MATRIXSYNTH

Handmade beats w/ TENORI-ON & Sherman Filterbank 2 (by Smith)

YouTube via znshn
"Recording session of handmade beats and pulses for (drum)track production using TENORI-ON, Sherman Filterbank 2 and vintage drum machines samples. Contents: gradual variations of a simple drum pattern via analog filtering and digital manipulations. IF POSSIBLE USE HEADPHONES OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND-SYSTEM.

Material in this video:
- TENORI-ON
- Sherman Filterbank 2
- Jomox M-Resonator
- Korg mini-KP

http://www.odiolorgnette.com
http://www.myspace.com/sthintosmither...
http://www.myspace.com/znshn

See also http://www.youtube.com/odiolorgnette"

Sequential Circuits Prophet-5

via this auction

Technics SX-WSA1 WSA1

via this auction

two balls and a ton of buttons

"Overview:
64-polyphonic GM synthesizer.
5MB PCM ROM. The samples are mostly GM-based, but there are some interesting waveforms like Roland D-50 / D-110 and KORG M1 as well.
3-OSC architecture.
The filter has resonance but no envelope.

"Distortion" can be added to each oscillator. It's actually fast vibrato - a kind of Roland JV's FXM, but KN2000's modulation frequency is lower, and it sounds more like vibrato. With "Growl" option, the FXM is applied only to the attack portion of the sound.

One "Digital Effect", one reverb and one "DSP effect." The digital effect seems to be non-DSP, oscillator-based chorus/delay like old PCM synths (Kurzweil K1000).

The digital effect includes "Repeat delay", which seems to looping the attack portion of the waveform.
Drum samples are looped to make reverb-like effect - a rare feature first implemented in YAMAHA RX5 / PTX8.
A big 320*240 LCD display with lots of buttons around.
FD drive to store sounds and sequences.
The data can be stored via MIDI SysEx. Unfortunately, it has to be used in the bulk dump mode.
It would be impossible to make a PC editor for this synth"

Update via spunkytoofers: "it does physical modelling although it's a different approach. it starts with anywhere up to 4 drivers which are samples. the drivers feed up to 4 resonators and those can be blended, triggered, x-y, modulated, etc in alot of different ways.

the yamaha vl1 actually modelled the driver waveform which took up alot of dsp power so the technics used the sample driver waveforms to cut back on the processing and offer polyphony. whereas the vl1 could only handle 2 notes at a time.

i'm told the vl1 can't be touched in the physical modelling realm for realism but it seems really random and more mathematical then musical to setup it and the editors for it are lots of text boxes. but the technics seems alot more approachable and intutive. and easier to visualize "i want to make a reed vibrate a drum head and cross resonate that in a cello body and do that rather than the vl approach.. so it makes alot of sense to me!!! i'm just getting into it but i love the synth so far.."

CLICK FOR MORE »

EML SynKey

via this auction

"vintage (c. 1976) EML 2001 Syn-Key Programmable Synthesizer... Included with the synth is the orginal owners manual, a synth Primer published by EML, a full set of factory schematics and the original 50 punch cards for the card reader. (A few extra cards made it into my collection over the years, so there are a total of 67 punch cards.)... Original full-page magazine advertisement for the Sny-Key from 1976...

The Syn-Key was the world's first programmable synth."
Remember, you can search on Synkey for prior posts featuring this synth.

CLICK FOR MORE »

Novation Supernova Rack

via this auction

"20 voice version running OS 4.1"

MFB Synth Lite II

via this auction

Sequential Circuits Pro One

via this auction

"The synth has a new custom case/pitch bend/mod wheel section done by Synthwood.com... LED kit to light up the new pitch bender/mod wheel and it would just need to be installed. This is a J wire model and when it comes to Pro One's this is the only way to go."