11/12/25 Roland (RYK) System 100m & RE-301 + Peavey 1300 + Alesis MIDIVERB II + Paia 6740 + CXM 1978

video upload by Cfpp0

"The left RYK Modular 185 sequencer is gating the right RYK 185. The right RYK 185 CV output controls the pitch of the left Roland 110 VCO and modulates the right 110 VCA. The 140 lower envelope controls the left 110 VCA. The upper 140 envelope controls the right 110 VCA. The left RYK 185 gate output is modulating the 140 LFO, and that LFO is modulating the left 110 filter and the right 110 VCO slightly. The 150 LFO is modulating the right 110 filter and the left 110 VCA. The left 110 audio output goes to the Roland RE-301 for tape echo, with the intensity set at the threshold of feeding back, and that signal is panned left on the Mackie Onyx 1640, with spring reverb from the Paia 6740, stereo reverb from the Alesis MIDIVERB II (preset 27), and a larger stereo reverb blended on the CXM 1978. The right 110 audio output goes to the Peavey 1300 delay and is panned center on the Mackie, with the same three reverbs."

Alesis - HR-16 [Circuit Bent]

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80s YAMAHA Rhythm Machine RX17 & Kasane Teto sampled OP-1 field | Resolve 2025-11-11 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ OP-1 field, ‪@NordKeyboards‬ Nord Lead, ‪@YamahaSynthsOfficial‬ RX17, MU15, and MOTIF-RACK ES. It combines rhythm machine beats, melodies made from sampled vocals of 重音テト Kasane Teto SV, and live bass performance.

On the OP-1 field, the sampler contains Kasane Teto’s voice, which is used to create melodic phrases. At certain points, looping is applied through the NTS-3, and the signal is processed with the ‪@ChaseBlissAudio‬ MOOD MKII.

The RX17 rhythm machine is recorded with an ALESIS 3630 compressor applied.

On the MU15, synth sounds are performed using its built-in keyboard, with reverb added via the blueSky.

The Nord Lead plays melodic parts in the middle section of the piece, processed through the ‪@gfisys‬ Specular Tempus for delay.

The bass is recorded through a SANSAMP Bass Driver DI, routed directly into the audio interface for a clean yet warm tone."

Adding Synthesizer to The Thing #music #Synthesizer #movie #filmscore #composing #synth #thething

video upload by Toco

With the Alesis Andromeda A6.

Isla Instruments Rhythm Imposer A/S

via this Vemia listing

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"This is a heavily modified and circuit bent Alesis HR 16. The basic idea is that you can change the eproms and then mangle the sounds into oblivion by way of the knobs and switches which create all sorts of unpredictable and fairly brutal noises. The result can be anything from utter industrial magic to unusable garbage. Comes with a number of eproms incl. Korg, Linn DMX, Roland The machine is very unstable. Sometimes it works sometimes it just doesn’t. I have no idea how to make it more stable and when it comes on and produces sound, it’s absolutely random and unpredictable. The best way to think about this is as a sample source in that you have a tape running all the time and then pick and choose the best noises that come out of it. The great thing is that you would never ever come up with these sounds if you were to program them in a targeted and controlled manner. But on the other hand, it’s of course frustrating when it doesn’t come on at all. The starting bid is set accordingly. The buyer may wish to have a technician take a look at it."

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Blade Runner cover on Alesis Andromeda Synthesizer

video upload by Toco

10/29/25 ARP 1613 + Metasonix R-54 53 52 51 56 + Zerosum ZI61 & VCA + MFB ADSR + OAM + MIDIVERB (…)

video upload by Cfpp0

"10/29/25 ARP 1613 + Metasonix R-54 & 56 & 53 & 52 & 51 + Zerosum Inertia ZI61 & Voltage Controlled Annihilation + MFB ADSR + OAM Time Machine + Alesis MIDIVERB 2

The ARP 1613 sequencer output A controls the Metasonix R-52 sweep CV in, which creates the high resonant rasp on the reversed quarter notes. The R-52 runs into the R-53, which adds the pitch to the R-52 rasp, then through the R-51, controlled by the MFB dual ADSR, gated by the ARP 1613 gate bus 3. This signal goes through the R-56 for more distortion and spring reverb—panned center on the Mackie Onyx 1640, with stereo room reverb from the Alesis MIDIVERB II. Meanwhile, the more mechanical-sounding squawk/chirp/scream loop is the ARP 1613 quantized output B controlling the pitch of the R-54, which runs through the Zerosum Inertia Voltage Controlled Annihilation, which runs through the Zerosum ZI61, high is controlled by the MFB dual ADSR, gated by the ARP 1613 gate bus 3. The ZI61 is panned left on the Mackie, but it also feeds the OAM Time Machine delay, which is panned center on the Mackie.

NTS:
USCIS, windowless"

Alesis Fusion particles

video upload by Snupps Synth channel

"programming session done over 3 takes, featuring some of my sounds on the alesis, fusion 6hd, One FM patch and one sample based patch, both extensively using the modular capabilities of the fusion and modified in real time. Only an external reverb was used, delays used are internal effects in the fusion."

Evolving Riddle

video upload by Memetune Studio

"Some ambient fun on 90’s synths

I used to be afraid of 90s synths - very afraid

My album 20 Systems stopped short of the 90s because I was scared of what happened next - it went all Rompler, and workstation, and presets, and tiny complicated interfaces with tiny silly screens and, like, two buttons to navigate the most complex synths ever made

But recently, I am learning to love my 90s synths. Some of the best and most beautiful sounding instruments were made in the 1990s and here are four of them - the Alesis Quadrasynth (1993) , a true 4-Layer Rompler with dual integrated FX units. The Yamaha TG33 desktop synth (1990) - using a hand-me-down straight from the Sequential Prophet VS, including a crazy vector-dial. Thirdly, the Waldorf Microwave-2 (1997) - a direct descendant of the PPG Wave series of wavetable synths. And finally the Roland JV1080 (1994) - their flagship Rompler derived from (and vastly expanded upon) the legendary D50 LA synth

I also added a plethora of vintage FX units to the mix (through the Neve 88D) - a Lexicon Model 200, Prime Time 95, AMS RMX16, Quantec QRS, and Eventide H3000 (the blue one) for good measure

The video doesn’t matter here - it’s about the s o u n d today

Thanks for listening"

Minimal house session with CyDrums, Moog One & Nord Lead : Put up 2025-10-13 by atnr

video upload by atnr

"A piece created with ‪@SONICWARE‬ CyDrums, ‪@MoogSynthesizers‬ Moog One, and ‪@NordKeyboards‬ Nord Lead — a hand-played minimal house track built around an even kick groove.

CyDrums provides the even kick, short-decay hi-hats, and toms. The sound is processed with filter and reverb using the ‪@strymon‬ NIGHTSKY, and compression is added via the ALESIS 3630.

The Moog One performs the bassline, while the Nord Lead handles the harmony. The Nord Lead runs through the ‪@gfisys‬ Specular Tempus for reverb."

Alesis A6 Andromeda 61-Key Polyphonic Analog Synthesizer

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9/29/25 SSL 1660 + FSFX 103 + STG + acVOKS + .com Q128 + Paia 6740 + MIDIVERB II + MP-4 + DDL-3

video upload by Cfpp0

9/28/25 (bird) ElectroComp EML 400/401 + Paia 6740 + DeltaLab Effectron II + MIDIVERB II + CXM 1978

video upload by Cfpp0

"Some stringy flutes. The 16 steps on the right side of the ElectroComp EML 400 are producing V4, which is controlling the envelope decay on the EML 401. I’m resetting that loop throughout the video, to change the accents and envelope. The 16 steps on the left side of the 400 are producing V3, which is controlling the 401 filter (in high pass mode). The 400 sequence is being clocked by ALM Pamela’s New Workout, with a division of 140bpm. The 401 output hits the DeltaLab Effectron II delay hard and overloads the limiter. The delay goes from the Effectron II to the Mackie Onyx 1640, with spring reverb from the Paia 6740, gated stereo reverb from the Alesis MIDIVERB II, and pitchy downsampled stereo reverb blended on the CXM 1978. The bird was racing our ferry and won."

Hitchcock

Alesis Andromeda | No talking, just playing the analog monster

video upload by xu.sounddesign - dirk rohde

"This is Alesis Andromeda. I´m playing some of my custom patches with some external reverb and delay effects."

Alesis Micron Virtual Analog Keyboard Synthesizer

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8/31/25 (transpose) Roland CSQ-600 & System 100m & RE-301 + Alesis MIDIVERB II

video upload by Cfpp0

"We bought this Roland CSQ-600 “serviced” but there’s something wrong with it. Sometimes you go to record and it’s just silent, or the first few notes are silent. Anyways, we’ll get it fixed. Today I managed to record one sequence of notes into the CSQ-600 from the Roland System 100m 181 keyboard, then used the 181 to transpose the looping CSQ-600 sequence. This transposed sequence is modulating two 110 VCOs, and the 140 envelope is controlling the 110 VCAs. Offscreen I’m increasing the sustain and release, pretty much the whole time. The two 110s get mixed on the 130 mixer and the mono output is sent to the Roland RE-301 for tape echo, while the stereo reverb is preset 12 on the Alesis MIDIVERB II.

NTS:
77F, Joy’s Filet, 9th floor"

8/24/25 Roland SBX-80 clocks a pair of Pasco Scientific 9301 + Yamaha EM-100 + Alesis MIDIVERB II

video upload by Cfpp0

"8/24/25 Roland SBX-80 clocks a pair of Pasco Scientific 9301 dual function generators + Yamaha EM-100 + Alesis MIDIVERB II

The Roland SBX-80 is set to 80 bpm, time base 1. The time base output is boosted by the right Pasco Scientific 9301 microphone preamplifier, then patched to the modulation inputs on both 9301s. The spring reverb is the internal tank from the Yamaha EM-100 mixing the two 9301s. A stereo reversed reverb from the Alesis MIDIVERB II creates the stereo echo."

Alesis Micron SN (21)A10808088717638

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Alesis A6 Andromeda 61-Key Polyphonic Analog Synthesizer

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Alesis A6 Andromeda 61-Key Polyphonic Analog Synthesizer SN (21)A10412045700163

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"New, played once...However, unfortuanetly I hit it on the wall taking photos of it and it chipped a piece on the bottom of the unit...(see back photo, doesn't affect playability or sound)"

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