Synthtech E520 Hyperion Processor | Poly D Meets Lush FX! | Moot Booxle Sound Demo

Published on Dec 13, 2019 mootbooxle

"Back the Synthesis Technology E520 Hyperion Stereo Effects Processor on Kickstarter before it ends Sunday! http://kck.st/356J297 .

This will be an actual Eurorack module - not the bare-bones prototype you see here! I'd been wanting to do another Poly D sound demo, but with FX, and this was the perfect opportunity.

So much more to come...and not just Behringer! I'm practically swimming in cool stuff to show you. I'm so glad you watched my video and shared your time with me! I hope you have a wonderful day!"

modular shades #25 | for the world | meditation music | modular eurorack synthesizer

Published on Dec 13, 2019 Elinch

"a 30-minute meditative declaration of love to the world. with the hope that all people think more about the future of the earth than they are in themselves."


the basis is a 30 minute slow motion trip through a 10 second snippet of music.



1. seq /// morphagene / 10 sec. peace of music stretched to 30 minutes controlled by slow lfo (alm pamelas) / oto reverb

2. bass /// orthogonal devices er-301 raw player (sample source make noise sto / optomix)

3. voices /// morphagene / random voice samples

4. sh /// make noise sto / clouds
5. seq /// orthogonal devices er-301 raw player (sample source verbos ho / optomix)
6. choir /// orthogonal devices er-301 manual grains / position mod. by slow lfo
7. choir /// orthogonal devices er-301 manual grains / position manualy controlled by intellijel triatt
8. reverse /// orthogonal devices er-301 raw player (mutable instruments rings)



malekkos voltage block served as a cv mixer for the er-301.recorded live with tascam dr 100. no audio processing. for the best listening experience listen to the video with headphones or good speakers.


thank you for the great video recordings from tom fisk."

Access Virus Ti Keyboard Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

See if you can guess what happened. I was surprised myself. Wouldn't think that could happen.

CLICK FOR MORE »

Roland Varios Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Suit & Tie Guy vs Oliver's Pizza - Thanksgiving Eve 2019 (Juggable Offense video)

Published on Dec 13, 2019 suitandtieguy

"Every year I play a Thanksgiving Eve gig at a pizza parlor here in Peoria IL called Oliver's. The location has changed but the gig continues.

This year STG Soundlabs' Minister of Hype Bubba Ayoub did video art with me. Tonight he recorded something similar to his art that night, here is the result. [he uses camera feedback, a Vidiot, a eurorack system, and a couple of video mixers to do this.]

This is only the first set. If you think I should upload the rest of the gig to Bandcamp let me know in the comments. Also let us know if you like this kind of video. Thank you.

Bubba Ayoub: http://www.instagram.com/juggableoffe...
my music: http://suitandtieguy.bandcamp.com/"

Stefano Mattia Sequences

Published on Dec 6, 2019 Stefano Mattia

Spotted #5 on discchord. Decided to make a playlist with the 6 to date. There's some SH-01a in here as well. If you are seeing this post off the homepage you might want to expand the post (click the "Click More" more link below) for the descriptions and patch notes before starting the player.

Playlist:

1. Sequence #1 // 0-Coast, Specular Tempus, Fugue Machine

I came up with this nice patch while jamming with my 0-Coast and decided to record a little sequence with it. I'm feeding midi data from Fugue Machine and Rozeta Arpeggio on my iPad, and recording the audio from the 0-Coast, through the Specular Tempus, directly in AUM. There is an additional delay send effect on the track.

Patch notes

CLICK FOR MORE »

Roland Promars Compuphonic | The Red Planet

Published on Dec 13, 2019 Alex Ball

"A musical demo of the Roland Promars Compuphonic from 1978.

This guy accompanied the release of the Jupiter-4 and is basically its monophonic sibling, although it has some differences.

The Promars has a “dual VCO” and it works as follows: The master VCO has sawtooth, square, variable pulse, sub oscillator and separate white noise. There is a second VCO (which also has its own sub oscillator) which is slaved to the waveshape and modulation of the master VCO, but can be tuned independently.

There’s a switch to the bottom right of the instrument that flicks between'“A-Tune, off and B-Tune' for VCO 2. These are two manual tuning settings for the second oscillator and a mute in case you just want one VCO. An example would be tuning the second oscillator up an octave and turning on the sub oscillator which would give you three octaves of a note with the middle note being duplicated. You can also create some very cool detuned sounds that really reminded me of the Prodigy (listen the pitch-bent lead line in the verse sections of my track).

There’s the usual Roland resonant low-pass / basic high-pass combination and then two envelopes (one is invertible), which makes the Promars more flexible than the Roland SH synths of the era. You can overload the VCA for drive too, which is a welcome feature.

The LFO is excellent on the Promars with a very wide frequency range. There’s four waveshapes available: sine, square, sawtooth and inverted sawtooth.

There’s also the familiar performance section to the bottom left of the synth which can be used to modulate VCO, VCF and VCA with bender or LFO. Portamento is found in this section as well as a “hold” switch that sustains a note indefinitely. I used this in the breakdown section where Carl Sagan joins us.

The “Compuphonic” name refers to the fact that it has eight memory slots. There’s also ten pretty terrible presets available, but they have their charms.

On the rear it has mono output, headphone output, CV/Gate in and out and external control of the bender if you wish to connect a foot pedal.

I created as many sounds as possible on the Promars including most of the drums with the exception of the hi-hats, cymbals and claps that came from the TR-606 and TR-808 respectively. I also made a subby kick on the Promars and then layered a filtered kick from the TR-707 to add a click to it in certain sections.

In the chorus section of my track I tuned the VCOs in intervals for some stacked chords. One pass was tuned in 5ths, the next in 4ths, the next a major 3rd and the next a minor 3rd. You have to be careful about what you’re playing in each part, but you get some interesting chord voicings and interactions that you wouldn’t be able to play on a poly in the normal manner.

It’s only the second time I’ve played a Promars and it’s a really cool synth and it certainly looks the part!

Sounds used:
Roland Promars Compuphonic (1978)
Roland Juno-6 (1982) into Seekers Voice Spectra Vocoder
Roland TR-606 (1981)
Roland TR-808 clap sample (1980)
Roland TR-707 (1984)

Thanks for watching."

KORG DW-6000 Synthesizer -1985- Demo Sounds

Published on Dec 13, 2019 Eaglechild

"Here's some of the factory presets. I added a little bit of Tal Chorus too. Enjoy! :-)"

BEHRINGER CRAVE - live jam / electric snow

Published on Dec 13, 2019 Aux Out

New demo from supporting member, Aux Out. You can find more here.

"8th live jam with my new Behringer Crave synths. A nice and slow track.
You can buy my music and support me here: http://aux-out.bandcamp.com

The upper synth plays the rhythmic lead. The lower one plays the pad.

I used this software:
Ableton Live
Valhalla Shimmer
TAL Chorus LX
Unfiltered Audio Sandman Pro
FabFilter Pro-C
FabFilter Pro-L"

Threetom Modular - Steve’s MS-22 dual VCF Released

This is a follow-up to this post where you'll find another demo.

"Today, ThreeTom Modular is releasing its 'Steve’s MS-22 dual VCF' module for eurorack.

The MS-22 is a dual voltage controlled filter, inspired by the classic Korg MS-20 filter, with an innovative modulation matrix and one of the highest function-to-hp ratios in the land of Eurorack.

The MS-22 contains two dedicated filter circuits, one low-pass and the other a high-pass. These are configured in series, the high-pass going into the low-pass. This configuration allows a unique duophonic fighting resonance behaviour. The cutoff frequencies of both filters can be CV’ed. Compared to most bread-and-butter MS-20 clones, the MS-22 is twice the amount of filter condensed down into half the package (4HP).

Furthermore, the MS-22 also has the following unique selling points :
The MS-22 has a unique modulation matrix that allows to configure many internal patches without using cables. Simply put, the modulation matrix (12-14) lets you route whatever modulation source you have connected to the ACV (auxiliary) input (e.g. an external envelope, LFO, S&H etc) to any or all of the following: HPF cutoff frequency, resonance amount, and input gain amount, either inverted or not.

The MS-22 has a unique link switch, which links the cutoff frequencies of the low-pass and high-pass filters in two different ratios. This creates two flavours of band-pass filters, of which the bandwidth can be tweaked and CV’ed. The switch itself also serves as an awesome performance effect as you can use it to create an instant drop. I demonstrate this near the end of this video. [see video below]

Steve's MS-22 is built to order in limited batches, the current batch consists of 10 units. Fully assembled modules are available for 225 EUR (excl. shipping). A limited number of DIY PCB+panel sets are available for 50 EUR (incl. shipping).

More information (videos, specs, manual) can be found on the product page : https://www.threetom.com/products/steves-ms22/
Orders can be placed over e-mail, as described here : https://www.threetom.com/ordering/

ThreeTom Modular is a small boutique shop based in Belgium, run by Tom Verschooten, as a “hobby that go out of hand”, parallel to his full-time job as an Electronics engineer."

THREETOM modular / Steve's MS-22 Dual VCF / Drums

Published on Sep 20, 2019 Threetom Modular