via this auction
You can see one in the flesh here.
Wednesday, December 15, 2021
Roland TR-66 Rhythm Arranger Vintage Analog Drum Machine
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
These are actually pretty small. See this post for reference.
via this auction
These are actually pretty small. See this post for reference.
1960's Gibson Maestro Rhythm N Sound G-1 SN 04429
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This is a Vintage 1960's Gibson Maestro Rhythm N Sound G-1 Synth/Effects Unit w/ Original Case! The pictures are of the actual item for sale.
In 1968, the Gibson/Maestro Rhythm N Sound arrived on the scene to challenge and perplex guitarists with its way-way-out “sounds” and absurd features. It has the ability to make both percussion and bass (octave under) and organ (fuzz )type sounds, using the guitar as a controller/trigger. In addition you can get 3 types of filters on the guitar tone and either use them together or separate from the original guitar signal. The Echo preset is really a hard-knee tremolo. The Distortion is not unlike the coveted Gibson/Maestro Fuzz, which has a sort of grinding fuzz sound with no real fidelity. The String Bass appears to be an octaver."
via this auction
"This is a Vintage 1960's Gibson Maestro Rhythm N Sound G-1 Synth/Effects Unit w/ Original Case! The pictures are of the actual item for sale.
In 1968, the Gibson/Maestro Rhythm N Sound arrived on the scene to challenge and perplex guitarists with its way-way-out “sounds” and absurd features. It has the ability to make both percussion and bass (octave under) and organ (fuzz )type sounds, using the guitar as a controller/trigger. In addition you can get 3 types of filters on the guitar tone and either use them together or separate from the original guitar signal. The Echo preset is really a hard-knee tremolo. The Distortion is not unlike the coveted Gibson/Maestro Fuzz, which has a sort of grinding fuzz sound with no real fidelity. The String Bass appears to be an octaver."
Patch Point Sidrax Organ by Ciat-Lonbarde
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Sidrax Organ follows a lineage of electronic musical instruments based on touch. It was redesigned twice, first as Sidrassi, then as Sidrazzi. It has seven wooden bars that you press to express seven oscillators within. Each oscillator has its own fine tuning slider, embedded right within its bar. Also, there is a master pitch knob, and a master chaos knob. The master chaos knob makes the instrument go from pure triangle tones to a nest of noise. It does this by gradually increasing modulation from one oscillator to the next in a circular pattern. Sidrax has enough bars to construct sweetest melodies from the triangle waves, whereas Tetrax is a simple four-bar entity, with complexity of tone for funky bass.
There are 44 modulation points brought forth as banana jacks. They are arranged in seven columns, representing the seven bars. Their layout is shifted diagonally, to allow inputs in proximity to outputs. This is for touch-playability; you can make banana jack metal studs that can be squished by hand to gesture-patch the instrument. Inputs are cool colors: blue, green, and grey. Outputs are hot colors: red and orange. The grey jacks are parallel inputs with the master knobs: the one on the left is for master pitch, the right one is master chaos. The color allotment for each bar is as follows:
Two orange jacks, representing the press and release gestures on that bar in voltage.
One red jack, which is the pure triangle output of that oscillator.
Two green jacks, that are "glitch" inputs. They cause the boundary conditions of each oscillator to wire to the output of another. A modulation inspired by circuit bending.
One blue jack, an fm modulation input for that oscillator.
The Sidrax organ has a stereo-mini output on the back. This is because each bar, outputs in different channels during the press/release cycle. In addition to the stereo-mini jack, it has an power switch, and optional built-in batteries, or an external, 9volt battery snap."
via this auction
"The Sidrax Organ follows a lineage of electronic musical instruments based on touch. It was redesigned twice, first as Sidrassi, then as Sidrazzi. It has seven wooden bars that you press to express seven oscillators within. Each oscillator has its own fine tuning slider, embedded right within its bar. Also, there is a master pitch knob, and a master chaos knob. The master chaos knob makes the instrument go from pure triangle tones to a nest of noise. It does this by gradually increasing modulation from one oscillator to the next in a circular pattern. Sidrax has enough bars to construct sweetest melodies from the triangle waves, whereas Tetrax is a simple four-bar entity, with complexity of tone for funky bass.There are 44 modulation points brought forth as banana jacks. They are arranged in seven columns, representing the seven bars. Their layout is shifted diagonally, to allow inputs in proximity to outputs. This is for touch-playability; you can make banana jack metal studs that can be squished by hand to gesture-patch the instrument. Inputs are cool colors: blue, green, and grey. Outputs are hot colors: red and orange. The grey jacks are parallel inputs with the master knobs: the one on the left is for master pitch, the right one is master chaos. The color allotment for each bar is as follows:
Two orange jacks, representing the press and release gestures on that bar in voltage.
One red jack, which is the pure triangle output of that oscillator.
Two green jacks, that are "glitch" inputs. They cause the boundary conditions of each oscillator to wire to the output of another. A modulation inspired by circuit bending.
One blue jack, an fm modulation input for that oscillator.
The Sidrax organ has a stereo-mini output on the back. This is because each bar, outputs in different channels during the press/release cycle. In addition to the stereo-mini jack, it has an power switch, and optional built-in batteries, or an external, 9volt battery snap."
Jomox Resonator Neuronium Michaelis Resonant Neuron Analog Synthesizer Reissue
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This is a rare reissue and is in excellent near mint shape and fully functional. Very hard to find, nothing else quite like it. Don't miss out!
**Check out the pictures to make sure you like it. Pictures are of actual item for sale**"
via this auction
"This is a rare reissue and is in excellent near mint shape and fully functional. Very hard to find, nothing else quite like it. Don't miss out!
**Check out the pictures to make sure you like it. Pictures are of actual item for sale**"
The Sound of Genesis - Afterglow with Moog Taurus, Roland VP-330
video upload by RetroSound
"(c)2007-21 by RetroSound
❤️ Support #RetroSound channel: retrosound.creator-spring.com
The last Genesis video in the series. Afterglow is one of my favorite Genesis songs too.
Like usual it`s a cover and not original at all. It`s my interpretation of this song. Not a exact copy! When you will hear the original song than click on the original song.
I used the Roland VP-330 Vocoder Plus for the choir and strings sounds.
The deep bass is the MOOG TAURUS bass pedals.
For the Hammond Organ sounds I used the Roland M-VS1 module."
\\` [Wojciech Wilk] - Coco Pops (Polyend Tracker Scene)
video upload by Polyend
"Polyend Tracker - EHX Platform - Zoom H4n.No post-production. The main 'guitar' sample is from the built-in radio."
Freq Boutique 054
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
