29 Video Overview
01:20 Sequence + 1VCO - Ladder Filter
02:18 Sequence + 1VCO - Sonic XV 24dB
03:16 Sequence + 1VCO - Sonic XV 6dB
03:57 Sequence + 1VCO - Gemini 12dB
04:26 Sequence + 1VCO - Gemini 24dB
04:58 Multiple VCO's
06:33 Fast sequence
09:03 Filter Sweeps - Ladder Filter
10:25 Filter Sweeps - Sonic XV
12:56 Filter Sweeps - Gemini 2412

Video by DreamsOfWires

vcf comparison analogue voltage controlled filters compared analog filter shoot out no talking dry audio only examples no fx transistor ladder filter vs sem filter vs diode filter"

See the AJH label below for more.

Sunday, May 21, 2023

TRIPLE CROSS: How to create Circular/3D Panning effect with this Eurorack Stereo Cross-fader module


video upload by AJH Synth Official

"The new Triple Cross module from AJH Synth & Tone Science is a 3-channel stereo cross-fader/panner, fully voltage controlled, and able to be used for a plethora of different audio or CV duties. Here it is being used to achieve a dual VCA, stereo panning and cross-fading simultaneously, alternately raising and lowering the volume of 1 or 2 incoming audio signals, whilst moving them between left and right outputs. This can be used to create a 3D impression a sound that is moving in a circular motion.
This might more often be useful for creating momentary effects, and could be especially interesting for ambient drones, but here I demonstrate it using a sequencer, and eventually 2 melodic synth voices playing different patterns. An important element in this patch is the modulation - I use the Dual LFO +VCA module to create a quadrature triangle LFO, so I have 2 triangle waves running at the same speed, but at a 25%/1 quadrant difference in their duty cycle. Here it's achieved by using the square wave of one LFO to sync the other.
For more ideas of what the Triple Cross module can do check out this video:

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Sunday, June 26, 2022

New TAP TEMPO VC-LFO 16-Wave Eurorack Module by AJH Synth

NEW! TAP TEMPO VC-LFO 16-wave voltage-controlled modulation Eurorack module with VCA, Int/Ext clock
video upload by AJH Synth Official

"The TAP TEMPO VC-LFO is a skiff-friendly, 42hp Eurorack low frequency oscillator. It's a modulation powerhouse, with 16 waveforms, 15 with 'wave form twist' PWM-like control, random sample & hold type waves, and CV control over all functions.It can serve as a clock source, or can be clocked by external pulse/gate signals, with a clock multiply/divide function, along with a built-in VCA controlling both bipolar (LFO type) and unipolar (envelope-type) outputs. It's great for everything from simple expression-controlled pitch vibrato, to clocking or being clocked by sequencers for time-synced modulation, and generative patches, where randomness and/or time control is needed to be shared between different modules.

This video is a brief introduction to the module, but following 1 hour after this upload will be a full USER GUIDE VIDEO detailing all functions, along with some example patches.

Check out the AJH Synth playlists for more module USER GUIDE videos, and 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.

Video by DreamsOfWires"



via AJH Synth

Every modular system needs modulation sources to add variety and interest to static sounds. The more powerful and versatile the modulator, then the more interesting these sounds can become. We compiled a wish list of useful features, starting with obvious ones such as CV control of Frequency, Tap Tempo, Unipolar and Bipolar outputs and a wide range of waveforms, and then we just kept adding more features such as waveform twist, rate multiplication, Sync In/Out and an inbuilt dual VCA for modulation level control. Then we made sure that we had voltage control (and therefore automation) available for every single feature. This takes it way beyond the realms of regular LFO's and make the Tap Tempo VC-LFO a modulation powerhouse.

Ergonomics are important too, it can really spoil the workflow if we have to stop and refer to the user manual to find out what some obscure control or jack socket does - so it follows our usual format of having a very clear, intuitive and uncluttered front panel. All of the jack sockets are in two rows at the bottom, with the inputs on the left and outputs on the right hand side.

The Tap Tempo VC-LFO is available with either a Black or Silver front panel.

Sunday, November 12, 2017

DreamsOfWires - AJH Synth Mini Mod solo improvisation


Published on Nov 12, 2017 DreamsOfWires

"Back home after a busy month away, and back to my favourite toys.

This is only something very simple and free-form, with a single voice, just to enjoy the sound of the instrument. My recording doesn't do the Mini Mod justice, but it has a satisfyingly big, warm and characterful sound.

I start with a single VCO, then add a second, then a third, all tuned to different pitches. The 'mod' touch pad on the Keystep (plus my finger) is controlling filter cutoff via CV, and I'm tweaking resonance directly on the filter front panel.

Recorded into AUM on an iPad, via an iConnectAUDIO4+, using Audio Damage's 'Eos 2' for reverb. A Frequency Central LFO is connected to the VCO's PWM.

Cloud footage was recorded on an iPhone SE, synth footage was recorded with a Sony RX100 IV and a LUMIX GX7.

Please don't ask for more technical details than that, it's really not that important and gets tedious. All that matters is the results and the enjoyment getting there..

To my subscribers/followers so far - thank you for your support and patience, it genuinely means a lot to me.
https://tomorrowthecure.bandcamp.com"

Saturday, May 11, 2019

Eurorack Modular Arp & Drone Improv (AJH Synth MiniMod, Gemini, Sonic XV, Ring SM)


Published on May 11, 2019

"Very simple Eurorack Modular jam with the AJH Synth MiniMod system, Gemini 2412 filter, Sonic XV filter, Ring SM, Expert Sleepers FH-2 & more. Just a test really, to familiarize myself with the Gemini and FH-2. Enable subtitles for an explanation.

I just recently bought the Gemini, along with the Gain Switch and an additional VCA in order to finally finish of my 6x84hp AJH system (although I'd like to add a third row at some point). I've also upgraded my Expert Sleepers FH-1 to the FH-2, something I can definitely recommend to others, as it is excellent. I've had to sell a fair amount of my other gear to fund getting to this point, some of the modules in the grey case will also be going soon, and I've got myself in considerably more debt, so please bear this in mind before complaining that I've sold whichever other instrument or gear I've featured in the past - I don't sell them for fun, it's out of financial neccessity. Of course, if you wish to send me the instrument or gear for free, then sure, I'll make more videos for them! ;)

If you'd like to help me continue what I do on YouTube, or just support my music, here are the usual links:

https://tomorrowthecure.bandcamp.com
https://www.patreon.com/dreamsofwires

Otherwise, just subscribing and sharing knowlege of my channel is always greatly appreciated.

Full module list used:
AJH Synth VCOx3, dual contour generator, DH-ADSR, glide/noise, Ring SM, Sonic XV, transistor ladder filter, VCAx2, gain switch, & Gemini 2412. Expert Sleepers FH-2, Make Noise Pressure Points, Frequency Central Wave Runner LFO, Intellijel buffered multiple, Doepfer switched multiples.
Other gear: Arpeggio from an Arturia Keystep. Recorded into AUM on an iPad via an iConnectAUDIO4+, with EOS2 reverb. Filmed on a Lumix GH-4 & 20mm f1.7, and iPhone SE. Eurorack cases made my me."
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