MATRIXSYNTH

SubLichtmaschine and Easter Noise - Modular Tracks by verstaerker

SubLichtmaschine
"almost all the system is involved creating a drone like sound (mainly noise through the the Cwejman Res) and Beats with the Doepfer A-106 - Bd from the Cwejman S1"

Easter Noise
"some noises i made on my easter holiday - as ususal mainly using Cwejman modules as the VCO-2RM, ADSR-VC2 and the RES-4 - sequenced with Doepfer A-A154/155

Noisy rhythmic sequences with the additional help of the two Doepfer Noise Modules A-117/118"

via the forum.

Update: One more:

Easter Groove
"groovy sequences done with several Doepfer and Cwejman Modules and the Cwejman S1"

Roland System 700

via sequencer.de

Update: this also came in via the AH mailing list via Kai. He is missing a switch cap for his and a fader cap for his System 100m. If anyone knows where to get any feel free to comment or shoot me an email - my contact info is on the right of the site.

Tenori-on Tommy Klein

YouTube via acidjack303. via sequencer.de
"Tommy Klein explain the Yamaha Tenori-on at the Musikmesse 2008 in Frankfurt Germany"

Jean Michel Jarre's return to planet Oxygene

“When I got them out of storage and played them again, I realised something that even I had forgotten - that these analogue instruments are unique,” Jarre says. “Choosing to use these old synths instead of their modern equivalents is not a retro thing, it is not nostalgia, it is because technological progress has almost nothing to do with the quality of the instrument.

A violinist playing today would rather play a Stradivarius than any other instrument - a violin made 400 years ago. Many guitarists would say that the best electric guitars ever made were Gibson Les Pauls and Fender Telecasters from the 1950s or early 1960s. It is the same with these analogue synths.”

You can find the full interview on the Times Online.