Sunday, May 09, 2010
TubeOhm - Bruno - virtual analouge Synth
YouTube via tubeohmsound — May 09, 2010 — "TubeOhm BRUNO -205 and BRUNO Rack A new 'old ' synth, --A FUN MACHINE-- --MAKE IT LOUD--"
100% Korg DS-10 - Deteriorating Liquid Crystal - from Health And Safety compilation
YouTube via ChrisLody — May 09, 2010 — "This track is downloadable free as part of the Health And Safety compilation from the Ds-10 Forum here:
http://ds10forum.com/viewtopic.php?f=...
All the audio was created using Korg Ds-10 running on a Ds Lite.
The video was filmed in Skegness by my wife Esme and edited together by me.
Disclaimer: This video does not represent an accurate experience of visiting Skegness."
Synthesizer Song in JARRE Style.avi
YouTube via AnalogAudio1 — May 09, 2010 — "I made a short song in J.M. Jarre style with a Eminent 310U organ, ARP Odyssey and Korg / Keio Minipops 7 drum machine. Recorded with Logic."
ENSONIQ FIZMO P02-12
YouTube via betteroffted23 — May 09, 2010 — Custom Patch for Ensoniq Fizmo. 2 Sounds, 2 Oscillators.
ENSONIQ FIZMO: P03-1
Roland TR-909 Vintage Analog Drum Machine
via this auction
"Power Supply: 100V
Use with Transformer: In USA, please google 'converter 120v to 100v'"
Also see the seller's other items.
"Power Supply: 100V
Use with Transformer: In USA, please google 'converter 120v to 100v'"
Also see the seller's other items.
YAMAHA DX7 IID FM Synthesizer
via this auction
"Features:
16 bit Digital 6 operator FM x 2
16 voices
61 keys (w/ velocity and aftertouch, Split and Layer mode)
DX7IID allowed for keyboard split and layering capabilities.
It comes with Original ROM.
Power Supply: 100V
Use with Transformer: Please google 'converter 120v to 100v' in USA."
"Features:
16 bit Digital 6 operator FM x 2
16 voices
61 keys (w/ velocity and aftertouch, Split and Layer mode)
DX7IID allowed for keyboard split and layering capabilities.
It comes with Original ROM.
Power Supply: 100V
Use with Transformer: Please google 'converter 120v to 100v' in USA."
KORG MS-20 Vintage Analog Synthesizer
via this auction
Features:
Monophonic
2VCOs + Noise (white, pink)
Unbelievable Lo-Pass, Hi-Pass Filter
37 Keys.
Features:
Monophonic
2VCOs + Noise (white, pink)
Unbelievable Lo-Pass, Hi-Pass Filter
37 Keys.
Eminent Solina String Ensemble
via this auction
"The String Ensemble is an example of excellent Dutch craftsmanship. The wooden casing certainly looks good and is very sturdy. The console with sliders and instrument selection buttons is made of metal. The four octave keyboard is fine and has this typical 'spring crack' when you depress the keys. The contact springs are located under the keys, so they don't get covered with dust easily. In fact, the contacts are built that well that I have not noticed any cracking or sound degradation due to corrosion.
The unit can be opened by taking out three screws at the back, lifting the lid some two centimetres and sliding it backwards.
Inside, the machine is a perfect world of neatly placed boards and very tidy wiring. A joy to see! The buttons and sliders on the panel are the following: power on/off, tuning up/down, contrabass, cello, volume bass, crescendo, sustain length, master volume, viola, violin, brass, horn and modulation.
The contrabass and cello selectors can be used to turn on a 16' or 8' monophonic bass, which is triggered by the lowest of the keys one presses. The bass runs from C0 to G1 and stops there. The bass volume can be adjusted to match the volume of the upper registers by the 'volume bass' slider.
The crescendo and sustain sliders can be used to alter the attack and decay rates of the viola and violin registers and also have some minor effect on the other registers.
The viola and violin are the core string sounds of the unit. Brass and horn are also very nice and soft sounds which may be blended with the viola and violin sounds to create subtle sound differences.
The modulation button can be used to turn off the built-in chorus effect. I think nobody will do this, for the chorus of the ensemble is what makes this machine sound so very wonderful!"
"The String Ensemble is an example of excellent Dutch craftsmanship. The wooden casing certainly looks good and is very sturdy. The console with sliders and instrument selection buttons is made of metal. The four octave keyboard is fine and has this typical 'spring crack' when you depress the keys. The contact springs are located under the keys, so they don't get covered with dust easily. In fact, the contacts are built that well that I have not noticed any cracking or sound degradation due to corrosion.
The unit can be opened by taking out three screws at the back, lifting the lid some two centimetres and sliding it backwards.
Inside, the machine is a perfect world of neatly placed boards and very tidy wiring. A joy to see! The buttons and sliders on the panel are the following: power on/off, tuning up/down, contrabass, cello, volume bass, crescendo, sustain length, master volume, viola, violin, brass, horn and modulation.
The contrabass and cello selectors can be used to turn on a 16' or 8' monophonic bass, which is triggered by the lowest of the keys one presses. The bass runs from C0 to G1 and stops there. The bass volume can be adjusted to match the volume of the upper registers by the 'volume bass' slider.
The crescendo and sustain sliders can be used to alter the attack and decay rates of the viola and violin registers and also have some minor effect on the other registers.
The viola and violin are the core string sounds of the unit. Brass and horn are also very nice and soft sounds which may be blended with the viola and violin sounds to create subtle sound differences.
The modulation button can be used to turn off the built-in chorus effect. I think nobody will do this, for the chorus of the ensemble is what makes this machine sound so very wonderful!"
Casiolette The Rapman Commeth
" Casiolette is a project based on the exploitation and senseless torture of cheapo consumer keyboards from the 80s and early 90s. No circuit bending, no ProTools, just a few effects pedals and whatever can be plugged into the assorted line-in jacks.
The keyboard that inspired this project is the Casio Rapman (RAP-1), a hip hop-based keyboard from 1991 with a very interesting feature. It seems that anything with a 1/8" plug can be hooked up to the Rapman and its sound messed with via the "Voice Effector" slider. This means that vocals, along with guitars, drum machines, other keyboards, etc., can be manipulated in real time while the Rapman is playing one of its preset rhythms and you're playing the keyboard on top of all of it. (Some songs were accomplished "live" in this way, but most were multi-tracked.)"
Check it out at SOMERY.ORG. via somery in the comments of this post.
The keyboard that inspired this project is the Casio Rapman (RAP-1), a hip hop-based keyboard from 1991 with a very interesting feature. It seems that anything with a 1/8" plug can be hooked up to the Rapman and its sound messed with via the "Voice Effector" slider. This means that vocals, along with guitars, drum machines, other keyboards, etc., can be manipulated in real time while the Rapman is playing one of its preset rhythms and you're playing the keyboard on top of all of it. (Some songs were accomplished "live" in this way, but most were multi-tracked.)"
Check it out at SOMERY.ORG. via somery in the comments of this post.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH