MATRIXSYNTH

Steve H Plays Buchla Easel at Superbooth Berlin 2017

Published on May 2, 2017 steveHmusic

"Steve H performs his Buchla Easel Immersion concert at Superbooth 2017 Seaside Stage.

It was a very cold, rainy day in Berlin when Steve H, AKA Steve Horelick, performed another one of his Buchla Easel 3D Sound Immersion series concerts. The Seaside stage, floating in a small lake, facing amphitheater style seating, provided a beautiful backdrop to the canvas of sound.

The sound is entirely created on ht e Buchla Easel. The "canvas" is created primarily in Logic using foot controlled sends to route the Easel to different FX aux channels. Logic's Environment is where MIDI modulators are rerouted to control surround panning. This recording is captured live from stereo mics... not through the console.

For concert bookings go to: steveHmusic.com"

Superbooth 2017 - 1010 Music Bitbox Fxbox & Synthbox

Published on May 2, 2017 DivKidVideo

"The Bitbox from 1010 Music caught my attention when it was shown back at NAMM. It was great to check out the Fxbox and Synthbox from 1010 Music too. I'm starting to really miss Superbooth, bit of a downer like last year now I've nearly edited all these videos."

Deckard's Dream Rackmount Yamaha CS80 Synth Engine will be $3750 Built

via @deckardsdream

Pertinent bits:

"We are almost ready with the website, just waiting for SSL checkout certificates to be approved, start is planned for 6pm Tokyo time tomorrow.

we start preorders tomorrow 349 downplayment, 999 total

1199 downpayment, $3750 total built."

This one spotted and sent in via Soviet Space Child.

More Deckard's Dream.

Behringer Model - D Testing by hybridalienrob

"Perks of the job - I get to bring home the prototype model D for testing :)"

This one spotted and sent in via Soviet Space Child.

EMS Synthi AKS demo

Published on May 2, 2017 kovalmoog

"This demo was recorded on 8-23-2015, after repairing and restoring the unit, which not belongs to me.

Being a pretty rebel synthesiser and with its own philosophy, we try to generate sound resources reasonably controlled, and not to fall in a purely random use.

First, we try to synthesize those descending sweeps heard in the first part of "Oxygéne 2" (Jean-Michel Jarre, 1976), before the main lead part.
After that, we visited the typical sequence of "On The Run" (Pink Floyd, 1973), although from a very free approach, we didn't intend an exact recreation. Nevertheless, the 8 notes entered in the sequencer are exactly those used in the original theme (exhaustively verified).

The AKS's line output was processed thru a Strymon Timeline, using various delays with modulations applied on its feedback.
Esta demo fué registrada el 23-08-2015, tras reparar/restaurar la unidad, la cual no me pertenece.

Siendo un sintetizador tan rebelde y con una filosofía propia, intentamos generar recursos sonoros razonablemente controlados, y no recurrir a un uso puramente azaroso.

En primer término intentamos generar las clásicas ráfagas descendentes que se escuchan en la primera parte de "Oxygéne 2" (Jean-Michel Jarre, 1976), antes de la aparición del lead principal.

Luego visitamos la típica secuencia de "On The Run" (Pink Floyd, 1973), aunque desde un enfoque muy libre, no es una recreación exacta. No obstante, las 8 notas ingresadas en el sequencer son las que se usaron en el tema original (dato exhaustivamente comprobado).

La salida de audio del AKS fué procesada por un Strymon Timeline, usando diversos delays con modulaciones aplicadas sobre la realimentación.

Credits:
Synthi AKS operation: Sergio Koval
Audio & video recording & post-production: Jordi Pascual"