Friday, September 21, 2012
Doepfer modular sequenced by Sequentix P3
Published on Sep 21, 2012 by diverseaudiolab
"In which the Diverse Audio Laboratory briefly sequence a (mainly) Doepfer synthesizer with a Sequentix P3 to limited musical effect. Delay from an Echoman delay unit, reverb from a spring. Analogue larks, as they say, ahoy.
http://diverseaudiolab.bandcamp.com"
via Diverse Audiolab on The MATRIXSYNTH Lounge
Little Phatty Stop and Go
via Moog Music on Facebook
"Stop and Go.
Happy Phatty Friday! Love, Your friends at Moog."
Green light, red light...
omnichord by folktek part 2 _ minimal dust
Published on Sep 21, 2012 by pianoloft
"another improvisation i did with my favorit instrumental comination of the omnichord, modified by folktek, and two special delay devices: rainbowmachine by earthquaker devices and memoryman by electro harmonix."
Folktek on eBay (RSS)
Novation Bass Station Analog Keyboard
Plan B M15 Voltage Controlled Oscillator Mk2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Mk2 version has the PCB parallel to the faceplate, meaning it's not as deep as the Mk1.
The M15 is an outstanding triangle core oscillator. Sine, triangle, sawtooth, square wave with variable pulsewidth ouputs and the morph output. The morph output is a waveshaping output, with a switch that selects it's output to either be sine to sawtooth or sine to square. The morph circuit is an almost exact copy of the waveshaping function used in the Buchla 258. The morph function is controllable by both a pot and a CV input, which creates very interesting effects due to the vactrol used in the circuit. All of the raw waveform outputs sound absolutely amazing. The M15 definitely has a 'fat' sound to it right off the bat, it just sounds huge. The sine wave is probably the nicest I've heard from any oscillator in my entire life.
It's very flexible in regards to FM synthesis, boasting a linear FM input and two exponential FM inputs (one of which is bipolar). The linear FM input is very musical sounding and can work for both musical scale patches as well as wild experimentation. It excels at creating various natural sounds, including metallic instruments, wooden sounds and of course, the classic bongo (especially when paired with a nice low pass gate). It has a 1v/o input, which I've calibrated to track for 5 octaves. This range can be extended by following the calibration procedure, but I only had a 5 octave keyboard to work with. It's easy to dial in tuning once it's warmed up, as you have coarse and fine tuning options on the oscillator. The oscillator also includes a sync function.
The pulse width is an interesting feature of this oscillator, as the whole range of it is covered by about 30% of the bipolar pot's manual movement. It also has a CV input to control the pulse width. The reason for this range, is to create interesting experimentation with pushing the waveform past it's thinnest pulse wave, resulting in the waveform cutting out. Sending a random voltage generator to the pulse width modulation input can create superb sounds."
via this auction
"The Mk2 version has the PCB parallel to the faceplate, meaning it's not as deep as the Mk1.
The M15 is an outstanding triangle core oscillator. Sine, triangle, sawtooth, square wave with variable pulsewidth ouputs and the morph output. The morph output is a waveshaping output, with a switch that selects it's output to either be sine to sawtooth or sine to square. The morph circuit is an almost exact copy of the waveshaping function used in the Buchla 258. The morph function is controllable by both a pot and a CV input, which creates very interesting effects due to the vactrol used in the circuit. All of the raw waveform outputs sound absolutely amazing. The M15 definitely has a 'fat' sound to it right off the bat, it just sounds huge. The sine wave is probably the nicest I've heard from any oscillator in my entire life.
It's very flexible in regards to FM synthesis, boasting a linear FM input and two exponential FM inputs (one of which is bipolar). The linear FM input is very musical sounding and can work for both musical scale patches as well as wild experimentation. It excels at creating various natural sounds, including metallic instruments, wooden sounds and of course, the classic bongo (especially when paired with a nice low pass gate). It has a 1v/o input, which I've calibrated to track for 5 octaves. This range can be extended by following the calibration procedure, but I only had a 5 octave keyboard to work with. It's easy to dial in tuning once it's warmed up, as you have coarse and fine tuning options on the oscillator. The oscillator also includes a sync function.
The pulse width is an interesting feature of this oscillator, as the whole range of it is covered by about 30% of the bipolar pot's manual movement. It also has a CV input to control the pulse width. The reason for this range, is to create interesting experimentation with pushing the waveform past it's thinnest pulse wave, resulting in the waveform cutting out. Sending a random voltage generator to the pulse width modulation input can create superb sounds."
Minitaur meets Octatrack
Published on Sep 21, 2012 by Jimmy Myhrman
"Having fun with Minitaur and Octatrack. Minitaur is MIDI sequenced by Octatrack, and the Octatrack also records the Minitaur audio and plays it back while preparing and fading in new sounds on the Minitaur (headphones are used to cue the live minitaur audio, while recorded minitaur audio is played to main output)."
2 Moog Little Phatties + 1 Slim Phatty: Polychain And Unison
Published on Sep 21, 2012 by Arjen Schat
"Quick demonstration of how I use the Poly Chain function on the Phatties to create dubtechno chords and show you how six Moog oscillators in unison sound like. I use two Little Phatties and one Slim Phatty routed through a Moog MF-104Z, Maxon AD999 and a T-Rex Room-mate. Mixed on an Allen & Heath ZED 436.
More dubtechno:
http://soundcloud.com/ohrwert
http://facebook.com/ohrwertofficial"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
