03 07 24 Mos-lab 2500 - Filters & Resonator [SHORT]

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05.02.24 Mos-lab 2500 & Kesako Player [Excerpt 01]

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"1st excerpt of a jam session with the Mos-lab 2500 and my Kesako 'Player & Reverb' after installing and testing the last revision of the pin matrix prototype. The wooden case is also provisional.
I made a panel to adapt Buchla modules and also BugBrand modules in the 2500 system."

05.02.24 Mos-lab 2500 & Kesako Player [Excerpt 04]

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"Moving the Start Point of a pygmy vocal sample to create rhythmical variations.
4th and final excerpt of a jam session with the Mos-lab 2500 and my Kesako 'Player & Reverb' after installing and testing the last revision of the pin matrix prototype. The wooden case is also provisional.
I made a panel to adapt Buchla modules and also BugBrand modules in the 2500 system."

Kesako & Rhythm Ace FR8-L

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"Modified Ace Tone 'Rhythm Ace FR8-L' coupled with a Kesako 'Player'. Reconnecting my pin matrix and jamming.

I'm using the pin matrix prototype I made for the Mos-lab 2500 with the FR8-L = 10 instruments are connected to the matrix and 30 different clock combinations."

04 08 24 Mos-lab 2500

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"External Distortion & Reverb effects added.
Scrotum Lab's Pin Matrix and wood case are prototypes. Not the final stage. yet"

04 05 24 Mos-lab 2500 - Filter

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"All voices are processed by a 1006 filter. Nothing spectacular here in this excerpt, but I'm sharing it to show how the filter can affect the character of the sound at the output."

04 05 24 Mos-lab 2500


"I'm still working on the pin matrix and as I'm spending a lot of time on the computer, I played a very short session this evening to change my mind."

Batchas - Psychotherapy

video upload by batchas

"3 Oscillators sent to the Filter. Késako 'Player' playing a sample sent to the Filter.
LFO from Synton Fenix sent to the Oscillators and the Filter."

03 16 24 Mos-lab 2500

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1. 03 16 24 Mos-lab 2500

Switching between 3 signals via 1050:
1- 1004-P Fmed by 1004-T and sent to Filter 1006.
2- Kesako 'Player' external module (here as standalone, though made originally for Buchla modular). 3 - 1004-P rectangle waveform.

2. 03 16 24 Mos lab 2500 [01]

1004-P Fmed by 1004-T and sent to Filter 1006.
Additional percussion by ext. Kesako ‘Player’ (muted at 0:46 and unmuted at 1:45).

3. 03 16 24 Mos lab 2500 [02]

1004-P Fmed by 1004-T and sent to Filter 1006.
Additional percussion by ext. Kesako ‘Player’ (muted at 0:35 and unmuted at 2:06).

Mos-lab 2500 - 1036 Random

video uploads by batchas

"One 1004-P VCO sent to one 1006 Filter/VCA.
I’m using the 1036 S&H clock output to clock the 1027 Sequencer and to gate the 1046 Env. Generator.
I added a small external circuit to be able to do that, transforming a trig into a gate, cause the clock signal of the 1036 is a trig, not sufficient to trig an envelope for instance.
On this external circuit I’m also adding the possibility to use the 1027 main clock while set to external mode. Knowing that in external mode, the clock out of the 1027 is deactivated. Meaning I can have 2 extra clock signals (normal and also inverted to clock between steps) while the pulse width of the 1027 clock is been modulated."

03 07 24 2500 & Buchla

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"2500 seq as master clock."

03 07 24 2500 - Filters & Resonator

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Mos-lab 2500 playlist

02.26.24 2500 - 7 mins session with the 1047

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"Focusing on the 1047 filter."

02 26 24 2500 - 1047

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"Excerpt from today's 7 mins session, focusing on the 1047 filter."

Listening to the 1006 filter

video uploads by batchas

Playlist:

02 22 24 2500 - 01- Listening to the 1006 filter

First oscillator 1004-P goes through filter 1006.
Second oscillator 1004-T modulates filter 1006.
Third oscillator 1004-P also modulates filter 1006.

02 22 24 2500 - 02 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 03 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 04 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 05 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

MOS-LAB ARP 2500 modules.

02 12 24 2500

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I believe these are the MOS-LAB ARP 2500 modules.

"This is the second patch on the system.
A pity I didn't take care while recording, cause the recorded sound, its middle and bass frequencies components, is far to be true compared to the sound in the studio. I'm always too spontaneous when starting a session or a patch. I'll take better care for the next session, cause it's a shame when not accurate."

02 12 24 2500

video upload by batchas

I believe these are the MOS-LAB ARP 2500 modules.

ARP 2500 1047 Resonator Patches with Batchas

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"Pingging a modulated and FMed 1047 Resonator.
I still have to finish my matrix and also make a wooden cabinet."

02 10 24 2500 - First patch with 1047 Resonator

I believe these are the MOS-LAB ARP 2500 modules.

A Different Day, A Different Modular Synth!

video upload by John L Rice

"Mostly Mos-Lab modules with one each from Synth-Werk, STG Soundlabs, Grove Audio, Club Of The Knobs, GRP Synthesizer, Tall Dog Audio, and Moon Modular."

The Vanishing Night

video upload by davidryle

"Good things happen in pairs sometimes...

Two new Synthetic Sound Labs 1201 TZ-VC Oscillators are the main project center. I sent the lower tuned sine wave (modulator) to the higher tuned (carrier) phase modulation input. I routed the modifier through a vca with a random S&H amount to give it a little life.The modulator was pitch tracked from one of a pair of Matrix Algorithmic Composer modules from SSL. The carrier was pitch stable. The wave of the carrier is a triangle wave through the Grove Audio G294A LPF. It is the final tuned percussive sound trailing at the end with the drone.
The other paired oscillators were the drone duet played by the STG Soundlabs vco's through a Q107 SVF in low pass. The pair of STG VMS sequencers are the pitch source.
The bass part is a trio of Mos-Lab 901's and an SSL 1200 vco. They are low pass filtered with the LWSS M401 Multimode Filter/Resonator. The upper Q960 step sequencer is the pitch source.
The opening synthetic pan drum sound is a Q106 saw wave and the square wave output of the second Matrix module run through the Oakley Ring Modulator and a Q150 LPF. The Q106 is pitch controlled by taking the Matrix cv through a quantizer and then a S&H to limit the cv range.
The second percussive voice was the PWM output of the modulator 1201 through a Mega Ohm Audio MA20 vcf in high pass then a EHX Grand Canyon reverb and finally stereo phase shifters from the Lexicon MX200.
Snare sound is the SSL Woven Spirits (MI Plaits) and the Kick is the Delptronics LDB-2e. Percussive timings are handled by the Moon Modular 563 Trigger Sequencer.
The drone loop arpeggio is the Dove Audio D900 Mu-Seq into a Q106 saw wave to an EHX Canyon pedal in multi-tapped delay mode."

Eminent String Synth + Moog Minitmoog - Little evening improvisation

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"La basse a été rajoutée dans un second temps."