
Tuesday, August 28, 2007
Richard Lainhart to Play Moogfest 2007
"I'm pleased and proud to announce that I will be performing with Jordan Rudess at this year's Moogfest (http://www.moogfest.net) on September 22 at B. B. King's in New York City!
What's more, I'll be bringing my new Buchla 200e/Continuum (http://www.otownmedia.com/he/buchla.htm) system to the land of the Moog for the first time.
Performers include Thomas Dolby, T Lavitz, Don Preston, Adam Holzman, Gershon Kingsley, Herb Deutsch, and many other pioneers and practitioners of the art of Moog synthesis, so it should be an evening of diverse and exciting music. I hope to see you there."
Be sure to check out these posts.
What's more, I'll be bringing my new Buchla 200e/Continuum (http://www.otownmedia.com/he/buchla.htm) system to the land of the Moog for the first time.
Performers include Thomas Dolby, T Lavitz, Don Preston, Adam Holzman, Gershon Kingsley, Herb Deutsch, and many other pioneers and practitioners of the art of Moog synthesis, so it should be an evening of diverse and exciting music. I hope to see you there."
Be sure to check out these posts.
TBS-303
Click here for a couple more shots via this auction.
"(this website has real audio files of the SYNTH)
- Internally the analog circuits are identical to Rolands original design
(same component types, topology, 18dB/oct resonance filter etc.) There are
no IC's used to simplify the design!
- The Mark II version has a revised MIDI interface for better control and
for example user selectable MIDI channel.
- The TBS303 is on purpose build in a desktop type housing to make real
time control by hand, better (just like the original!)"
Switched-ON Rock

Some liner stuff:
The amazing thing about all the sounds is not that they are done one voice at a time, but rather one finger at a time. The silly machine only plays one note at a time and the temptation play a chord must be overcome... you only get the lowest note if you press more than one key. Improvisation is difficult but far from impossible if you redefine the problem."
Title link takes you to a free download stream of the album on Wiel's Time Capsule.
Plan B Model 11 - Prototype Demo and First Image

REwire_-_My_Evil_Twin.mp3
SID Synth
"This is a hand made Analog Synth with SID 6581 as the sound engine. It has a 2x16 Blue LCD, blue LED power and midi in
indicator There are (6) Big Black Buttons to select menu functions. There are midi in and outs on this unit.
_it has blue and red LED's
-this version has artwork on front panel
-All internal wiring is CAT5 and hot glued down at the solder locations to survive a very long lifespan
-the front and back panels are very thick clear and Transparent Blue plexiglass.
-12v AC power adapter is included (WALLWART)
-a HEATSINK is on the SID6581 for cooling and heat management.
-It can be edited via CC midi messaging.
Here is the myspace link to here a demo of what it is capable of: It was mixed down in CUBASESX
All songs are 100% SID only, the first song only has VOCODED INTRO."
Audio Damage Liquid Now Available

A normal flanger, at least in today's world, is just a delay line set to a very short time with some feedback. In "analog" pedals this is done with a bucket-brigade delay chip, and in DSP-based effects like digital pedals and plug-ins, it is one of the easiest effects to create. However, the original flanging effect was created by running two tape machines with the same material in sync, then varying the speed of one of them (sometimes by actually applying pressure to the flange of the tape reel with a finger) to cause some rather extreme and odd comb filtering.
Made popular by George Martin (and used heavily on John Lennon's vocals on many tracks from Revolver on) and Phil Spector (who used it on, well, just about everything), it is a classic effect that was difficult to achieve in software. Until now."
Title link takes you there.
DSI Prophet '08 SE
MAM RS3 Resonator

Click here for shots via this auction.
"Three bandpass filters, controlled by various modulations. Includes original box (not shown) and power supply. Front and rear inputs; input jack for external modulation. Stereo outs. This makes an excellent 'secret sauce' tool for absolutely all gear when run on an fx bus, or straight from your synth/pedals/etc."
Next SuperBass 4.4

"100% analog. Imho the best 303 emulation, but it also goes beyond that with extras like sub oscillator and distortion. Also has filter input in the back, which allows you to play a sounds through the sweet filter section of the unit. Knobs send MIDI, unit responds to CC data. Has autoslide legato on/off for those TB 303 lines."
Waldorf XTk
Note the Q Phoenix under the XTk and of course the XTk logo. There is also an Alesis A6 in one of the shots.
via Mr. Array.
picsynthv2

click here for the full size shot.
"PIC-microcontroller based digital synth/sequencer/filterbox with Wasp filter"
Update via ScarKord in the comments: "Quick bit of Googling came up with this link... Here's what they say about it... ...powered by a 9V-battery and the size is 11x5x3 cm Controls:Five pots (tempo/duration, data, cutoff, resonance and volume) and seven buttons (play, rec, stop, pattern, step forward, step backwards and rest) Status is indicated by an bi-colour LED (rec, play, stop, external trig mode, end of pattern) Four jacks are located on the back of the unit (external trig in, external audio in, filter cutoff and output) Four different sequences of 16 steps are stored in the internal Eeprom of the PIC18F84. The sounds are PWM-based 8-bit sounds with both tones and different pitched noise."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH