Oberheim Teo 5 in studio & factory sounds demo

TEO 5 welcome in my studio 2025 video upload by Less gama

"Unboxing Oberheim Teo 5"

Oberheim Teo 5 factory sounds demo

video upload by Less gama

"Composition: D. Čemeris"

100 Oberheim Matrix 12 URBANEK Patches BY Peter Urbanek

video upload by Really Nice Audio

"After the last set of whacky sounds [posted here] I wanted to document some more 'classic' Matrix 12 vibes. I found this great bank by Peter Urbanek.

From the .txt

PATCHES BY PETER URBANEK (free)
Reviewed by Mike Metlay

Peter's patches tend to be organized in sets, with several subtle variations on a theme, and named accordingly: VOICE 1.1, VOICE 1.2, etc. It seems that when a patch deviates enough from the basic form, he gives it a name of its own and groups it after the others of its ilk. For this reason, Peter's patch tape is organized quite neatly, making it easy to audition all of a particular type of patch. Heavy use is made of both Levers, both Pedals, Pressure, Velocity, and Release Velocity on many patches, for effects ranging from vibrato to ENV shape changes and resonant sweeps on note attacks. It should be noted by all that to Peter, "vibrato" means everything from triangle-wave warbles to deep noise-wave growls. His Multi Patch setups are meaningless: they're left over from the factory patch tape. Blanking them would've been nice.

In contrast to the previous set, the patches here bear little resemblance to the sounds after which they're named. Each sound group, like VOICE, STRIN, CHURCH, etc., appears to describe the general character of a sound rather than it's true intent. Peter seems to enjoy the "analog synthesis for its own sake" approach to programming; he eschews realism in favor of timbre.

And what timbres-thundering basses, blasting church organs that seem to belong to any church I've ever heard of, bizarre sound effects (though not on the level of the next tape reviewed) with random LFOS, rich filtered string pads ... all heavily overlaid with a grimy analog crunch that threatens to bury the listener. There are a few slightly altered factory patches as well, but these have also fallen to Peter's grim analog touch.

In fact, there aren't that many different kinds of sounds on this tape; it has a definite "one flavor" feel to it throughout, and that flavor doesn't lend itself to realism, so if you're looking for variety or realistic sounds, look elsewhere. But if you want to learn exactly why no digital synth can cross an Xpander and live, these sounds would be a fine place to start."

100 Oberheim Expander/Matrix12 single FX patches by Arthur Springer

video upload by Really Nice Audio

"So whilst on soak test I came across this crazy bank:
Notes from the .txt
ART SPRINGER STRIKES AGAIN (free)
Reviewed by Mike Metlay

All right, gang, I know what you're expecting in this space, so I'll oblige you and get it over with. Ready? Here goes: "WAHOOLAZUMA! Everybody's favorite twisted puppy is back from the audio torture chamber, and he's brewed up the most brain-slashing package of monstrous elektronoyze EVER! This stuff's great for warping your brain patterns, killing your cat, etc..."

Okay. Happy now? Good, now let's get serious. I heard from Art recently that he didn't get a terribly good response to his first mailing, and that few, if any, XUG members looked him up for his second set of patches

He seemed in a pretty good humor about it, but I couldn't help wondering if my presentation of his patch set didn't scare a lot of people away just by the wording. So, with a new patch set from Art (more diverse than the first two) in hand, I'd like to try again.

One of the most unhealthy trends I see in today's patch-editing software is the patch randomizer, that cute but overused utility that generates random patches at the click of a mouse. Literally thousands of these random patches are being sold by unscrupulous hackers as "original sounds," and a whole new generation of MIDI morons is springing up (pardon the pun) whose idea of "good programming chops" is the ability to tweak a randomly generated sound into something that (almost) works. No program of this type exists yet for the xpander, and I'm glad of it: the lack of computer-generated garbage on the market forces the user community to seek one another for new ideas, rather than some electronic I Ching. We come together in this Group to share ideas and learn from one another and I believe that studying another human being's work beats watching a computer coughing up random numbers. Which brings us to the music of Art Springer.

In my opinion, these patches are important. VERY important. I get so enthused about Art's work because I see in him a reflection of my college days, when I puttered about with ARP and Buchla modular monsters creating sounds for the sheer joy of it, putting together tonalities never before heard on Earth rather than trying to make a realistic shakuhachi. This was, and often still is, the meat and potatoes of electronic music to me. And when I hear Art telling me that people- Xpander users!-are returning his work because it's "too weird," I know something's wrong. The Xpander isn't a sampler or a digital piano. It's not an imitative instrument by nature. It's a powerful, multiply interfaceable modular synthesizer with a great deal of flexibility. Art Springer takes a stance on its use that no other Group member has had the courage to try: using its Power as a CV percussion device to enhance the sounds of his more traditionally oriented synths. (By the way, Lionel and I are big fans of his music ... it's not as inaccessible as you might think, and the odd tonalities make his dance pieces a lot of fun.) This is a new idea to a lot of you, and I don't blame you for being frightened. But it's better to learn from someone whose ideas differ from yours than to convince a computer to feed you something safe. I'd like to suggest something simple to start with: get one of Art's sound sets, trigger your Xpander with your drumbox, and try writing music with these sounds as part of the atmosphere rather than conventional drum noises. Or do something completely different. The important thing is to try to expand (hm) your horizons to something new. These sounds of Art's do take getting used to, but I think you'll learn a lot from them. Trust me."

Oberheim Matrix 12 Repair

video upload by Really Nice Audio

"I was lucky enough to be able to restore this amazing instrument.
Hampered at the end by a wrong logic chip installed. From factory? Or 'the last guy'?

Music from my new ATMOS album 'Height Supremacy' under my ATMOS artist name Galactic Horizon.

‪@Oberheim‬ #repair #oberheim #matrix12 #expander #restoration #synth #synthesizer"

Oberheim OB-8

video upload by Vykaar Tones

"Quick demo of the over sized , great sounding Oberheim OB-8 with the cheap non velocity keyboard implementation that everyone used at the time compared to the sequential T8 that had a great keyboard but didn't sound as good as the prophet 5! I prefer my TEO-5 or the OB6 I had before but I still have the rev4 Prophet 5 desktop."

The Water is Wide - J3PO (Julian Pollack) - solo studio performance

video upload by Julian "J3PO" Pollack

"This is my rendition of the classic "The Water is Wide," performed and recorded in my studio in one take, with no overdubs.

This song has meant a lot to me over my life. I remember the first time I heard this song was in the third grade. We were learning it and singing in my after-school choir (Kairos, on offshoot of the Crowden School). It was the late 90s in Berkeley, California. It was one of the first moments in my life that I can remember being deeply touched by music. I am forever grateful for that experience, as it was one that propelled me into a life in music. I hope you enjoy my version of this timeless song. 💙

Filmed by Emily Hoerdemann https://www.emilyhoerdemann.com
*************************************************************************

For more information, please visit www.j3po.net"

Trouble – Soulful Blues Jazz with Oberheim OB-1 Magic | AWJI Void

video upload by AWJI Void

"Trouble is blues jazz at its most soulful — driven by the rare Oberheim OB-1 analog synth, warm Wurlitzer 200A, and expressive guitar solos. Recorded live with no overdubs, this session from AWJI Void captures real emotion and vintage tone.

🎵 Musicians & Credits
• Yamaha CS80, Roland Jupiter 4, Oberheim OB-1, Wurlitzer 200A – Andy Whitmore
• Fender Telecaster, Gibson 335 – John Isle
• Fender Precision Bass – David Whitmore
• Pearl Drum Kit – Alun Harries
Engineered by Stepan Honc
Mixed by Andy Whitmore & Ed Stokes at greystokestudio.com

⏱️ Chapters
0:00 – Intro / Main Theme
0:55 – Guitar Solo (Gibson 335)
2:38 – Synth Solo (Oberheim OB-1)
4:20 – Main Theme
5:11 – Bass Solo (Fender Precision)
5:38 – Drum Solo (Pearl Kit)
6:02 – Main Theme"

The Smooth Jazz Track You’ll Play on Repeat 💫 | AWJI Void – Sleepless in Cala Pi

video upload by AWJI Void

"Smooth jazz blues instrumental music for relaxing, working, or late-night driving. “Sleepless in Cala Pi” by AWJI Void is a laid-back, melodic track with echoes of George Benson’s Lady. AWJI Void “Sleepless in Cala Pi”

Recorded June 2023
🎹 Yamaha CS80, Roland Jupiter 4 & programming – Andy Whitmore
🎸 Fender Telecaster American – John Isle
🥁 Gretsch Catalina Drum Kit – Gabor Dornyei
Recorded & Mixed by Andy Whitmore, John Isle, Bernard Dyerson & Ed Stokes

⏱️ Chapters
0:00 – Intro / Main Theme
0:38 - Jupiter 4 Solo
3:15 – Fender Telecaster Solo
5:48 – Main Theme
6:27 - Jupiter 4 Solo
8:04 – Fender Telecaster Solo

💡 AWJI Void = Andy Whitmore & John Isle, lifelong friends and collaborators with London’s top session musicians. Every track is live, first takes only – music from the heart. Andy Whitmore has played keyboards on 50 hit records, produced 14 Top Ten hits, and worked with artists including Elton John, Lemar & Peter Andre.

Press Release
AWJI Void announce the release of their debut album Lovely Day, arriving 30th October 2025. The record features 8 original tracks blending smooth jazz and blues-rock instrumentals, showcasing the band’s unique groove and atmospheric soundscapes. Lovely Day will be available on all major streaming platforms."

oberheim #live

video upload by Hayko Ghazaryan

Oberheim Armenian style.

OBERHEIM OB-X8 PRESET | #GARIKMUSIC 🎵Oberheim. #OBX8

video upload by Garik Avetyan

Oberheim Armenian style.

Oberheim DX / Stretch / MIDI SNs D41333 & S61902

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Note: listings are ending today with a handful extended through Sunday.

Click the auction link on top when you get there for additional listings.

"New old stock, basically: a rare Oberheim DX and Stretch combination. Check out the internet for more info: briefly the DX was a slimmed-down but also in some ways improved version of the classic DMX - and the even rarer Stretch was then made available to add a lot more versatility and power. Incredible condition - unused since new. Provide your own IEC lead."

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Oberheim DMX with MIDI and memory expansion

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Note: listings are ending today with a handful extended through Sunday.

Click the auction link on top when you get there for additional listings.

"Fully restored and serviced Oberheim DMX drum machine. Fitted with midi and memory expansion, power supply recapped and serviced."

Pic of the inside below.

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Oberheim TEO-5 latest Firmware update new Arps Fun/Sound Design

video upload by James Dyson

"Looking at the new Arp modes on Teo 5 and having fun sound designing etc."

Plucky synthwave sequence on the Oberheim TEO-5

video upload by AdamSchneiderMusic

Oberheim DS2A early sequencer - not working

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Oberheim – Digital Sequencer DS2A (s/n 289) - Early 1970’s analogue sequencer (under digital control). This is the DS2”A” version with 144 note memory. In very good physical condition, but does not work. Powers up with a couple of segments on the screen lighting up, switches are working. 240v version. VEMIA can collect and pack: 9GBP."

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Original Oberheim SEM cased with clone 1601

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Oberheim 70's original SEM module + ARP 1601 sequencer modern clone module with PSU , panel and connectors making a mini modular in a custom case, ready to operate. 18 CV's in/out on SEM module. Everything works as expected, excellent sound and excellent cosmetic conditions. This synth comes from about à 10 years ago previous Vemia / UK."

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Oberheim TEO-5 Heavy Drum Groove Patch

video upload by AdamSchneiderMusic

Sequential & Oberheim Announce Free OS Updates for Take5 & TEO-5 Adding Poly Chain and More

video upload by Sequential

"The Take 5 Poly Chain OS update is free to download! Link two units together for a massive 10-voice polysynth, explore 10 new arpeggiator modes like Spiral and Leapfrog, and experience Whiplash arp timing for dynamic rhythmic transformations. Plus, dive into fresh sound design possibilities with selectable violet noise for shimmering, airy textures. This update is all about bigger chords, deeper creativity, and inspiring new sonic landscapes! It's your Take 5 to the power of 10.

Synth sounds and drums exclusively by Take 5. Music composed by Peter Dyer.

For more information on the Take 5 Poly Chain OS Update, visit Sequential at: https://sequential.com/take-5-poly-ch..."

TEO 5 Poly Chain OS Update

video upload by Oberheim Official

"Elevate your TEO-5 with the new Poly Chain OS update! Link two TEOs together for a lush 10-voice Oberheim experience, explore 10 inspiring arpeggiator modes like Spiral and Leapfrog, and add rhythmic drama with Whiplash arp timing. Plus, expand your sound palette with violet noise for shimmering and airy textures. Step up to bigger chords, deeper creativity, and fresh sonic possibilities!

All sounds from TEO-5. Music by Peter Dyer

Learn more at https://oberheim.com/products/teo-5-p..."

And a user video by Devin Belanger, aka Miles Away:

Take 5 & TEO-5 Firmware Update // First Look + Demo (Polychain, New Features & Sounds)

video upload by Devin Belanger

"First look at the brand new firmware update for the Oberheim TEO-5 & Sequential Take 5. This update adds Polychain, new arp modes, noise options, and more — giving these synths a serious upgrade. In this video I’ll walk through what’s new and demo some of the new sounds in action."

Press releases follow:

Sequential Announces Free OS Update for Take 5 Synthesizer — Adds Poly Chain and More


OS Update introduces 10-voice Poly Chain, new arpeggiator patterns, Whiplash arp timing mode, and violet noise.

San Francisco, CA — November 6, 2025— Sequential today announced a major OS update for its popular Take 5 polyphonic synthesizer, delivering powerful new features that expand its creative capabilities. This update is free for all Take 5 owners and is available now from the Sequential website.

The centerpiece of the update is Poly Chain, which allows two Take 5s to be linked for a fully integrated 10-voice instrument. This means players can perform bigger chords and more complex arrangements without worrying about voice stealing. All front-panel controls are mirrored from one unit to the other for seamless sound tweaking, as if they were a single, expanded synth.

The arpeggiator gets a serious creative boost with 10 new play modes designed to inspire fresh rhythmic and melodic ideas. Modes like Spiral and Leapfrog introduce surprising new musical elements, creating parts that feel alive. These patterns go beyond simple up-and- down motion, using virtual “playheads” to weave intricate note paths, adding new flavor to your compositions.

Another standout feature is Whiplash, a new timing mode that keeps each arpeggiator cycle the same length regardless of how many notes you hold. The result? Notes bunch together or spread apart dynamically, producing rhythmic tension and release that stays in-step with the overall bar-length of your composition.

Finally, the update also adds violet noise, which emphasizes high frequencies while reducing low-end content. This opens up new possibilities for sound design, from smooth and shimmering textures to airy percussive layers.

"Musicians love the sound of Take 5, and we get asked regularly for ways to expand the polyphony," said David Gibbons, CEO of Sequential.

"This new software makes it possible to use it as a massive 10-voice synth — while also adding some fun and creative new capabilities."

The Sequential Take 5 combines classic Prophet-5 tone with a compact, portable design and an intuitive layout that feels great to play. With five voices of polyphony (and now ten with a desktop module companion), authentic analog oscillators, the iconic Prophet-5 filter, and deep modulation options, it’s the perfect gateway to Sequential’s legendary sound.

Download now, or get more details and hear the new Poly Chain OS features in action at https://sequential.com/take-5-poly-chain-os-update/



Oberheim Releases Free OS Update for TEO-5 Synthesizer — Adds Poly Chain and More


OS Update introduces 10-voice Poly Chain, new arpeggiator patterns, Whiplash arp timing mode, and violet noise.

San Francisco, CA — November 6, 2025— Oberheim today announced a free OS update for its acclaimed TEO-5 synthesizer, adding powerful new features that make the instrument even more versatile and inspiring. The update is now available for download from Oberheim's website.

The highlight of the update is Poly Chain, enabling two TEO-5 units to be linked for a fully synchronized 10-voice Oberheim experience. This allows for complex chords and lush textures without compromise, and all panel controls are mirrored across both units for consistent sound and performance.

Additionally, the arpeggiator now includes 10 new play modes that go far beyond traditional patterns. Modes like Spiral and Leapfrog introduce new rhythm and melody, creating parts that twist, turn, and evolve in ways that spark creativity.

Also new is Whiplash, a timing mode that keeps each arpeggiator cycle the same length no matter how many keys you hold. This means the note values shift dynamically, producing rhythmic tension and release that stays in-step with the overall bar-length of your composition.

To round out the update, violet noise joins the sonic palette. With its emphasis on high frequencies and reduced low-end content, violet noise is ideal for creating smooth shimmering textures, airy effects, and unique percussive elements.

"TEO-5 was designed to bring the classic Oberheim sound to more players," said Tom Oberheim. "This update pushes that vision further — adding features that make it even more useful and inspiring."

TEO-5 combines authentic Oberheim tone with modern creative tools. With true analog oscillators, the legendary SEM filter, linear through-zero FM, and a deep modulation matrix, TEO-5 offers a vast sonic palette in a compact, performance-ready design. Take the next step with TEO-5 and download the Poly Chain OS Update today.

The TEO-5 OS update is now available for free download at https://oberheim.com/products/teo-5-poly-chain-os-update/

Oberheim CPS-2 MiniSequencer Desktop Module

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

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Oberheim OB-1 V1 rare early SEM Version - PRO RESTORATION with new Tauntek CPU Board SN 0063

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Pics of the inside below.

"Just serviced by the very talented Vintage Standards in Japan October 2025. In my opinion top 3 techs in the world. PSU replaced, every pot disassembled cleaned and re lubricated, crucial caps replaced, tropical fish caps still in perfect condition, brand new Tauntek CPU board installed to keep it reliable for much longer than the original and expanding its memory to 64, uses through hole and modern components for longevity and serviceability. Crucial trimmers replaced to keep tuning and voltage stable. Keyboard cleaned and bushings replaced. Literally everything you need to do to these to keep them going for another 50 years reliably. This is the early SEM version that uses the same discrete VCA as the SEM instead of the chip based version most of them have which is more like the OB-X, love the way these SEM envelopes react. Sound is incredible and it's so awesome having instant preset recall on a SEM and a great interface to control it. These will only go up in value and im only selling because I recently obtained an TVS and its a bit over kill to have both (although awesome having a 3 voice). Selling at a loss already so please be considerate if making an offer."

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How to make the Rush Tom Sawyer synth sound [No Talking] #synth #rush #tomsawyer #oberheim #teo5

video upload by SynthSoniq

"This video is a tutorial on how to make the Rush Tom Sawyer synth intro sound. It's good to know how to create this patch even if you don't want to play Rush, because it teaches you about filter envelopes, resonance, and the general character of a synth's filter. I like making it on any synth because it gives me a feel for that synth's sound. It's then easy to add some attack to the envelope to turn the patch into a great pad, or decrease the decay to make some cool bass sounds."