MATRIXSYNTH


Saturday, October 02, 2021

Yamaha CS-15D SN 4245

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"A true classic analog synth from Yamaha. The CS15D is an incredibly warm mono synth with preset and manual voices. For being over 40 years old, it’s in great shape. It is missing two slider plastics, and there’s some hum out of the headphone port (not the line out) but is in great shape."

Demo in the video previously posted here. You can find addtional demos scattered throughout additional posts here.

Solton Arranger Plus

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You can find demos in previous posts here.

"The Solton Arranger Plus was produced in Italy by Ketron in 1987. It has single outputs for bass and drums. Small brother of the cult SOLTON PROGRAMMER 24 / 24S arranger. They share the same audio engine but this one lacks the more advanced editing possibilities. To those who are into Italo Disco music they know these machine rule ! Consisting of a rhythm unit (digital 8bit PCM samples very like the LinnDrum, Oberheim DMX, Sequential Circuits Drumtraks etc) and a analog synth engine made of: 1 bass sound, 2 "chords" tracks, 1 "solo" track and 1 organ track."

MFB Dominion 1 and MFB Dust Cover

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DSI Evolver SN 04422

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"The Evolver marked Dave’s Smith’s triumphant return to hardware synths and still sets the standard for sheer sonic ferocity in a monosynth. It features a plethora of Dave’s best ideas packed into a monstrously powerful instrument with a sound like no other.

The Evolver’s unique tonality comes from the synergy of its two analog oscillators and two digital oscillators (which feature the waves from the legendary Prophet VS). Classic Curtis analog low-pass filters and real analog VCAs add warmth and girth to the analog section while the digital high-pass filter, tuned feedback, and digital distortion provide sizzle and grit. But what really sets the Evolver apart is the way in which the analog and digital sides of its personality mesh—in a true stereo signal path. Massive doesn’t even begin to describe the sound of the Evolver.

Imagine being able to move effortlessly from thick analog smoothness to crisp digital edge—or anywhere in between—and you begin to get the picture. The LFOs, step sequencer, and three separate delays can all be synced for complex, evolving, rhythmic, time-based effects in true stereo.

It’s a sound designer’s dream that can go from ultra creamy to ultra aggressive with the turn of a knob. If you need convincing, just listen to the demos.

Monstrous four-oscillator voice architecture
True stereo signal path with separate Curtis analog low-pass filters in each channel
Dedicated onboard effects (feedback, delay, distortion, high-pass filter, etc.)
16 x 4 step sequencer really brings the Evolver to life with evolving “pseudo-polyphonic” sounds – you won’t believe it’s mono!
Stereo audio input for audio processing of external stereo or mono signals, enabling the synth to act as a unique stereo effects processor
Everything (sequencer, LFOs, and delay) syncs perfectly to MIDI.
Easy-to-navigate matrix-style interface for quick editing and real-time control of 8 parameters simultaneously
Multiple Evolvers can be daisy-chained for more polyphony."

Dave Smith Tempest

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Neutral Labs Elmyra

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You can find demos of the Elmyra in previous posts here.

KORG X-911 Guitar Synthesizer SN 271802

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Reverse Keys KORG POLY-800

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"Coast Ø Coast" - My Shared System (Make Noise 0-COAST + 0-CTRL + Tape & Microsound Music Machine)


video upload by Autotross

Analog session 1 by graal7.


video upload by

only analog synth
polybrute--matrixbrute--drumbrute.
moog one --yamaha cs01--roland juno 6
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