PlayFader PlayMates - TD-3-MO (Massive Attack - Teardrop & a 303)

video upload by Play All Day

"A one-take jam using a TD-3-MO (a supercharged TB-303) to play along to Massive Attack's Teardrop. Dedicated to the brave people of the Global Sumud Flotilla 2025 ✌️🇵🇸

I wanted to show how expressively you can play a 303 with PlayFader. And I feel like I've just unlocked a secret door... I can't even image how I'd sequence this using a xox sequencer, let alone inside a DAW.

BUT, although I didn't in this case, you can always record the MIDI output of PlayFader into your DAW so you can go back and edit, tweak and fine tune... if that's your kind of workflow.

Not mine, sorry. I just want to play music, that's why PlayFader exists.

No Fun FX used btw, not even transpose, I'm simply just playing, recording, improvising and overdubbing live. Jumping between the dual buffers in each channel, while also switching performance quantisation modes to mix between Auto (ratchets) and Single (which is basically... no ratchets : ] ) to create more variety and dynamics.

Channel A of PlayFader controls pitch and gate CV.
Channel B controls Slide and Filter Cutoff CV at the same time. While the gate out is engaging the Accent.
I chose the Behringer TD-3-MO precisely because of its numerous CV inputs, but you can absolutely do this over MIDI on any other 303, or in your DAW using a 303 VST. More to come with this combo for sure...

I hope you try this and enjoy it as much as I did.

Less work.
More flow.

Play All Day."

https://goplayallday.com/

Kloob - Humming Of The Void

video upload by - Kloob -

"The track's foundation is built on deep, expansive pads and drones, custom-created on a Modal Argon8X and then sampled and processed using the Roland SP-404 mkII.

Roland SP-404 mkII: Modal Argon8X drones pad samples.

Micromonsta: pad played in realtime.

Behringer Edge: Drum fx noise pattern.

FX: Valhalla Supermassive.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
kloob.bandcamp.com"

Behringer 2-XM Patches: Vintage Bass, Lead, Pluck Sound Demo

video upload by Anton Anru

"Analog Classics is a collection of 50 Patches for the semi-modular synthesizer Behringer Model 2-XM. The collection features 50 Patches, including 20 leads, 15 basses, and 15 plucks.

💾 This soundset offers iconic sounds found in many electronic tracks, ranging from vintage to modern styles. It includes musical solo timbres, plucks, and basses that can easily fit into any track or live performance.
Plucks are excellent for use with arpeggiators or sequencers. You may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controllers.

📦 Get these patches: https://antonanru.sellfy.store/p/2-xm...

🎨 The presets cover a wide sonic palette, including warm, noisy, detuned, distorted, as well as soft, clean, punchy, dark, bright, deep, and airy tones.

🥁 These presets are versatile and suitable for a wide range of genres, including ambient, electronica, IDM, deep techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, synthwave, retrowave, dub, and more.

📚 The soundset is provided as a PDF document, with each page containing detailed notes that explain how each patch works, which parameters are worth tweaking during playback, and how to evolve the timbre during a performance. By following these notes and making adjustments consciously, you’ll not only get the most out of the patches but also gain a deeper understanding of the synth itself, uncovering its full potential and creative depth.

🎧 Each patch comes with an audio example to help you understand how the timbre is intended to sound, making it easier to integrate into your productions.

💡 I added pads and drum loops to the video demo to place the presets in a musical context.
These drums and pads are not included in the soundset."

CLICK FOR MORE »

Syncussion SY-1 - Walkthrough and extended demo

video upload by Richard DeHove

"The Behringer Syncussion clone is a simple beast. It creates mighty bass drum hits with no effort and has beautiful noise. That in itself is something I find puzzling: If this cheap clone can so easily create big hits why are cheap drum machines always so dinky and gutless?

Here I do some lengthy noodlings with the SY-1 Syncussion with one channel through the Zen delay and the other through the Echolocator. This duo is really growing on me. The Zen has some good grit and saturation, while the Echolocator has various tricks with its freeze, shimmer and filter.

About halfway through I digress into a basic overview of the controls, then it's back to noodling. The DB-01 does a good job with sequencing although the original plan was to drive everything with the LXR-02. But horrors! I discovered that the MIDI out functionality on the LXR-02 is totally broken - confirmed by Erica Synths. Hoping for a fix on that soon. In the meantime the DB-01 will have to battle on as my sequencer.

If there's one thing I could change on the SY-1 it would be to add clock sync to the LFO. For me unsynced LFOs are a huge miss. Otherwise it's an excellent little synth. Two of them mounted in a Eurorack case could easily make for a powerful drum voice solution.

As usual, no DAW processing of any kind, it's all what you see.

0:00 Setup explained
2:01 Noodle soup
2:58 Elephant song
4:44 Tin shed
6:29 Weather system
8:08 Interface walkthrough
18:05 Robot bird
19:40 Corky
21:46 Trainride
22:36 Punching bag
26:19 Subby McSub

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Behringer 2-XM Four Voice Poly Action Using CV.OCD [Demo 01]

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

Today I'm employing a Sixty Four Pixels CV.OCD to distribute CV/gate amongst two Behringer 2-XM synths for proper Four Voice allocation. As of today the 2-XM firmware on its own does not support individual voice allocation this way. And THIS is very much what I signed up for: stereo panning each voice however I want, pulling out notes of a sequence/chord using filter and envelope controls per voice, and slight variations in the voicings giving rise to an analog sound that is very much alive. Even when the sequence is just arpeggiating a single note value, the variations suggest movement as you will hear.

All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. No sound effects are applied, some normalization in post processing. Signals were sub-mixed on a Soundcraft EPM6 mixer, no added EQ. Sequencing by Arturia Keystep Pro.

0:00 Chords and Bass Sequence I
2:32 Chords and Bass Sequence II
4:14 Single Note Arpeggiation"

MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro

Behringer Murf Box on synth (no talk)

video upload by Richard DeHove

"Behringer's BM-15M Murf Box - now renamed as the BM-15M Resonant Filter - is a clone of the Moog Moogerfooger MF-105 MuRF. I bought this pedal thinking it might be a more interesting replacement for my Boss SL-2 Slicer. Why did I want to replace the Slicer? Because the Slicer has a few things that slightly irritate me. In hindsight, a pitiful motivation since the Murf Box has an equal number of small irritating things.

First, if you bypass the effect you only get sound out of one channel. That's irritating. It's huge, the knobs are hard to read, I don't love the EQ, the way the envelope works is odd, there's no compression on the drive, and you can't adjust the LFO without an expression pedal. Not that I entirely blame Behringer, I also blame Moog since these are all present on the OG Murf. But of course all the actual blame rests with me for not being satisfied with the Boss Slicer.

Not that the Murf sounds bad. It's a rather interesting, gritty, unusual and reasonably versatile machine. I think rather my expectations were pumped up to the same artificial heights as the OG Moogerfooger reputation and prices.

Here the Murf is receiving a MIDI clock and the expression pedal is connected to the LFO rate. The volume varies a lot depending on the EQ, mix and drive settings - and seems to fade away a bit toward the end of the video - but I thought it best to keep these as-is to show real usage.

Originally I was going to do a comparison between the Murf Box and the Boss Slicer with lots of talk. But knowing that hearing me talk too much annoys some people, and that merely showing a Behringer product will guarantee a percentage of automatic dislikes, I thought it wiser to start with a plain audio demo. I'll do a comparison with the Slicer very soon (unless everyone hates this video) since I think there's a lot of overlap and interesting design contrasts between the pedals.

0:00 Intro ditty
1:00 Twiddlings
3:30 Drone
4:06 EQ fun
4:56 Envelope
5:50 Many tweakings

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Introducing Behringer BM-14M ANALOG DELAY

video upload by Behringer

"Adam walks us through the BM-14M ANALOG DELAY — a rebirth of one of the most sought-after pedals from a long-discontinued series.

Far beyond a standard analog delay, the BM-14M delivers deep sonic shaping capabilities with enhanced control features and expanded I/O. This is not just a delay pedal; it’s a full-on sound-sculpting machine designed for creative musicians and tone explorers alike.

*Chapters:*
00:00 Welcome BM-14M ANALOG DELAY
00:17 Story time
01:32 The BBD Chip
02:07 Features
02:37 Delay Demo
03:05 Hidden feature
03:36 LFO control
04:44 Tap in LFO rate
05:07 IO
05:44 IO Demo"

BM-14M ANALOG DELAY
The BM-14M brings a classic delay device back to life, celebrated for its unmistakable warmth and high level of control. Known for sparking creativity, this reborn design delivers rich analog tone while pushing you into uncharted territory. Its hands on approach invites you to sculpt echoes that can move from subtle depth to radical soundscapes, perfect for those who thrive on inspiration through exploration.


Deep Control and Expansive Connectivity
This isn’t just a delay pedal, it’s a laboratory for sonic experimentation. With CV and expression inputs for Feedback, Time, LFO Rate, and LFO Amount, plus MIDI In for precise parameter control, BM-14M gives you unmatched flexibility. Dedicated audio outputs like DELAY OUT let you isolate the wet signal, while the FB Insert unlocks new routing possibilities by sending and returning the delay path into other effects. The result: endless ways to push delay beyond the expected.

Easy Integration
The BM-14M is made for creators chasing texture, movement, and analog depth across any setup. Whether paired with guitars, synths, drum machines, or modular rigs, it adapts seamlessly and rewards experimentation. Wherever creativity leads, the BM-14M is your tool for shaping truly unique sonic journeys.

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

Behringer UB-Xa: 64 Arp Presets Vintage & Modern. Sound Demo

video upload by Anton Anru

"🌌 Analog Flow is a collection of 64 arp presets for the Behringer UB-Xa analog synthesizer. The bank covers a wide range of arpeggio timbres: warm, deep, dreamy, soft, noisy, bright, dark, distorted, cold, metallic. You can also disable the arpeggio mode and get a collection of diverse plucks.
Since the UB-Xa is a recreation of a vintage classic, this collection embraces its retro character—highlighting detuning, subtle noise, and analog warmth to evoke the sonic aesthetics of the 70s and 80s.
The patches are infused with nostalgic charm and are perfect for adding that vintage soul to your tracks.

📦 Get these patches: https://antonanru.sellfy.store/p/ub-x...

📼 One of the unique features of the UB-Xa is its Atrophy profiles—emulations of various stages of vintage wear and drift. All presets and audio demos were created using the default Profile 1, but you're encouraged to explore them with other profiles to discover variations in brightness, tuning, and stereo width. This adds another layer of expression and depth to the sounds.

🎛 Each preset is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness or movement — offering creative flexibility for both studio production and live performance.

🧿 The soundset is universal, the arpeggios are suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Synthwave, Retrowave, Pop, Indie, IDM, Drum'n'Bass, Breakbeat, Electro, Ambient, Synth-Pop and others.

CLICK FOR MORE »

'Ich geh zum Lunch' - (Synthesizer Live-Jam)

video upload by ole_tholen

"This one's for all those who are off to lunch!

"Lunch - ich geh zum Lunch,
ich hab Mittagspause
ich geh zum Lunch!"

Bass: Behringer Kobol Expander
Drums: Roland TR-6S
Lead: DSI OB-6
Additional Synth-arpeggio and sequencing: Yamaha ModX

You can also listen to this and other tunes of mine on all streaming plattforms:

https://linktr.ee/ole_tholen"

A Short History of the 303 in 12 songs 🙂 How the 303 failed successfully - our fav TB-303 patterns

video upload by Captain Pikant

"In this episode we're going to look at the fascinating history of the Roland TB-303 bass synthesizer - and we'll do so with a colourful mix of our favourite 303 patterns spanning across four decades! We show every pattern so you can try them in your 303, TB-3 or any other synth 🙂

If you want to check out the originals then here's a playlist with all the tracks we mentioned:"

Behringer Syncussion SY-1 Analog Drum Patches + Samples Demo

video upload by Anton Anru

"🥁 Analog Drums is a collection of 50 patches for the analog drum synthesizer Behringer Syncussion SY-1, featuring 12 Kicks, 8 Snares, 10 Toms, 6 Cymbals, 6 FX, and 8 Percussion sounds.
🔮 This soundset was born from an exploration of this retro-style drum synthesizer, crafting everything from classic, production-ready tones to more experimental percussive timbres. The result is a dual package: a patchbook plus 250 one-shot samples.

📦 Get the soundset: https://antonanru.sellfy.store/p/sync...

💾 Each patch served as a starting point from which several variations were recorded by slightly tweaking parameters. This way, you get not only a guide to recreating the sounds but also a ready-to-use WAV collection (44.1kHz / 24-bit) for both hardware samplers and DAWs.
The collection is suitable for many genres: synthwave, retrowave, techno, deep, house, downtempo, industrial, and many others — anywhere an analog retro sound is needed.

🎹 The Behringer Syncussion SY-1 can be triggered not only via the TRIG button or external trigger but also through MIDI. When connected to a MIDI keyboard, the keys transpose the pitch of the patch—experiment with different notes, octaves, and sequenced patterns to unlock a broad sonic range. Tweaking parameters during performance adds dynamic movement and expressiveness to your percussion lines.

📒 The soundset comes in a PDF format. Following the guidelines while experimenting with the suggested settings will deepen your understanding of the synth’s capabilities.
🎧 Each patch also includes an audio example to demonstrate its intended sound.

I added synth parts to the demos. They are not included in the soundset.

Contents:
00:00 02 Kick, 13 Snare, 21 Tom, 23 Tom, 32 Cym
00:40 10 Kick, 16 Snare, 31 Cym, 36 Cym, 44 Perc
01:21 01 Kick, 18 Snare, 26 Tom, 30 Tom, 43 Perc
01:54 12 Kick, 20 Snare, 34 Cym, 24 Tom, 29 Tom
02:44 06 Kick, 03 Kick, 28 Tom, 42 FX, 37 FX
03:15 09 Kick, 17 Snare, 27 Tom, 48 Perc, 40 FX
03:48 04 Kick, 19 Snare, 35 Cym, 39 FX, 45 Perc
04:19 05 Kick, 14 Snare, 44 Perc, 25 Tom
04:59 11 Kick, 22 Tom, 46 Perc, 47 Perc, 49 Perc
05:30 08 Kick, 15 Snare, 33 Tom, 41 FX, 50 Perc"

Behringer BM-11M LOW PASS FILTER is here!

video upload by Behringer

"Behringer BM-11M LOW PASS FILTER | Legendary Ladder Filter Tones

Join Adam as we dive into the rich, analog world of Behringer BM-11M LOW PASS FILTER – a harmonically rich low pass filter with the DNA of one of the most iconic ladder filters in music history.

With its vintage-inspired preamp section and classic analog circuitry, the BM-11M delivers the warm, powerful tones heard on countless records. Designed for synth users, guitarists, producers, and sonic explorers alike, the BM-11M also features expansive I/O, CV control, MIDI, and USB-C – unlocking endless creative possibilities."

⏱ Chapters
00:00 Welcome to BM-11M
00:33 What does it do?
01:29 Origin
02:14 Features
02:43 Controls + demo
05:03 IO
06:43 CV demo’s
07:46 MIDI + USB C
08:12 BM-11M on drums
09:02 BM-11M on bass

I hope they're not all like this! // Behringer vs Moog MuRF

video upload by Starsky Carr

"No prizes for guessing what's going on here.. a comparison of the Behringer BM-15 MURF BOX and the classic MoogerFooger MIDI MuRF

How does the Behringer stack up against the Moog? ... there's only one way to find out :)"

TR-808 Shootout // Can they live up to the LEGEND??

video upload by Starsky Carr

"The legendary Roland TR80*8 up against the *Roland TR-8S and the Behringer RD-8 Looking only at the sounds - or listening to them! - do they come anywhere close?

The TR-8S uses Roland's ACB technology, which is the same as the TR-8, Roland Cloud plugins and the Boutique TR-08 - so this has you covered for all of those. I'm using the RD-8 Mk2 - you cna tell because its got the black buttons, Mk1 had white.

I've gone through all the sounds (forgot the maracas in the demo bit) and showed how they differ. Taking into consideration no 2 808s will be identical I think they both stand up very well to the orginal TR808.

But if you want the exact sounds...

Buy my 495 samples here - every position on every knob!
https://www.starskycarr.com/patches/p..."

Strange Module Interactions

video upload by Bata

This one reminded me of the sequence ratchet/rachetting effect in the recent Franke and Ruby and “Liar, Liar, 960 Denier!” 😅 videos, albeit a diffent approach.

"Showing some strange interactions between a few Behringer modules.

Reddit user n_nou offered this explanation.

'Ext Adv expects bipolar clock to cycle properly. Any polarity dip will do, even slightly below zero at minimum. EOC on Abacus is (mostly) unipolar. Mostly, because the exact 0 point varies depending on the function shape, so some shapes and frequencies run 1050 through only odd and some through all steps. Simple offset will correct/result in this behaviour and you can use any LFO for this, this is not specific to Abacus. Moreover, Ext Adv is not properly buffered, you can literally use it as a half wave rectifier. Just mult the signal to the Ext Adv and your destination, 1050 will sink the negative part of the wave and will mess up with unipolar outputs. Check unity output from Abacus, it flattens at maximum.

As to PP1, at high gain it will amplify even miniscule fluctuations in power supply, and since PP1 itself is very sensitive, it will result in pitch shifts.'

Not sure if this is telling the whole story or not but it's all I have to go off of at the moment."

Behringer MS-1 Firmware Update and Chat

video upload by ranzee

"Video contents:
00:00 Show starts
01:00 Behringer MS-1 info
03:00 Firmware update
10:00 Live Chat

More information about this episode (including links to news items, videos and images) can be found on the blog post here: https://ranzee.com

My channel is about synthesizers, music technology, electronica and geekery. I regularly show new gear, setup guides, live jams, original music, repairs & builds, music technology reviews, tutorials, retro gaming & computing!"

Behringer HALOS – From Silence to Substance

video upload by Behringer

"Ready to explore a new kind of resonance?
HALOS is a physical modeling synthesizer by Behringer, designed to bring strings, membranes, and tubes to life — right inside your Eurorack.
🎧 From deep organic tones to shimmering, evolving harmonics, HALOS turns any trigger, envelope, or noise source into rich, expressive soundscapes.
🚀 Why HALOS?
• Inspired by Mutable Instruments RINGS*
• Three resonator modes: Modal, Sympathetic Strings, Non-linear/Dispersion
• Advanced physical modeling algorithms for strings, membranes, and tubes
• Pseudo-polyphony up to 4 notes
• High-resolution CV control with 16-bit accuracy
• Compact 14 HP format — ideal for modular rigs
✨ Perfect for experimental artists, Eurorack enthusiasts, and sound designers looking to add realism and depth to their modular system.

🎬 Watch the video. Redefine your resonance.
🎶 HALOS is here — and it’s alive."

HALOS - The Incredible Hidden Modes (Part 2)

video upload by Behringer

Behringer JT-MINI Fun with LFO & Delay FX Jupiter-8 Analog Synthesizer Rik Marston

video upload by Rik Marston Official

"Behringer JT-MINI Fun with LFO & Delay FX"
Analog Synthesizer Demo by Rik Marston
*Watch in HD!* *NO Talking!* *Turn it up!*
My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou...

Introducing Behringer BM-12 RING MODULATOR

video upload by Behringer

"Adam walks us through the BM-12 RING MODULATOR, a revival of a classic 2000s-era pedal known for its wild, unworldly tones. With extensive I/O, detailed controls, and a vibrant preamp that stays active even when bypassed, BM-12 offers powerful sound-shaping versatility—essentially two pedals in one. Perfect for adventurous musicians seeking bold, experimental textures." Chapters:
00:00 Welcome to BM-12
00:59 Ring Modulation
01:32 Paranoid-ish
02:22 The joy of Ring Modulation
03:00 Demo time
03:47 Controls
05:33 LFO demo
06:09 IO

The Behringer BM-12 RING MODULATOR is a vintage fully analog unit that delivers rich and otherworldly textures in a compact, pedalboard friendly format. From shimmering harmonic shifts to wild metallic clangs, BM-12 opens a portal to untamed soundscapes.

Deep Control, Endless Possibilities
At the heart of BM-12 is a versatile carrier oscillator with a sweeping frequency range that can dial in everything from slow-motion tremolo to piercing robotic tones. An onboard LFO lets you animate the effect in subtle or extreme ways, with independent controls for Rate and Amount. The Mix knob gives you precise control over how much of the modulated signal blends in with your dry tone, while the Drive control let you adjust gain to fit perfectly in a mix.

From Studio Experiments to Live Chaos
Whether you’re a guitarist looking to add eerie textures to ambient passages, a synth player pushing into experimental territory, or a producer craving unpredictable modulation in the studio, BM-12 delivers. Use it to make bell-like arpeggios shimmer or turn simple riffs into alien transmissions. With CV I/O on the rear panel, it’s also ready to patch into your modular or semi-modular setup for even deeper exploration.

CLICK FOR MORE »