"Nonlinear Circuits Null A2 module, built by me, works great. (I’m an experienced builder, built 70+ modules) It includes: 2 x oscillators (each track 3 octaves), 2 x filters, 2 x vcas, 1 x adsr, 2 x lfos, 1 x s&h, 1 x 4-step seq, 1 x clock div, 1 x sloth chaos, a delay, a mixer, and a headphone out- all in 42 hp. it's a blast, perfect for a portable system or someone who’s just starting out in Eurorack."
"Two PT2399 delay chips in series and four feedback loops! Well, this module can do some cool things to audio that is fed into it, but I get lost in it for hours with nothing in its input. So, here is an example of a few of the sonic possibilities.
-One module challenge- Nonlinearcircuits Delay No More"
"This module takes the classic Sprott jerk circuit and replaces all the resistors with LDRs.....a 7 way vactrol."
"This module takes the classic Sprott jerk circuit and replaces all the resistors with LDRs.....a 7 way vactrol. This means the brightness of the LED in the giant vactrol controls the frequency of the circuit.
It is a very easy build and will give you a very flexible chaotic circuit. The CV inject jack allows you to control the chaos with gates and CV, some signals will cause it to pause or stall, others will make it glitch & freak out. CV freq controls the LED which, in turn, controls the resistance in the LDRs.
It is a very flexible build; you can use any LDRs you like, so long as they are the same. You can also use any capacitors you like for CAP, so long as they are the same.
Of course, the LDRs and capacitors you choose will affect the behaviour & frequency range of the circuit. GL5516 LDRs go to 500kΩ off resistance whereas GL5549 go to 10MΩ+ (anywhere from 10MΩ to 20MΩ), so will be a lot slower but will give a much wider frequency range and some very unpredictable outputs. Similarly with capacitors 10uF will be a lot slower than 10nF.
If going for the more extremely slow values, GL5549 LDRs and 10uF caps, the module will stall at minimum pot settings and generally needs a CV on the CV freq input to make it operate. This is actually a good thing as you can turn the signals on and off with CV or gates.
"This is an expansion of Primal Hyperchaos, based on the description in a paper by C Li, et al. The internal signum switch has been brought out to the panel. It can be used as a stand-alone switch (don’t expect it to be clean and nice) or it can be used to inject signals into the hyperchaos circuit or control the switching of the hyperchaos."
"This module is made of 3 neuron circuits and a difference rectifier."
"GEneralized Nonlinear Extrapolator
This module is made of 3 neuron circuits and a difference rectifier. The neuron outputs are fed to the switching pins of the next neuron’s attenuated input; 1>2, 2>3, 3>1. This means the circuit will work with a single input signal, delivering all kinds of mayhem at the outputs.
There are also 4 shared inputs so that the same signals can be fed to neurons 1&2 and neurons 2&3. The Difference Rectifier compares the outputs of neurons 1&3 to the output of neuron 2. If you want to use the neurons individually then turn down the input pots or use the upper neuron specific inputs to disconnect the signals coming from its neighbour.
Just like a set of synaptically connected neurons, this module is noisy and unruly. It is never going to learn anything it lives in and for the moment. It can be used to process audio, CV or audio and CV……do whatever you like to it.
The name is from the computer described in the 1964 Keith Laumer novel – The Great Time Machine Hoax, although this module differs in ability (can’t time travel or get married ….. afaik), the name is quite suitable.
PCB = USD20
Panel = USD22
assembled = USD200"
"This module is based on ideas presented in a 1969 IEEE paper titled - Hybrid Implementation for Sampled-data controllers. The paper presents the canonical form of a generalised digital filter made using analogue elements.....yes this is an analogue circuit; all CMOS and op amps. I played around with various versions for a few years and, as usual, settled on the simplest and cheapest version.
Incoming audio signals (or CV if you want to use it as a pattern generator) are fed to a 4 bit A/D stage, these 4 bits then go thru a 4 stage delay (shift registers). Each delayed bit is re-united with its siblings via four D/A stages and the stepped signals are then fed back to the input via an attenuator/inverter stage and are fed to the summed output, again via an attenuator/inverter stage.
The circuit is controlled by the clock input that ticks over the shift registers. CV controlling the VCO that supplies the clock signal will in turn control the filter. The Range pot needs to be set to a suitable level, I like it when the peak LED is flickering. Range can also be controlled by CV which will allow you to shift from a 1 bit signal to a 4 bit or overdrive the crap out of it and lock everything up. It is interesting to supply clock signals that are multiples or divisions of the audio signal, but like all NLC modules, feel free to do whatever you like. As mentioned, supplied with a gate and a CV it will perform as a complex pattern generator as well.
I will get a demo up soon, but will promise this doesn't sound like a filter......it is very noisy and splatty.
"Genius synth designer Andrew Fitch from Nonlinearcircuits appeared at CV Freqs, the London Modular Meet via Skype from his workshop in Perth, Australia.
A couple of days beforehand, I (Tom from Music Thing Modular) did this test interview with him to check the whole system worked. We talked about chaos, clutter, the amazing Perth DIY scene and the best way to get started with his modules.
"Sound design test with NonLinear Circuits Brain Custard, Quad Jerk Chaos, and 1050 Seq/Mix modules.
The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"
"Deep drones and burbly feedback give an underwater feel to this dark ambient generative patch.
The only sound source is the E352 Cloud Terrarium, in the new detune mode. A Triple Sloth slowly modulates both wavetables, plus the detune for the second output, which is set to octave/4th/5th mode to create shifting intervals. The outputs are mixed into a Verbos Multitap Delay, which runs through a Pittsburgh Filter as a feedback loop. One of the Verbos envelope followers modulates the cutoff of the high pass filter, which gives a quasi-limiting effect as well as shifting tonality. Another Triple Sloth output modulates the filter resonance, pushing it close to self-oscillation for burbles and sci-fi sound fx."
"Various snippets from testing and honing this circuit over the past few weeks. As the name describes, it is an analogue circuit designed to simulate a digital filter - badly. It is not capacitor based but uses shift registers and feedback to do its thing. More info and the module coming soon."
"Dual Low Pass Gate - pretty standard except it uses the black box vactrol method seen in the Shat-noir Phaser and Noiro-ze VCF/VCA. DG analogue switches are used for changing between filter and gate modes."
Dual Low Pass Gate - pretty standard except it uses the black box vactrol method seen in the Shat-noir Phaser and Noiro-ze VCF/VCA. DG analogue switches are used for changing between filter and gate modes.
"Hi! This is part two of my review of the awesome Nonlinear Circuits Resonate module, a vactrol based quad resonator for Eurorack.
In this video I take you through a few patch ideas to showcase the module's abilities and sound."
"Video 1 (construction) of the awesome Nonlinear Circuits Resonate, a vactrol based quad BP filter bank with global resonance control and CV control over each band, in 8hp eurorack format."
"Playing around with an alternative envelope generator idea based on an article by Bernie Hutchins in Electronotes #86. This is a follow-up to my movie on the ringing envelopes patch based on this idea ([posted here]). It will be included in the extended version of the Learning Modular Eurorack Expansion course (https://learningmodular.com/register/...)."
"This module uses the same blackbox technique as the Shat-noir Phaser.
The VCF is based on the Steiner diode VCF but this one uses LDRs rather than diodes and a CV control system to suit. The nice thing about this filter is you can feed different signals to the LP, BP & HP inputs then surf between them with your CV, quite different from regular filters.
The VCA is really there to use up a spare op amp and is based on the Korg PS3100 VCA, works very well for what it is.
"The core of the Shat-noir phaser is based on classic LDR based phaser designs, notably the Carlin, Compact Phasing A, Morely Phaser and ADA final Phase. The CV drive is an anti-log circuit, it works a little differently as both the CV and phase pots must be adjusted to find the sweet spots. The In2 pot is 0 at centre, the incoming signal is inverted below that. it is intended as a feedback input for one of the stage outputs, but shove in whatever you want of course.
Please note the build pictures below when constructing to make the box fairly light-proof. A little bit of leakage does not seem to matter much but you could add a bit of black silastic sealant around the edges if you really want to. When soldering the connector pins, use the SIP connectors, jumped across 1 or 2 pins (see pics) to ensure they are nicely perpendicular to the PCB. When soldering the PCB to PCB connectors, I press lightly on the PCB to help keep the connectors tight against the board.
The PCBs are 2mm thick with black soldermask to prevent light getting in. Also, please note the pots go on the side of the PCB that has the pot symbol screenprinted, this is different to previous NLC PCBs……I try to conform, its hard, really hard. Anyway look at the pics to make sure.
"MOGUE is a VCA and Mixer based on early Moog designs, with some mods to get them into ‘Eurorack standards’ (!). Both circuits can be overdriven to get some wave-shaping action. The mixer can handle CV and audio but the VCA is audio only (tho feel free to place links instead of the capacitors to make it work for DC). Some users consider these 2 modules are an inherent part of the legendary Moog sound…maybe; I just wanted to use up all my LM394.
"This module turns any incoming signal into a series of 5 pulses. Each pulse can be inverted or positive and have its amplitude set. the Pulse width can be controlled by CV. A different kind of resonator.
Each has CV and pot controlled pulse width and the pulse for each can be set to be negative going or positive at any desired amplitude. The circuit is supposed to be driven by a signal from a VCO, but noise or chaos sorces are fun too. It creates five pulses that can be individually manipulated to create a complex and harmonically rich waveform. A slower clock signal will give clicks and glitches (so, a voltage controlled glitch module).
As the pulse widths can be individually controlled (or controlled en masse by “CV all”), this waveform can be continually morphed to get new sounds. When the 5 pulses are quite thin the effect is that of a resonator. The controls allow a wide pulse width, so fatter, thicker sounds can also be created.
