Published on Mar 13, 2013 rolandmedia·462 videos
"In this extended clip, Russell Graham (multi-instrumentalist, vocalist, songwriter and producer with Ray Chew of American Idol) demonstrates real-time sound control as he improvises on the JUPITER-80. Russell has also performed along side such artists as Stevie Wonder, Mary J. Blige, John Legend, and many more."
Roland Jupiter-80s on eBay
Wednesday, March 13, 2013
First patch with SSF PTG (Positronic Transient Gate)
Published on Mar 13, 2013 radiokoala·20 videos
"Steady State Fate PTG is a multi-function dual vactrol-based module that can generate envelopes (among many other things). In this video you could see it in action both for FM and AM purposes.
Patch description :::
pitch of a Sputnik DWG VCO is modulated by PTG channel two (multed both to 1v/oct and linear FM inputs) and another envelope controls PTG's internal VCA on channel one.
PTG volume envelope is triggered by a monotribe 5v out. (At steady tempo.) Then volume envelope's step response is modulated by the same envelope as a pitch but inverted (-env out), and the pitch modulation envelope's step response is modulated by a VCO it itself modulates. Therefore channel B modulates three destinations, and channel A -- amplitude only."
"Steady State Fate PTG is a multi-function dual vactrol-based module that can generate envelopes (among many other things). In this video you could see it in action both for FM and AM purposes.
Patch description :::
pitch of a Sputnik DWG VCO is modulated by PTG channel two (multed both to 1v/oct and linear FM inputs) and another envelope controls PTG's internal VCA on channel one.
PTG volume envelope is triggered by a monotribe 5v out. (At steady tempo.) Then volume envelope's step response is modulated by the same envelope as a pitch but inverted (-env out), and the pitch modulation envelope's step response is modulated by a VCO it itself modulates. Therefore channel B modulates three destinations, and channel A -- amplitude only."
Skrillex - Bangarang - Old School Computer Remix
Published on Mar 13, 2013 bd594·24 videos
I spy MATRIXSYNTH in this one. :)
".
Skrillex was the most requested so your wish is my command. Bangarang was a complicated song with respect to timing and now I have a new respect for Dubstep. For all the haters out there the audio in this video is 100% in sync with the original song. If you don't believe me then test it out for yourself.
Vocals were performed with the DECTalk Express. The same speech synthesizer used by Stephen Hawking back in the eighties. The main vocals are the Betty and Rita presets overlapped. Kit and Dan vocal presets were also used.
Back in 2009 I used an 8 inch floppy drive in my Bohemian Rhapsody video but this time I wanted to update it with Sammy1am's Arduino version. I find 3.5 inch floppy drives only sound good when playing short duraton notes with a fast tempo.
DECTalk - vocals
HP Scanjet 3C - lead
Yamaha CX-5 computer - guitar
Floppy and CDROM - lead bass solo
Modified Toy Laser Guns
Robot Bass, Snare and Cymbal"
Also see the following or click here for all of them in order:
FUN - We Are Young - Old School Computer Remix
Gotye - Somebody That I Used to Know - Old School Computer Remix
Robot Band EOL covers Maroon 5 "Moves Like Jagger"
Little Drummer Boy Performed by Robot Snare Drum and HP Scanner
The Animals House of the Rising Sun Old School Computer Remix
The Bit-52's The World's Greatest Parts Band playing The B-52's - Rock Lobster
Queen Bohemian Rhapsody Old School Computer Remix
Funkytown Remixed with Old Computer Equipment
And BD594 - Living on Video for a traditional synth cover.
Early Minimoog Model D Synthesizer SN 1246
Note: Auction links are affiliate links for which the site may be compensated.
UE9s3wBohGBRQOLw77Dw~~60_57.JPG)
via this auction
!E9s2f!qbYBRQONcG!bQ~~60_57.JPG)
"Obviously a super cool piece of history. It's a mystery to me if it's a “MuSonics” or “Moo music” version. Serial #1246 makes it one of the first 246 made. The serial number w/plexi pitch/mod falls into the Musonic era but the plate and date puts it in the moog music era. It was completed on 1/5/72 by RUL (see info below for more details). It’s in great shape and everything is in working condition. The Keys are solid and all work, contacts probably need cleaning, all pots and switches work. It needs a basic tuneup. Figured it's best to wait because it would probably need another after it was shipped. A (CV/Trig?) mod in the controller section was done at some point, the extra knob is a two way switch, it's been disconnected, so not sure exactly what it is was. There are a few minor cosmetic flaws, slight imperfections in the wood on the top panels where it looks like the foam material from the anvil case melted(?) but no huge gashes/scratches. This is a used vintage unit so expect the usual wear. This item works but is sold AS/IS, no returns so please do your research/ask me questions before you bid.
more info...
*Minimoog Model D-2 "Moo Music" (1970) The next ones “D” are still R.A Moog Model, always have discrete VCO but are cosmetically a little bit different from the first ones. R.A Model D are considered by collectors as the best and fattest sounding of all versions of the Mini. They are very hard to keep in tune. Most of the oscillator boards have been upgraded.
The original oscillators in the first Minimoog R.A. Moog versions (They were the oscillators that had matched pairs of transistors with metal heatsinks) did sound richer than the later versions. Like the original modular oscillators, they used a exponential current source and a uni junction transistor to generate a sawtooth wave. At the time these were designed, opamps like the 741 were just coming available but at $7.00 ( $7.00 in 1970 is like $35.00 today) were just too expensive, all the circuitry in the Minimoog was built using discrete transistors.Even with hand matched transistors, it was impossible to make the oscillator really stable or to track that well. But, the tracking variations combine with the rich harmonics from the unijunction transistors added to the overall richness of the sound. Logo plate R.A MOOG (white or black), metal front panel, modulation wheels are transparent. Serial number 10??-11??.
*Minimoog Model D-3 "Musonic" (1971) R.A Moog Cie became Musonic Cie when R.A had to merge with Musonic cie. Electronic circuits are the same than R.A. models, very rare like the R.A Mini. Name plate Musonic, metal panel, modulation wheels are transparent. Serial number 11??-13??.
*info from http://minimoog.monsite-orange.fr/page1/index.html"
Sold for $2,811.11.
UE9s3wBohGBRQOLw77Dw~~60_57.JPG)
via this auction
!E9s2f!qbYBRQONcG!bQ~~60_57.JPG)
"Obviously a super cool piece of history. It's a mystery to me if it's a “MuSonics” or “Moo music” version. Serial #1246 makes it one of the first 246 made. The serial number w/plexi pitch/mod falls into the Musonic era but the plate and date puts it in the moog music era. It was completed on 1/5/72 by RUL (see info below for more details). It’s in great shape and everything is in working condition. The Keys are solid and all work, contacts probably need cleaning, all pots and switches work. It needs a basic tuneup. Figured it's best to wait because it would probably need another after it was shipped. A (CV/Trig?) mod in the controller section was done at some point, the extra knob is a two way switch, it's been disconnected, so not sure exactly what it is was. There are a few minor cosmetic flaws, slight imperfections in the wood on the top panels where it looks like the foam material from the anvil case melted(?) but no huge gashes/scratches. This is a used vintage unit so expect the usual wear. This item works but is sold AS/IS, no returns so please do your research/ask me questions before you bid.
more info...*Minimoog Model D-2 "Moo Music" (1970) The next ones “D” are still R.A Moog Model, always have discrete VCO but are cosmetically a little bit different from the first ones. R.A Model D are considered by collectors as the best and fattest sounding of all versions of the Mini. They are very hard to keep in tune. Most of the oscillator boards have been upgraded.
The original oscillators in the first Minimoog R.A. Moog versions (They were the oscillators that had matched pairs of transistors with metal heatsinks) did sound richer than the later versions. Like the original modular oscillators, they used a exponential current source and a uni junction transistor to generate a sawtooth wave. At the time these were designed, opamps like the 741 were just coming available but at $7.00 ( $7.00 in 1970 is like $35.00 today) were just too expensive, all the circuitry in the Minimoog was built using discrete transistors.Even with hand matched transistors, it was impossible to make the oscillator really stable or to track that well. But, the tracking variations combine with the rich harmonics from the unijunction transistors added to the overall richness of the sound. Logo plate R.A MOOG (white or black), metal front panel, modulation wheels are transparent. Serial number 10??-11??.
*Minimoog Model D-3 "Musonic" (1971) R.A Moog Cie became Musonic Cie when R.A had to merge with Musonic cie. Electronic circuits are the same than R.A. models, very rare like the R.A Mini. Name plate Musonic, metal panel, modulation wheels are transparent. Serial number 11??-13??.
*info from http://minimoog.monsite-orange.fr/page1/index.html"
Sold for $2,811.11.
CASIO VL-TONE VL-1 in Original Box & Packaging
RC CIRCUIT BENT CASIO MT-68 KEYBOARD / SYNTHESIZER BEAST
Published on Mar 13, 2013 djwidow420·240 videos
"MODIFIED CASIOTONE MT68 - FROM TRANQUIL SOUNDS TO FULL ON INDUSTRIAL CARNAGE"
"MODIFIED CASIOTONE MT68 - FROM TRANQUIL SOUNDS TO FULL ON INDUSTRIAL CARNAGE"
inti-fari EMS Synthi Reggae Dub
inti-fari : Sleng teng revival " king remix " Technological dub inna computer style
Published on Mar 12, 2013 inti fari·45 videos
"Dub-plate Digital rub-a-dub steppa
Distilerz Production 2013
Free download mp3 :
soundcloud.com/distilerz-selecta
+
soundcloud.com/computer-dub
+
soundcloud.com/naturaljah"
via Inti Fari on The MATRIXSYNTH Lounge
Some Teenage Engineering synth art in their as well.
And some knob twiddling:
EMS Synthi joystick music melodie
Published on Feb 26, 2013
EMS synthi aks mk2 démo filtre et envelope + reverb sur un OP-1
Published on Feb 26, 2013
Published on Mar 12, 2013 inti fari·45 videos
"Dub-plate Digital rub-a-dub steppa
Distilerz Production 2013
Free download mp3 :
soundcloud.com/distilerz-selecta
+
soundcloud.com/computer-dub
+
soundcloud.com/naturaljah"
via Inti Fari on The MATRIXSYNTH Lounge
Some Teenage Engineering synth art in their as well.
And some knob twiddling:
EMS Synthi joystick music melodie
Published on Feb 26, 2013
EMS synthi aks mk2 démo filtre et envelope + reverb sur un OP-1
Published on Feb 26, 2013
Idle Hands Isomorphic Controller
Isomorphic keyboard with a regular keyboard as root note chooser.
Published on Jan 4, 2013 Johan Larsby·85 videos
"Isomorphic keyboard with a regular keyboard as root note chooser I have more information about ut over at http://www.larsby.com/johan/?p=1228"
"I have a proposition for a new type of controller for playing and recording chords. It's based on isomorphic input and the usual keyboard. And no it's not an accordion.
Why do I think me and the world needs this? Because recording and editing chords on the computer is tedious and boring. Even when applying all the tricks I know in Ableton Live I still lack a way to fast and easy add a walking chord or a strum like one. And if I program one and then transpose it I would have to redo it for every single clone if I want to change a little something. Not to mention the human feel that you get while playing something rather then programming it.
This became apparent to me while learning to play the bass, I could reuse the same pattern if I knew the base note. This kicked ars, but basses are hard to strum on, and even harder to make into MIDI data. So I found the isomorphic input method appealing, but the cheapest keyboard was still expensive. So I was thinking about making one cheaper, and that would not be done unless there where significally less buttons.
So I came up with this idea:
Using a one octave keyboard to choose the root-note, and then a isomorphic keyboard that is velocity sensitive. That way I would only need 12 velocity sensitive buttons and 12 keys for the note-selection."
Second test of my instrument idea
Published on Mar 12, 2013
Published on Jan 4, 2013 Johan Larsby·85 videos
"Isomorphic keyboard with a regular keyboard as root note chooser I have more information about ut over at http://www.larsby.com/johan/?p=1228"
"I have a proposition for a new type of controller for playing and recording chords. It's based on isomorphic input and the usual keyboard. And no it's not an accordion.
Why do I think me and the world needs this? Because recording and editing chords on the computer is tedious and boring. Even when applying all the tricks I know in Ableton Live I still lack a way to fast and easy add a walking chord or a strum like one. And if I program one and then transpose it I would have to redo it for every single clone if I want to change a little something. Not to mention the human feel that you get while playing something rather then programming it.
This became apparent to me while learning to play the bass, I could reuse the same pattern if I knew the base note. This kicked ars, but basses are hard to strum on, and even harder to make into MIDI data. So I found the isomorphic input method appealing, but the cheapest keyboard was still expensive. So I was thinking about making one cheaper, and that would not be done unless there where significally less buttons.
So I came up with this idea:
Using a one octave keyboard to choose the root-note, and then a isomorphic keyboard that is velocity sensitive. That way I would only need 12 velocity sensitive buttons and 12 keys for the note-selection."
Second test of my instrument idea
Published on Mar 12, 2013
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
