Arturia MicroFreak & Behringer MS-5 - Gamma Tauri (live)

video upload by LFOstore

"Gamma Tauri is either a solitary, binary or double star that marks the tip of the "V" in the constellation of Taurus.

Nick Klimenko is here to play cosmic/berlin synthesizer composition started with classic ambient moving to Berlin music school fade into rhythmic & cosmic pulses, right from NK Synth Museum - https://nksynthmuseum.com/en/

This composition is a part of upcoming album played live on synthesizers, will be released on 19th of December.

Sonicware LIVEN Texture Lab - main granular string
Sonicware LIVEN Ambient Ø - main harmony an layers
Behringer MS-5 - beautiful solo & rhythmic bass + noise
Arturia Microfreak - sequencer for MS-5 & s&h sequence Recorded into Zoom L6

Enjoy the trip!"

Generative Patches: Behringer Edge+Crave+Spice Live Jam Demo

video upload by Anton Anru

"🟪🟧🟥 ECS Generative is a collection of 25 patches (+Crave patterns) for the semi-modular system by Behringer: EDGE + CRAVE + SPICE.
This genre of sound design is highly popular within modular culture, and the Behringer synths offer an excellent feature set to explore it.
Controlled chaos and randomness, probability, non-repetitiveness, tempo shifts, pattern uniqueness, the alternation of short and long sounds, unexpected changes, silence and density, harmonic and FX-like tones, and glitchy bursts throughout sequences — all of these elements are part of the soundset.

📦 Get these patches: https://antonanru.sellfy.store/p/ecs-...

CLICK FOR MORE »

New BEHRINGER BQ-10: It Will Leave You Speechless!

video upload by Behringer

"The Behringer BQ-10 is a 24-step analog sequencer that captures the essence of classic sequencing with the flexibility of modern modular workflow. Designed in Eurorack format, it’s hands-on, immediate, and built to spark ideas without screens or menus getting in the way.

Key features:
• Single 16-step or dual 8-step sequences
• Dedicated 8-step CV channel for filter or amplitude control
• Per-step trigger outputs for custom reset patterns
• External trigger input for clock sync
• Full CV control for deep modular integration

From evolving sequences to tight, synced pattern changes, the BQ-10 brings vintage character and real-time control straight into your setup.

Available now through Behringer distributors worldwide."

This Analog Synth Will Blow Your Mind – Introducing the Behringer SDS-3!

video upload by Behringer

"Discover the Behringer SDS-3, the analog synth that rewrites the rules of drum machines! With powerful sounds and full control, the SDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.

From the raw energy of analog drums to more experimental sounds, the SDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.

Watch this video for an engaging performance and see how the Behringer SDS-3 can transform your sound!"

Sequenced with the Behringer RS-9.

Give Me 7 Minutes - Unbelievable LoFi Track From Scratch with The Kiviak Wofi Sampler

video upload by SYNTH SAMURAI

"⁠The Kiviak Instruments WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds."

CLICK FOR MORE »

Syncussion SY-1 dark ambient driven by the Midicake Arp (no talk)

video upload by Richard DeHove

"I toyed for some time with the idea of titling this video: "To a Mouse, on Turning Her Up in Her Nest With the Plough". Which is the title of the 1785 poem by Robert Burns. Supposedly Burns was ploughing his field in Scotland when he accidently destroyed a mouse nest; was full of remorse for 'little Mousie' who now faced a disastrous Winter; and composed this rather lengthy poem while standing in the field.

It contains the verse:

But, Mousie, thou art no thy lane,
In proving foresight may be vain;
The best-laid schemes o' mice an' men
Gang aft agley,
An' lea'e us nought but grief an' pain,
For promis'd joy!

The key line of which has been popularized as "The best laid plans of mice and men often go astray". Which, it can finally be revealed, was my resigned feeling when rendering this video, and which led to the impulse for the silly title. In the end I decided against this title assuming algorithms don't appreciate obtuse connections by mood.

The plan was to string together a good half dozen Arp-driven Syncussion noodles with long stretches of blather about the Midicake Arp settings. After putting most of that together the only part I really enjoyed was one of the darker pieces, so that's the video. At least I learned a little about Robert Burns. It's worth another few minutes of your time to read something of his life, it's fascinating.

Here the Syncussion is in Mode 2 which means the pitch is controlled via MIDI. At times the Arp is also modulating the only other available MIDI parameter which is decay. The two leftside Arp channels control the left-side Syncussion voice; and the two right channels of the Arp control the right voice.

A pedal I bought used many months ago 'Gallows in the Morning' is on the left channel, and a delay on the right. Gallows is a drive and reverb combo pedal. Meh. The reverb is OK but the drive is pretty gutless and has an odd crackle to it. Mode B I never used because it just sucked the entire bottom end away. But it looks good, has a big light, and a nice gloomy name.

In other news I recently had to endure a few days here without my Fab Knocker. Lord, what an agony. So my thanks again to my loyal handful of Patrons. I detest ads.

In reaching this far I thankyou, it's good we can share these little interludes of irrelevancy.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/ My other channel "IntraCosmos" of long-play dark ambient textures: / @intracosmos"

A big box with even bigger sounds! Introducing BM-18M CLUSTER BOX

video upload by Behringer

"Adam Husk presents the BM-18M CLUSTER BOX, a compact modulation pedal that blends classic chorus and flanger tones with deep creative control. Switch easily between chorus and flange modes using the range rocker, then shape your sound with Drive, Output Level, and a dry/wet mix.

At Behringer, we believe in pushing the boundaries of music technology to make high-quality gear accessible to everyone. Our mission is to empower musicians at every level by delivering innovative tools at a fraction of the cost—without compromising on sound or performance."

Classic Modulation, Reimagined

The Behringer BM-18M CLUSTER BOX is a modulation powerhouse that blends the warmth of classic chorus and flanger tones with a modern edge. At its core, a simple range rocker lets you switch between lush chorusing and sweeping flange textures—but the CLUSTER BOX is anything but basic. Whether you're chasing vintage shimmer or pushing into wild, unpredictable territory, this pedal is built to inspire.

Deep Control, Limitless Texture

Beyond the familiar sounds lies an expressive control layout designed for sonic sculpting. Shape your tone with adjustable Drive and Output Level for analog-style saturation, or blend dry and wet signals to taste. A six-shape LFO selector lets you modulate Rate, Amount, Delay, and Feedback in highly creative ways—while a dedicated tap-tempo footswitch keeps your modulation locked to the groove.

Modulation Meets Modularity

From pedalboard to modular rig, the CLUSTER BOX opens up a world of routing possibilities. Control key parameters via CV, MIDI, or expression pedal, and sculpt your effects further with a dedicated feedback insert loop. USB-C integration with the Guitar Tribe App adds even more flexibility, while stereo output with DIP switch customization ensures the pedal plays nice with any setup—guitar, synth, or studio.

Kloob - Creepy Sights

video upload by - Kloob -

"Getting familiar with the powerful Aka MPC One :)

Akai MPC One: my own samples.

Micromonsta: pad played in realtime.

Behringer Edge: Drum / Bass pattern.

FX: Valhalla Supermassive.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
kloob.bandcamp.com"

Behringer Introduces UB-Xa MINI | Analog power in your hands

video upload by Behringer

"Meet the Behringer UB-Xa MINI, a compact analog synth built to inspire.

With 3 VCOs, a dual-slope VCF, a 16-step motion sequencer and a multi-mode ring modulator, it delivers that rich, evolving sound that makes ideas come alive.

Designed for producers, live performers and anyone who wants hands-on control, UB-Xa MINI turns every knob into an invitation to explore.

🎛 3 VCO | Dual VCF | Motion Sequencer | Ring Mod | Touch Keys | USB-C + MIDI"

Analog Polyphonic Synthesizer with 3 VCOs, Classic DUAL VCF, Ring Modulator, and 16-Step Motion Sequencer

Powerfully Compact, Incredibly Capable
The UB-Xa MINI is a compact analog polyphonic synthesizer that delivers big sound in a small package. With a fully analog signal path and three rich VCOs, it brings iconic ’80s textures into the modern age. Whether in the studio or on stage, its portability and punch make it an ideal choice for musicians who want authentic tone without compromise.

A Mini Synth with Maximum Impact
Sized for convenience but designed for performance, the UB-Xa MINI captures the essence of the UB-Xa in a streamlined format. It features a powerful analog engine, lush analog filters, and versatile modulation options, giving creators access to classic sounds and expressive controls – all in a more travel-ready design.

Total Control at Your Fingertips
With 27 touch-sensitive keys and an intuitive layout, sound shaping is immediate and fun. The switchable 12/24 dB analog filter offers powerful tone sculpting, while the LFO with three waveforms modulates pitch, cutoff, and pulse width with ease. Every knob and key are tuned for tactile, musical response.

Behringer Introduces CZ-1 Mini | The Rebirth of Phase Distortion in a Compact Powerhouse

video upload by Behringer

"Experience the Behringer CZ-1 Mini — a stunning rebirth of the legendary phase distortion synth, now re-engineered into a sleek and portable form.
Same iconic sound. Smaller size. Bigger inspiration.

🎹 Highlights:
• Authentic phase distortion engine inspired by the classic Casio CZ series
• True 8-voice polyphony for lush, vintage tones
• Real-time hands-on control with intuitive interface
• USB-powered and ready for studio or stage

The CZ-1 Mini brings the warmth and punch of the ‘80s into today’s creative workflows — at a price that changes everything.

⚡ Watch now and rediscover the sound that shaped a generation."

Update:

Behringer CZ-1 Mini | Compact Phase Distortion Powerhouse

video upload by Behringer

Edge+Crave+Spice 50 Combo Patches & Samples. Live Sound Demo

video upload by Anton Anru

"🟪🟧🟥 ECS Combo is a collection of 50 combo patches for the semi-modular system by Behringer: EDGE + CRAVE + SPICE.
This collection includes basses, drums/percussion, leads, plucks, textures, and FX. The sound palette covers a wide spectrum: massive and gentle, aggressive and soft, bright and muted, melodic and inharmonic tones, straight and polymetric patterns.

📦 Get these patches: https://antonanru.sellfy.store/p/ecs-...

CLICK FOR MORE »

A stereo Korg Poly 61

video upload by Craig Barnes

"As my poly 61 is now controlled by a dedicated editor, the editor hardware can be used to control a Behringer June 60 chorus, a simple mod of the June 60 to use 5v relays instead of push buttons and it can be controlled by a micro."

Original SEM vs Behringer—Which Reigns Supreme?

video upload by Memetune Studio

"A basic comparison between a vintage Oberheim SEM and a Behringer 2-XM

The idea is to see if the VCO, VCF and envelopes sound and behave the same, or are there subtle differences that mean that I won't be selling my Four Voice any time soon 😉"

I need a new name for this

video upload by Beaubourg

"All sounds are from the Oberheim OB-X8, I only use the Wave as a MIDI keyboard. Effects used are Vongon Polyphrase and Meris Mercury 7."

PlayFader PlayMates - TD-3-MO (Massive Attack - Teardrop & a 303)

video upload by Play All Day

"A one-take jam using a TD-3-MO (a supercharged TB-303) to play along to Massive Attack's Teardrop. Dedicated to the brave people of the Global Sumud Flotilla 2025 ✌️🇵🇸

I wanted to show how expressively you can play a 303 with PlayFader. And I feel like I've just unlocked a secret door... I can't even image how I'd sequence this using a xox sequencer, let alone inside a DAW.

BUT, although I didn't in this case, you can always record the MIDI output of PlayFader into your DAW so you can go back and edit, tweak and fine tune... if that's your kind of workflow.

Not mine, sorry. I just want to play music, that's why PlayFader exists.

No Fun FX used btw, not even transpose, I'm simply just playing, recording, improvising and overdubbing live. Jumping between the dual buffers in each channel, while also switching performance quantisation modes to mix between Auto (ratchets) and Single (which is basically... no ratchets : ] ) to create more variety and dynamics.

Channel A of PlayFader controls pitch and gate CV.
Channel B controls Slide and Filter Cutoff CV at the same time. While the gate out is engaging the Accent.
I chose the Behringer TD-3-MO precisely because of its numerous CV inputs, but you can absolutely do this over MIDI on any other 303, or in your DAW using a 303 VST. More to come with this combo for sure...

I hope you try this and enjoy it as much as I did.

Less work.
More flow.

Play All Day."

https://goplayallday.com/

Kloob - Humming Of The Void

video upload by - Kloob -

"The track's foundation is built on deep, expansive pads and drones, custom-created on a Modal Argon8X and then sampled and processed using the Roland SP-404 mkII.

Roland SP-404 mkII: Modal Argon8X drones pad samples.

Micromonsta: pad played in realtime.

Behringer Edge: Drum fx noise pattern.

FX: Valhalla Supermassive.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
kloob.bandcamp.com"

Behringer 2-XM Patches: Vintage Bass, Lead, Pluck Sound Demo

video upload by Anton Anru

"Analog Classics is a collection of 50 Patches for the semi-modular synthesizer Behringer Model 2-XM. The collection features 50 Patches, including 20 leads, 15 basses, and 15 plucks.

💾 This soundset offers iconic sounds found in many electronic tracks, ranging from vintage to modern styles. It includes musical solo timbres, plucks, and basses that can easily fit into any track or live performance.
Plucks are excellent for use with arpeggiators or sequencers. You may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controllers.

📦 Get these patches: https://antonanru.sellfy.store/p/2-xm...

🎨 The presets cover a wide sonic palette, including warm, noisy, detuned, distorted, as well as soft, clean, punchy, dark, bright, deep, and airy tones.

🥁 These presets are versatile and suitable for a wide range of genres, including ambient, electronica, IDM, deep techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, synthwave, retrowave, dub, and more.

📚 The soundset is provided as a PDF document, with each page containing detailed notes that explain how each patch works, which parameters are worth tweaking during playback, and how to evolve the timbre during a performance. By following these notes and making adjustments consciously, you’ll not only get the most out of the patches but also gain a deeper understanding of the synth itself, uncovering its full potential and creative depth.

🎧 Each patch comes with an audio example to help you understand how the timbre is intended to sound, making it easier to integrate into your productions.

💡 I added pads and drum loops to the video demo to place the presets in a musical context.
These drums and pads are not included in the soundset."

CLICK FOR MORE »

Syncussion SY-1 - Walkthrough and extended demo

video upload by Richard DeHove

"The Behringer Syncussion clone is a simple beast. It creates mighty bass drum hits with no effort and has beautiful noise. That in itself is something I find puzzling: If this cheap clone can so easily create big hits why are cheap drum machines always so dinky and gutless?

Here I do some lengthy noodlings with the SY-1 Syncussion with one channel through the Zen delay and the other through the Echolocator. This duo is really growing on me. The Zen has some good grit and saturation, while the Echolocator has various tricks with its freeze, shimmer and filter.

About halfway through I digress into a basic overview of the controls, then it's back to noodling. The DB-01 does a good job with sequencing although the original plan was to drive everything with the LXR-02. But horrors! I discovered that the MIDI out functionality on the LXR-02 is totally broken - confirmed by Erica Synths. Hoping for a fix on that soon. In the meantime the DB-01 will have to battle on as my sequencer.

If there's one thing I could change on the SY-1 it would be to add clock sync to the LFO. For me unsynced LFOs are a huge miss. Otherwise it's an excellent little synth. Two of them mounted in a Eurorack case could easily make for a powerful drum voice solution.

As usual, no DAW processing of any kind, it's all what you see.

0:00 Setup explained
2:01 Noodle soup
2:58 Elephant song
4:44 Tin shed
6:29 Weather system
8:08 Interface walkthrough
18:05 Robot bird
19:40 Corky
21:46 Trainride
22:36 Punching bag
26:19 Subby McSub

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Behringer 2-XM Four Voice Poly Action Using CV.OCD [Demo 01]

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

Today I'm employing a Sixty Four Pixels CV.OCD to distribute CV/gate amongst two Behringer 2-XM synths for proper Four Voice allocation. As of today the 2-XM firmware on its own does not support individual voice allocation this way. And THIS is very much what I signed up for: stereo panning each voice however I want, pulling out notes of a sequence/chord using filter and envelope controls per voice, and slight variations in the voicings giving rise to an analog sound that is very much alive. Even when the sequence is just arpeggiating a single note value, the variations suggest movement as you will hear.

All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. No sound effects are applied, some normalization in post processing. Signals were sub-mixed on a Soundcraft EPM6 mixer, no added EQ. Sequencing by Arturia Keystep Pro.

0:00 Chords and Bass Sequence I
2:32 Chords and Bass Sequence II
4:14 Single Note Arpeggiation"

MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro

Behringer Murf Box on synth (no talk)

video upload by Richard DeHove

"Behringer's BM-15M Murf Box - now renamed as the BM-15M Resonant Filter - is a clone of the Moog Moogerfooger MF-105 MuRF. I bought this pedal thinking it might be a more interesting replacement for my Boss SL-2 Slicer. Why did I want to replace the Slicer? Because the Slicer has a few things that slightly irritate me. In hindsight, a pitiful motivation since the Murf Box has an equal number of small irritating things.

First, if you bypass the effect you only get sound out of one channel. That's irritating. It's huge, the knobs are hard to read, I don't love the EQ, the way the envelope works is odd, there's no compression on the drive, and you can't adjust the LFO without an expression pedal. Not that I entirely blame Behringer, I also blame Moog since these are all present on the OG Murf. But of course all the actual blame rests with me for not being satisfied with the Boss Slicer.

Not that the Murf sounds bad. It's a rather interesting, gritty, unusual and reasonably versatile machine. I think rather my expectations were pumped up to the same artificial heights as the OG Moogerfooger reputation and prices.

Here the Murf is receiving a MIDI clock and the expression pedal is connected to the LFO rate. The volume varies a lot depending on the EQ, mix and drive settings - and seems to fade away a bit toward the end of the video - but I thought it best to keep these as-is to show real usage.

Originally I was going to do a comparison between the Murf Box and the Boss Slicer with lots of talk. But knowing that hearing me talk too much annoys some people, and that merely showing a Behringer product will guarantee a percentage of automatic dislikes, I thought it wiser to start with a plain audio demo. I'll do a comparison with the Slicer very soon (unless everyone hates this video) since I think there's a lot of overlap and interesting design contrasts between the pedals.

0:00 Intro ditty
1:00 Twiddlings
3:30 Drone
4:06 EQ fun
4:56 Envelope
5:50 Many tweakings

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"