MATRIXSYNTH

YAMAHA CS-5

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Moog Song Producer MIDI / Sync Interface NOS

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"It's an interface for the Commodore 64 computer from the mid-eighties that was designed to be the hub of a MIDI / Audio production studio.

Bear in mind that this is not a sound module or a synth - It's basically a MIDI interface and sync box that sends / receives MIDI and clock signals, and generates trigger outputs.
It's a solidly-built metal box that sports:
· 1 MIDI in
· 1 MIDI thru
· 4 MIDI outs
· 8 drum trigger outs
· 2 Footswitch inputs
· 1 Clock/sync in
· 1 Clock/sync out

Bundled with this box is a suite of C64 software designed to drive the unit. Also includes all original packaging and documentation."

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ARP Little Brother Expander Synthesizer Model 2953 SN 0145 w/ Manual

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"The Little Brother is an expansion module for any ARP-System monophonic or polyphonic synthesizer. It has its own built-in VCO oscillator and LFO. Use it to double up your monophonic Axxe or really fatten up the sound of an Odyssey, 2500 or 2600! The LFO can add really new and cool modulation effects to these synths too! Best of all several Little Brothers can be stacked to greatly expand or enhance the functionality of your ARP synths in a modular-like fashion! Though the Little Brother uses ARP's System Interface for interfacing with these other synths, it has CV, gate and trigger inputs and an LFO out as well."

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ARP 2600

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The analog Strings-Synthesizer V2.0

Published on Dec 19, 2018 Andreas Remshagen

"This is a modification of my self-made Strings-Synthesizer.
i have Added 3 LFOs that makes a Chorus/Vibrato Effect in multiple Variations. This gives a very lush sound like the old String-Machines Solina etc.
Oscillator-Design by Ray Wilson (Musicfromouterspace.com)"

[Gear demo] Binson Echorec as played by the MC-202

Published on Dec 19, 2018 repeatle

"Trying out my somewhat fixed Binson Echorec."

Freesound Morphagene Reels Showcase!!

Published on Dec 19, 2018 MAKEN0ISE

"Ever since we started hosting Morphagene Reels on freesound.org, people have been uploading their own Reels too. As of this video launch there are 127 Reels available with the #morphagene tag.

Get them here:
https://freesound.org/browse/tags/Mor..."

Modal CRAFTsynth v2.0 - Patch Demos

Published on Dec 19, 2018 Modal Electronics

"Short demo of a few presets made on the Modal CRAFTsynth 2.0"

Modular :: Buchla :: First 223e Jam

Published on Dec 19, 2018 Mike Thomas

"A little jam carried out on my Buchla Skylab. This is my first time programming and "playing" the 223e.

Effects from Empress Reverb in Delay+Reverb mode. Direct to stereo recording on a Sony PCMD50.

Patch Notes
==========
The drone is the 259e being modulated a number of ways, and routed through one of the 267e filters, which is modulated by one of the random channels.

The lead voice is the main oscillator of the 261e modulated in several ways by the 223e Kinesthetic controller.

The arpeggiated voice is the modulation oscillator of the 259e in saw mode, sent through the 292e in LPG mode (so rubbery and lovely!), and controlled by the arpeggiator in the 223e.

Transpositions are supported by the 223e (linear, not diatonic, so you have to be careful), and you have to hit the damn button on the panel to switch to a different transposition value. Still, with practice and/or adjustments to the performance this could probably be OK. There are effective moments here, but I definitely did not practice this move! :-D"

New Erica Synths Drum Modulator Eurorack Module

Published on Dec 19, 2018 Erica Synths

"Drum Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with morphing waveshapes.

In this video we explore 12 different patches with Modulator together with various modules from the Techno system.

0:18 - #1 GABBERLINE (Modulator + Bassline) LFO1 is modulating FM and accent, LFO2 is in noise mode modulating cutoff.

2:19 - #2 CYMBALLER (Modulator + Cymbals) LFO1 is synced to the same BPM as Cymbals trigger source and is modulating tune. LFO2 is free running and modulating decay of Cymbals.

4:12 - #3 ANOTHER SUPER COMPUTER (Modulator + Bassline) Both LFOs in S&H mode modulating cutoff, accent and FM in of Bassline.

4:59 - #4 TECHNOID (Modulator + Bassline) LFO1 is modulating FM and accent, LFO2 is modulating cutoff.

5:24 - #5 STEAMER (Modulator + Bassline) LFO1 is in noise mode modulating FM and cutoff, LFO2 is modulating accent and gate.

5:43 - #6 FROGGER (Modulator + Bassline) Both LFOs modulating cutoff, accent, 1v/oct and FM.

5:59 - #7 SNARECANDANCE (Modulator + Snare) LFO1 is synced to the BPM of Snare trigger and is modulating tune, LFO2 is synced to LFO1 tempo and modulating decay.

7:09 - #8 BALLOON FIGHT (Modulator + Bassline) LFO1 is modulating FM and accent, LFO2 is modulating cutoff and gate.

7:54 - #9 CYMBA (Modulator + Cymbals) Both LFOs are synced to Cymbals trigger BPM and modulating tune and decay. LFO2 is also modulating rate of LFO1.

8:40 - #10 HI-HATTER (Modulator + Hi-Hats D + Dual FX) LFO1 is modulating dry/wet of FX1 & FX2, LFO2 is modulating decay and tune of Hi-Hats.

9:54 - #11 S&H EVERYTHING (Modulator + Pico Drums + Dual FX) Both LFOs in S&H mode triggering and selecting sample on Pico Drums, modulating delay time of FX1 and dry/wet of FX2.

11:08 - #12 BAZZDRUM (Modulator + Bassdrum) LFO1 is modulating gain and drive of the first Dual Drive stage, LFO2 is modulating gain and drive of second Dual Drive stage."

Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.

Features
Two independent modulation/pitched noise sources
7morphing waveshape + noise
LFO Sync, frequency divisions and multiplications
Integrated VCA for first modulation source
Two main outputs
Two outputs with an adjustable phase shift
LP and HP filter on outputs in pitched noise mode
CV control over LF rate/noise pitch