flickr by devowski.
Title link takes you to more.
Tuesday, September 05, 2006
Roland PV synth SPV-355
Three shots pulled from this auction. More on the SPV-355 on SOS:
"The SPV355 Pitch-to-Voltage Synthesizer was launched in those very days -- 1979, to be exact -- as part of the Roland Rack series of 19-inch studio–quality effects units, amplifiers and specialist preamps. The most famous of these are probably the Roland Vocoder and the Dimension D spatial chorus. The P/V Synth is a bit of a curiosity, because it seems to have been released on the one hand as a rackmounting analogue expander module (indeed, it's said to be one of the first rackmounting synths), but on the other as a budget alternative to the Roland GR–series guitar synthesizers. These synths were quite expensive, specialised instruments; the GR system consisted of a high-quality, specially adapted guitar connected via a 24-way cable to a floor unit containing a rudimentary, six-note polyphonic synth engine. The SPV355 alternative scored points as it didn't need any special interface hardware (pickups and so on) and you could, in theory, use any old guitar to play the synth. The 1979 Roland catalogue states: "The SPV355 P/V Synthesizer is specially designed for use with guitars", which is ironic, as this is probably the P/V Synth's least effective and most problematic mode -- more on this later.
Fortunately, the SPV335's uses were not confined to guitar synthesis, and for its time (and compact size), it was quite well specified: two VCOs, a sub-oscillator, VCF, VCA, envelope generator, two audio mixers, and a multitude of interface sockets. As with other Roland Rack units, the 355 is housed in a 2U steel case and weighs nearly 6kg, which makes it a pretty hefty beast to lug around. And as for build quality, well... the word 'tank' springs to mind, as does the phrase 'heavy duty'. They don't make 'em like that any more..."
via Simon
Monday, September 04, 2006
Klaus Schulze in concert in Paris in 1978
No title link. More exclusive shots sent in via Frederic. This set of Klaus Schulze in 1978. Frederic isn't sure where this performance was exactly. Note the shag carpet he's sitting on. Thanks Frederic!
Update via Mikael in the comments:
"This is most likely from the European tour in september or october 1978.
synth spotting:
- Moog modular IIIP w/optional double sequencer box unit.
- PPG modular + sequencers
-Arp Odyssey mk II (black face)
- Arp 2600 (orange & black)
- EMS-synthi
- Minimoog (x2)
- Polymoog
- Korg PS-3300
Mikael"
Human League Biography
Saw this one on sequencer.de. Title link takes you to an interesting biography of the Human League. I didn't realize Adi Newton was part of the original lineup and left to for Clock DVA (note in the bio they refer to Clock DVA as Clock DNA. I'm guessing this is just a typo).
"Martyn Ware and Ian Craig Marsh were two computer operators in Sheffield who both shared an intense passion for German electronic pioneers Kraftwerk. Armed with a few months' savings, Ware was able to buy a modest monophonic synth (a Korg 770S) that had just become available on the commercial market at an affordable price. Despite having never played a single note, Marsh and Craig set themselves the task of understanding the art of sound synthesis and it wasn't long before their combined enthusiasm began to exceed the limits of the cheap synth."
"The very first Human League demo contained Being Boiled, Circus of Death & Toyota City all recorded in mono and it soon caught the attention of Bob Last who ran a small record label in Scotland called Fast Records.
Being Boiled was released in June 1978 after the League and Bob Last had agreed a deal over the phone. Although the single had a limited amount of copies pressed, the song succeeded in attracting the admiration of NME whilst guest reviewer Johnny Rotten described the group as 'trendy hippies'! Being Boiled was completely at odds with the prevailing punk movement of the time. The track was a stark slab of electro that would influence many artists in years to come, memorable also for its lyrics that linked the slaughter of silk worms with Buddhism."
"Disappointed by the lack of sales, Virgin reacted swiftly by cancelling the League's proposed UK tour in November asking the band to support the Talking Heads instead. Reluctantly, the group agreed releasing a press statement that revealed their plans for the upcoming performance. With tongue firmly in cheek, the League suggested that they wouldn't actually be on stage for the performances and that their place would be taken by backing tapes and a slide show hinting that they would occasionally view the show as members of the audience. David Byrne and co failed to see the funny side and the League were dropped from the support slot."
Update via the comments:
"Here's a really good site dedicated to the pre-Dare Human League"
"Martyn Ware and Ian Craig Marsh were two computer operators in Sheffield who both shared an intense passion for German electronic pioneers Kraftwerk. Armed with a few months' savings, Ware was able to buy a modest monophonic synth (a Korg 770S) that had just become available on the commercial market at an affordable price. Despite having never played a single note, Marsh and Craig set themselves the task of understanding the art of sound synthesis and it wasn't long before their combined enthusiasm began to exceed the limits of the cheap synth."
"The very first Human League demo contained Being Boiled, Circus of Death & Toyota City all recorded in mono and it soon caught the attention of Bob Last who ran a small record label in Scotland called Fast Records.
Being Boiled was released in June 1978 after the League and Bob Last had agreed a deal over the phone. Although the single had a limited amount of copies pressed, the song succeeded in attracting the admiration of NME whilst guest reviewer Johnny Rotten described the group as 'trendy hippies'! Being Boiled was completely at odds with the prevailing punk movement of the time. The track was a stark slab of electro that would influence many artists in years to come, memorable also for its lyrics that linked the slaughter of silk worms with Buddhism."
"Disappointed by the lack of sales, Virgin reacted swiftly by cancelling the League's proposed UK tour in November asking the band to support the Talking Heads instead. Reluctantly, the group agreed releasing a press statement that revealed their plans for the upcoming performance. With tongue firmly in cheek, the League suggested that they wouldn't actually be on stage for the performances and that their place would be taken by backing tapes and a slide show hinting that they would occasionally view the show as members of the audience. David Byrne and co failed to see the funny side and the League were dropped from the support slot."
Update via the comments:
"Here's a really good site dedicated to the pre-Dare Human League"
MC-4, Voyager, TB-303
70' trilogy : Hammond, Melotron and Mini moog - New Flickr Shot
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH