DSI Sequential - Prophet 6 - Program Test -f1

"Dave Smith Instruments Prophet 6 program and sequence demos.

level and balance test 6dB headroom (-6dBFS)"

via CatSynth

Roland VP 330 Vintage Vocoder Synthesizer

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Reverse Keys Korg POLY-800 SN 000624 with Blue KORG Gig Bag

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Sequential Circuits Pro-One SN 9167

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Vintage Roland TR-808 SN 176452 with Case

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Roland TB303 Devilfish SN 187 24230x

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Roland SH101 Monophonic Synthesizer

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"Function: 10/10 sounds very nice / no hum / excess line noise like some other units/ nice high level output/no scratchy pots/no sticky keys - everything tested prior to listing

Cosmetic: 8/10 - clean, minor scratches/barely visible, normal light wear - no dents/cracks/broken/missing anything - see pics/video."

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Tocante Phashi Love 9

Published on Jul 3, 2015 Smokey Quartz

"I play the Tocante Phashi until my fingers loose conductivity on a hot July morning."

Sequential Prophet-600 Analog Synthesizer (1982)

Published on Jul 3, 2015 RetroSound

"(c) 2015 vintage synthesizer demo by RetroSound

all synthesizer sounds: Sequential Circuits Prophet-600 Analog Synthesizer from the year 1982

The Prophet-600 was the first synthesizer with a MIDI interface.

no multitracking.
drums: Roland TR-808

Unfortunately is the video quality crap. This is a demo video from 2006 with new audio in HD."

LCO studio notes: teletype

Published on Jul 1, 2015 LaborCamp

Playlist:
1. LCO studio notes: teletype 1 & 2

"Two short captures of the first couple of days with monome teletype module. In sample 1 teletype drives everything, including the PO-12. This involve some self-patching, and the internal teletype clock.
In sample 2 monome meadowphysics drives teletype, which in turns drives the rest of the setup. Sample 2 is basically one of the scenes that came preloaded on teletype, which I patched into my case almost randomly.
Main modules in both samples are teletype, Make Noise Mysteron, drone bed provided by E350 processed through Z-DSP running Halls of Valhalla, and Mutable Instruments Braids."

2. LCO studio notes: teletype 3 a—c

"These are three variations of one scene written in teletype. It's a more abstract, somewhat generative texture engine, with a single tone pattern. All the tempos and structures are derived from the internal teletype metronome (M)."

3. LCO studio notes: teletype 4

"A slightly more expansive arrangement with monome teletype at the center. Teletype is driven by meadowphysics triggers, further breaking up patterns, and controlling pitch variations derived form a single, internal sequence. Additional PO-12 drums are driven by teletype, and processed through CV-controlled Audio Damage Grainshift."

4. LCO studio notes: teletype 5

"This is an abridged performance of two iconic minimalist compositions by Steve Reich (“Piano Phase” and “Clapping Music”). Each composition consists of two “layers” of shifting patterns. I decided to use these patterns as an exercise in constructing a scene in teletype, where each pattern evolves in it’s own right, while staying in a fixed relationship to the remaining patterns.

In the beginning of the video you will see all the screens from teletype explaining how the scene was constructed. In the TRACKER view you can see the first two patterns on the left are the 12 note sequences of the “Piano Phase”. Even though they are identical, I set up two patterns independently, as they are being read at slightly different speeds. The leftmost pattern is being clocked by external triggers, while the rightmost one is being clocked by internal teletype metronome M, the tempo of which is calculated in script 1. The “Piano Phase” theme are rendered by the two oscillators of the Make Noise DPO. The two patterns on the right are simple 1s and 0s defining the sequences of claps based on Reich’s composition. These are triggering pulses that control white noise bursts, and MI Elements.

Here is some additional info on 'Piano Phase' and 'Clapping Music':
https://en.wikipedia.org/wiki/Piano_P...
https://en.wikipedia.org/wiki/Clappin..."