Synths No Talking: GS E7 Synthesizer Linnstrument MPE and Expressive E Osmose MPE

video upload by Synths No Talking

"The GS E7 and Linnstrument.
Many don't know the GS E7 analog synth fully supports MPE. I have used it with the linnstrument. Enjoy the weirdness.
Disclosure: I paid for these instruments on my own and were not provided by any single maker. The music is improvised and I own all content."

Synths No Talking: GS E7 and Expressive E Osmose MPE


"Another MPE Video with the GS E7, featuring the Expressive E Osmose.
Not going to lie, as much as I love the linnstrument, I think the Osmose is a better fit for the GS E7."

The GS Music E7 is Currently 10% Off For Presidents' Day

via GS Music

The GS E7 synthesizer is an innovative instrument offering robust features for both amateur and professional musicians. It’s the first polyphonic and multitimbral analog synthesizer made in Argentina, reflecting years of dedicated research and development. The E7 is capable of generating a wide range of sound possibilities, boasting seven voices of polyphony, which can be split across four different parts, making it effectively multitimbral. Key features include two voltage-controlled oscillators (VCOs) per voice, with ultra-stable tuning over seven octaves and several waveform options. It also features a 24dB/oct low-pass filter with resonance control, dual ADSR envelope generators, and three low-frequency oscillators (LFOs) for complex modulation possibilities.

Furthermore, the E7 supports MIDI Polyphonic Expression (MPE), enhancing its performance capabilities. This allows each note to be articulated individually, providing nuanced expression and dynamic control that can bring each performance to life. This is especially beneficial for advanced players looking to push the boundaries of sound texture and musical expression.

Additionally, the E7 includes onboard effects such as Chorus and Delay, enhancing the synthesizer’s sound-shaping capabilities. The design ensures easy access to a wide range of functions via a streamlined interface with minimal controls, making it user-friendly while still allowing for deep sound exploration. For President’s Day, the GS E7 is now available with a 10% discount exclusively at gsmusic.com.


This is why people LOVE the tone of the e7

video upload by Starsky Carr

Video previously featured here. You can find an additional video from Starsky Carr featuring the E7 here. See the GS Music label below for more.

https://www.gsmusic.com/

GS Music E7 vs Sequential Prophet 6: the BEST new analog synth?

video upload by Miles Away

"The definitive comparison of the underrated GS Music E7 analog synthesizer to one of the most classic synths around, the Sequential Prophet 6.

0:00 - Intro jam with both synths
1:17 - what are we doing in this synth shootout?
2:37 - midi control explained
3:02 - same patch sound comparison
4:00 - the main sound differences with the GS E7
4:59 - oscillators
10:13 - filters
12:50 - modulation
16:54 - effects
19:27 - final verdict?
20:01 - Sound demos with light reverb, no talking"

The Most Underrated Analog Synthesizer I've Ever Played // GS Music E7


"GS Music:
https://www.gsmusic.com

Sound demo, review, tutorial and overview of the brand new analog synth from Argentinian company GS Music, the E7.

0:00 - intro/what is the E7?
1:21 - demo song
2:55 - what is the E7 good at?
3:20 - oscillator section
5:14 - filter section
7:45 - synth tutorial, creating a keyboard patch on E7
9:43 - multitimbral patch demos
10:40 - Built in effects section
12:37 - review, pros and cons
15:08 - outro jam"

Knobcon 2024: GS Music Showcases E7 and Bree6 Synthesizers

video upload by sonicstate

Pulled this one out of this playlist as GS Music supports the site (thank you GS Music!), and their new compact Bree6 keyboard synthesizer shouldn't be missed. The Bree6 made its first appearance in Jorb's best of Knobcon video posted here.

"We caught up with Guido from GS Music to discuss his flagship synthesizer, the E7, and a new entry, the bree6. The E7 is a seven-voice analog polyphonic synthesizer featuring two oscillators with sub-oscillators, a four-pole ladder filter, VCA, and built-in chorus and delay. It supports four-part multi-timbrality and MPE (MIDI Polyphonic Expression).

The E7's oscillators include a new temperature compensation circuit ensuring consistent tuning.

Guido also showed us the new bree6, a six-voice analog polyphonic synth equipped with a single oscillator per voice, pulse width modulation, the same ladder filter as the E7, and additional features like an arpeggiator and sequencer. The distinctive "polystereo" panning mode was highlighted, providing a wider stereo spread for the voices. Both models will be available through GS Music's website and various dealers worldwide - the bree 6 should be released around November.

https://www.gsmusic.com/

00:00:00 start
00:00:30 Introduction
00:01:12 Features of the E7 Synthesizer
00:03:01 Demonstration of Sounds
00:06:05 Explanation of Modulation Capabilities"

Knobcon 24: GS Music e-7 [sounds only]

video upload by sonicstate

"Jim Heywood gives us a quick spin round some of the sounds of the GS Music E7 synth - enjoy!"

GS Music GS-e7 7-voice Analog Polysynth

video upload by GS Music

You can find additional demos and pics of the GS-e7 in previous posts here.

Available in Blue, Red, and Black.

"We would like to introduce our new Analog Polyphonic Synthesizer, e7. It is a 7-voice, 4-part multitimbral desktop synthesizer, also featuring MIDI polyphonic expression (MPE). This instrument is the result of years of research and development to come up with the first analog polyphonic synthesizer ever made in Argentina.

Signal path
The signal path is completely analog, featuring two VCO per voice, a white noise source, a mixer, a 4-pole low pass VCF and a VCA. The control voltages are digitally generated, including 3 LFO, 2 ADSR-type envelope generators. Finally, it has a stereo digital effects processor with Delay and Chorus. LFO 1, LFO2 and the delay can be synced with the MIDI clock using a user selectable subdivision.

Oscillators
It features two VCO plus sub oscillator per voice. Each oscillator has 3 different waveforms: triangle, sawtooth and saw-tri (triangle+sawtooth). There is a fine-tuning adjustment and a transpose option, allowing tune adjustment up to +/- 2 octaves. Tuning can also be modulated with any of the three LFOs and EG1.
Furthermore, each oscillator has a pulse wave that can be turned on or off, which is mixed with the other waveforms. Its pulse width can be modulated with LFO1 and/or EG1. Oscillators can be hard synced.
The autotuning algorithm takes about 2 seconds to complete. All the voices are tuned in parallel, making a lot faster than usual.

Mixer
The mixer can control the levels and mix the two oscillators, the suboscillators and the white noise or the external input.

Filter
The filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated with EG1, this modulation an also be affected by velocity. It can also be modulated with any of the 3 LFOs. On the other hand, it features keyboard tracking and it can be controlled by the modulation wheel or aftertouch.

Chorus
There are two types of chorus available: basic and ensemble. The Basic algorithm is subtle and allows you to add some spatiality tothe resulting sound, while the Ensemble algorithm adds a different dimension to the sound, simulating a string or vocal ensemble. The Basic algorithm uses two delay lines, while the Ensemble uses 4 delay lines. Each delay line has its own internal LFO. There are controls for rate, depth and mix.

Delay
The delay can be a stereo delay or a ping pong delay, with its maximum delay time being as long as 1.35s. It is possible to sync the delay to the MIDI clock too. If the delay is synced, the delay time knob controls the time division instead of the delay time. There are controls for the feedback and mix too.

LFOs
There are three LFOs available. LFO 1 and 2 have 5 waveshapes: triangle, ramp up, ramp down, square and random with sample and hold. LFO 3 has the first 4 waveforms and is activated with the modulation wheel and/or aftertouch.
LFO frequencies go from 0.1Hz to 100Hz. Additionally, LFO 1 and 2 have different modes:
Monophonic: The LFO is in phase for all of the voices.
Polyphonic: The LFO is generated to a slightly different frequency for all of the keys pressed. This allows an interaction of the phases, generating more complex modulations.
Keyboard Tracking (KB Tracking): The LFO frequency varies according to the note played following the chromatic scale.
Keyboard Sync (KB Sync): The LFO is restarted when a key is pressed. Each voice has its independent LFO.
Clock Sync: The frequency of the LFO is synced to the MIDI clock signal. The e7 automatically detects the BPM of the clock signal. It can be configured to generate different rhythmic figures.
Keyboard + Clock Sync: The LFO frequency will be a sub-division of the MIDI clock signal. Also, the LFO will be restarted each time a key is pressed.

Envelope generators
There are two ADSR-type envelope generators. There are controls for attack, decay, sustain and release. Attack and release can be modified by velocity and the envelope times have keyboard tracking.

Stereo
By default, the voices have a stereo panning from left to right. By adjusting the stereo spread, it is possible to set all voices to the center or set them from right to left. There is also a stereo motion option that allows this stereo spread to be adjusted by an LFO.

Presets
The synth can store up to 640 presets, 128 of them being multitimbral presets.

Multitimbral
The synth can have up to 4 multitimbral parts. Each part has it complete sound configuration, assignable MIDI channel, keyboard zone, velocity zone, transpose setting and MIDI filter. Additionally, each part can have different voice assignments and/or share some voices.

MIDI Polyphonic expression
MIDI Polyphonic expression is supported by the GS-e7. It was tested using GeoShred, allowing independent pitch control and cutoff for each voice."

GS Music e7 - 7 minutes with the GS-E7

video upload by Raw Synthesizer Demos

https://www.gsmusic.com/

"The e7 is a polyphonic analog desktop synthesizer from Argentina by GS Music that sounds lively and rich and looks beautiful. Easy to use, expressively to play.

It reminds me of some of the best synths ever built but has its own character.

Everything was directly recorded from the outs of the synth into the audio interface. No internal effects nor any additional effects, equalizers, compressors or limiters were used to give you a genuine impression of its raw sound. Let me know your thoughts.

© 2023 Blue Lake Music"

GS-E7 Demo Part 2: Overdubs

video upload by Raw Synthesizer Demos

"What happens when you overdub a rich sounding analog synth like the e7 again and again? And with automation of some parameters like filter cutoff and OSC pitch? How does it sound?
No internal effects nor any additional effects, equalizers, compressors or limiters were used.

Let me know your thoughts.

© 2023 Blue Lake Music"

The GS-e7 Synthesizer In Action! 💙

video upload by Doctor Mix

"Today, I'm excited to show you the very powerful GS Music GS-e7 analog synth. Watch me use it to create an entire house track from scratch. 🚀 Discover the GS-e7 synthesizer: click here 👉 https://www.gsmusic.com/synth-store 🔥 In this video, I also demonstrate its MPE (MIDI Polyphonic Expression) capabilities by controlling it with an Expressive E Osmose. 🤯

This video is kindly sponsored by GS Music."

Custom patches for GS-e7 by synth_nyc (FREE download)

video upload by GS Music

"We proudly present these 64 custom patches for the GS-e7 Analog Polyphonic Synthesizer. The patches were made by synth_nyc and are now available to download from our website for free. In the future, they will be incorporated as factory presets."

"A few words from synth_nyc:
After designing some custom patches for Black Corporation Japan and GForce Software Ltd, I chose to design patches for the e7 because:

1. It sounds great to my ears and offer a complementary tone to all my hardware and software synth 2. It has memory
3. It has full MIDI implementation of all parameters, so I can remote edit it.

In addition; the e7 has some unique features, as far as I can tell, which really make it shine:
* Stereo output / voice spread with pan modulation
* 3 LFOs that can modulate pitch, PW, VCF and VCA
* Very cleverly / musically implemented features such as A/R velocity modulation, envelop KB tracking modulation, LFO rate KB tracking modulation, etc...

Not to say that the discrete VCO, VCF and VCA are a winning combo for a true analog tone.

Please contact GS Music if you need support.

Enjoy!

Mini-bio
synth_nyc first synth was a DX7 (mk1) in the mid-80s. synth_nyc always enjoyed programming sounds on the machine and it never appeared complex or non-intuitive to him. synth_nyc first analog synth was a MKS-50 (with PG-300) where he discovered that you did not need to spend 4 hours to design a great patch! After that, synth_nyc is grateful to have own classic and unique machines from the late 70s to early 90s like a CS-80, a Waldorf Wave, a PPG Wave 2.3, a MemoryMoog LAMM, Prophet 5 Rev2, Rev 3.3 and Prophet VS, OSCar, OB-X, Synthex, Sunsyn, Jupiter-8, Chroma, Hartmann Neuron and Voyetra Eight (the only vintage synth_nyc still owns) and many more! synth_nyc has learnt and enjoyed programming them all. Today synth_nyc is focussing his time on programming analogue renaissance hardware synths -with memories-; as well as new hybrids and new digitals, but also software synths as emulations, virtual modeling have come a long way; especially in the past year or 2 (so have computers) and are letting us enjoy amazing machines for a reasonable price, so close (or better) to the originals and hassle free."

Is the GS E7 the best MPE synth in 2024?!

video upload by Miles Away

Update: video title updated to GS E7 MPE SYNTHESIZER SOUNDS REALLY GOOD!

"Buy my Custom Patches for the GS E7 and more!
https://shop.milesawayofficial.com/pr...

GS Music: https://www.gsmusic.com"

GS E7 Complete Synth Collection

video upload by Arty Party

"GS E7 Complete Synth Collection it is a entire patch bank, where you will find Leads, Basses, Pads, Pluck, FX suitable for styles such as Soul, Funk, Pop, Electronic music, etc. It can be loaded to any bank of GS E7 from 1 to 8.

Link to the patches list:
https://drive.google.com/file/d/1uOzb..."

GS e7 - Analog Poly Synth with Ladder Filter | Full Track

video upload by Mamotreco

"Music track made fully with the GS Music e7 polyphonic analog synthesizer from Argentina. All sounds apart from drums are made with the e7, multitracked in Ableton Live 11. I originally composed the song with a VST synth, but subsequently rerecorded all the midi tracks with the E7 from scratch.

I received the synth earlier this week and recorded the track fairly quickly - I've since had time to create nicer sounding patches which I look forward to using in future tracks.

#gsmusic #gse7 #synth

The GS Music e7 is a 7 voice analog polysynth with 2 VCOs and a ladder filter. It has a very analog sound despite being a modern and stable synth design.

Here's more info about the synth: https://www.gsmusic.com.ar/wordpress/...

Current channel music compilation: https://mamotreco.bandcamp.com
Previous music releases available here: https://synthandsundry.bandcamp.com"

GS Music e7 Free Preset Demos

video uploads by Fer Parisi

https://www.gsmusic.com/

Playlist:

1. @GSMusicArg e7: Custom Bass demo (Without additional processing or external effects.)
GSMusic e7 synthesizer: Free bass presets + editor (Ctrlr)

2. @GSMusicArg GS-e7 free LEADS presets + editor

3. @GSMusicArg e7 free custom keys/poly presets

https://rekonise.com/free-synth-prese...

GS Music e7 - Experiments w/ Multimbrality ft. Source Audio Collider & Digitone

video upload by goth jocks

"I haven’t seen many videos showcasing the multitimbral capabilities of the GS e7, so I figured I’d make one.

Jams 1 & 3 feature sounds only from the e7 (through the Collider). Digitone is only used for sequencing. Jam 2 features Digitone drums & percussion, and the rhythmic bass part. Main bass line is the e7, along with all pad & lead sounds. The Collider is only affecting the e7

All 3 jams feature slightly modified versions of a multitimbral patch I made, so there are some similarities. Variations on a theme if you will

Thanks for listening!"

https://www.gsmusic.com/

NEW GS Music Bree6 // first overview & sound demo

video upload by Miles Away

"From the creator of the GS E7 comes a new analog polyphonic synthesizer, the Bree6! Follow Miles Away to Music Expo SF 2024 for a first impressions sound demo and overview!

GS Music: https://www.gsmusic.com
Buy my custom synth patches: https://shop.milesawayofficial.com/co...

0:00 - Intro / heading to Music Expo SF 2024
1:03 - what is the GS Bree6 Synthesizer?
2:37 - first impressions of the synth!
5:21 - bonus, the rest of Music Expo and the 50th anniversary of Sequential
7:06 - size comparison vs the GS E7
7:32 - direct sound demo no talking"

GS Music GS e7 breath control test drive

video upload by The Breathalyzer (Shawn Johnson Music)

"Soloing a bit on one of my pieces with the GS Music GS e7 polyphonic synth...I recorded some audio without the additional tracks going too. I'm just plugged in playing the synth through the Loopy Pro input channel."

GS e7 first unit test

video upload by GS Music

"We finally assembled and turned on the first unit of the GS e7.
We were so excited that we hadn't realized that the camera was slightly ou of focus.
There are still some details to keep on working and we are starting the production for the first pre-order batch to be delivered in a few weeks.
We will make more extensive demos once we finish the first batch."

https://www.gsmusic.com/

GS e7 first unit test

video upload by GS Music

"We finally assembled and turned on the first unit of the GS e7.
We were so excited that we hadn't realized that the camera was slightly ou of focus.
There are still some details to keep on working and we are starting the production for the first pre-order batch to be delivered in a few weeks.
We will make more extensive demos once we finish the first batch."

ESK - GS Music e7 Sound Demo - Part 2

video upload by Metunar

"Sound demo part 2 of the GS Music e7 played with keyboard or sequencer. All sounds are from the e7.
The e7 is a 7 voice polyphonic analog synthesizer from Argentina.
Direct recording without external effects.

http://www.metunar.ch"

See the GS Music label at the bottom of this post for more.

Blue GS-e7 Analog Polyphonic Multitimbral Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Awesome 4 part multitimbral 7 voice analog poly from Argentina...

Comes with power supply, original box and leatherette dust cover."

You can find demos, details and pics of other colors of the GS-e7 here.

CLICK FOR MORE »

Plinky Polyphonic Modular Synth GS-E7 Osmose Rossum Assimil8or

video upload by Taylor Richards

"A list of instruments used in order of appearance:

circuit_happy Missing Link 2 (Master Clock)

plinkysynth Plinky (Polysynth module with per column pressure sensitivity)

tiptopaudiofficial Quad Lopass Gate (Handling VCA duties for my custom built analog Frankensynth, lots of spring reverb going on too)

expressive_e Osmose (MPE Midi Controller with per note pitch bend and aftertouch)

gsmusicarg GS-E7 (An MPE compatible fully analog polysynth being controlled by Osmose, these two together are a DREAM!)

rossumelectro Assimil8or (Sampler module, my main squeeze, handling drums and samples)

uaudio Apollo 16x & Luna Recording System (Audio Interface, Plug Ins and Multitrack Recording Software)

#coloradomodularsynthsociety #diysynth #springreverb #polysynth #eurorack #mpe #modularsynth #assimil8or #ambient #lofi #downtempo #lofibeats #chillout #drumprogramming #hiphop #boombap #vinylsample"