"This is a demo for BMC36 Digital Hi Hat. This is a PIC based DIY synthesizer module. If you're building a synthesizer system and would like to build one of these for yourself, please visit http://www.bartonmusicalcircuits.com/..."
"This is a PIC based percussion module which is loosely modeled on the hi-hat. It features seperate Decay and Pitch controls for Open/Close modes and a master Shape control which mixes between a linear or logarithmic decay. This module is also compatable with the BMC003X Expander for using external CV for all of it's parameters."
"Demo of a patch where you feed the ENV A output back into gate to get ENV A to complete all stages from a trigger. In this patch ENV A modulates the Pitch and ENV B modules the VCA. the stages of ENV A are modulated from a couple of S&H + an LFO. Env B is modulated from the S&H too. ENV B provides the trigger. I tried to show the routing in the matrix but my camera is rubbish and you can't really see it. its easy enough if you think about it though: mult the env a output and mix with the trig and send to gate in."
In this video, I show what happens if you put the pulse wave from Phenols OSC 1 through the audio divider and feed two outputs of the divider into the hp-filter. To show the difference, the pulse wave not running through the audio divider is shown first.
For more infos check out the patchsheet attached below.
Sequencing is, as in videos before, done with the Arturia Beatstep.
"Mother-32 is a distinctively vintage-voiced semi-modular analog performance and production synthesizer. It is meticulously handcrafted to inspire unique sound creation, new music and endless sonic exploration.
"The Mother-32 is mounted in a black, laser-etched extruded aluminum enclosure and finished with traditional wood sidepieces. The 100% analog instrument features a comprehensive voltage-controlled sequencer and 32-point analog patchbay.
Mother-32’s semi-modular design means that no patching is required to create powerful analog sound. This allows musicians of any experience level to quickly make music. Synthesists will enjoy exploring the extensive 32-point patchbay which unlocks truly expressive, unique and complex synthesis capabilities. The patchbay provides access to a wealth of sounds and functionality including an assignable CV output jack, MIDI to CV conversion, a second voltage-controlled mixer, sync, interconnectivity and expandability.
Onboard sound sources include a powerful 10-octave analog oscillator with variable pulse width, and an all-analog white noise generator. The signals from each are blended together by a voltage-controlled mixer for dynamic sound creation and manipulation. From the mixer output, sound travels through a Moog Ladder Filter with selectable low pass and high pass filter types.
Musical creation and programming is executed via Mother-32’s comprehensive 32-step, voltage controlled sequencer or external MIDI controller. There are two sequencing styles, allowing each user to create new musical ideas with ease and familiarity. A total of 64 patterns can be stored within Mother-32’s memory bank.
Mother-32 is an expandable analog ecosystem that allows multiple units to easily be mounted and patched together for extended synthesis capabilities."
Welcome to Roland Boutique Published on Oct 1, 2015
"Three legendary Roland synths, now available as affordable, limited-edition sound modules. Recreating the sound and user interface of the JUPITER-8, JUNO-106 and JX-3P respectively, each module is packed with hands-on controls for deep editing, while battery operation and built-in speaker lets you make music on the move. Whether connected to the optional keyboard dock, hooked up to a keyboard or used with your DAW setup, the Roland Boutique series adds some classics to your library."
"Roland Boutique Series Announced
Historic Roland synths reborn in limited-edition Compact Sound Modules
Los Angeles, CA, October 1, 2015 — The Roland Boutique series is a new, limited-edition line of compact sound modules that recreate renowned analog synthesizers from the company’s historic past. Powered by Roland’s Analog Circuit Behavior (ACB) technology, the series includes three modules based on the JUPITER-8, JUNO-106 and JX-3P instruments from the 1980s. Armed with a full complement of hands-on controls derived from the original synths, each sound module can be used as a tabletop MIDI device or mounted in the companion K-25m Keyboard Unit to create a standalone compact synth.
The Roland Boutique series faithfully captures the legendary sound and response of classic Roland analog synths for modern electronic musicians. Using the proprietary ACB modeling that was first developed for instruments in the AIRA line such as the TR-8 and SYSTEM-1, the essence of the original instruments is recreated in every detail, right down to the analog component level.
Each Roland Boutique module is no bigger than a book and can run on USB bus power or batteries, providing grab-and-go versatility for computer music production and live playing. The modules also include built-in speakers, a convenient feature for monitoring the sound in mobile environments.
With the JP-08, the legendary JUPITER-8 synth is back in a compact and powerful package. Featuring 36 knobs and sliders from the original JUPITER-8 front panel, the four-voice JP-08 is highly programmable and encourages sonic experimentation. The JP-08 faithfully reproduces the original JUPITER-8 sounds and adds a few new twists in the form of extra LFOs and expanded VCO range.
Often described as one of the last great synths of the analog era, the JUNO-106 became a favorite thanks to its warm sounds and instant sound-shaping ability. The four-voice JU-06 module continues this approach, with 23 parameters controllable via the front panel and classic JUNO sound, complete with the original’s signature chorus effect. New enhancements include a faster LFO and continuously variable high-pass filter.
The JX-03 module continues the legacy of the dual-oscillator JX-3P synth. While the original featured a button-driven interface for immediate access to preset sounds, it was highly programmable when paired with the optional PG-200 controller. The four-voice JX-03 inherits all 24 knobs from the PG-200, plus the distinctive JX-3P tonal character. Added extras not present in the original synth include new waveforms, expanded DCO range, and cross-modulation options.
In addition to their unique ACB sound engines and model-specific controls, each Roland Boutique module is equipped with dual ribbon controllers and a built-in step sequencer. With their USB and MIDI I/O connectors, the modules can easily integrate with studio setups and other MIDI keyboards. Each module also features a chain mode that allows the user to connect two or more modules of the same type to increase the available polyphony as needed.
With the optional K-25m Keyboard Unit, users have the ability to turn a Roland Boutique module into a compact, all-in-one synth with 25 velocity-sensitive keys. Each module mounts in the K-25m quickly and easily, and can be interchanged with another in no time. Once in the K-25m, the module can be mounted flat or angled in two different positions for easier access to the panel controls.
To learn more about the Roland Boutique series modules, visit Rolandus.com/boutique."
"Fiddling with front panel controls of brand new Roland JU-06, modeled after Juno 106. No music, just front panel control checking straight out of the box..."
"We got a look at the Novation Circuit - a new groovebox launched today. Designed with inspiration in mind and affordability - £249/$329.
We caught up with product manager Olly in a back room at the launch"
See the announcement posted earlier today here for full details on the Circuit including a Q&A on the synth engine with Novation.
"Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.
The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the The Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments (mystery) module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.
Kick drum created using the MakeNoise telHarmonic module, running into a Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with a Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb.
