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Showing posts sorted by relevance for query KATSUNORI UJIIE Synth, Keyboard. Sort by date Show all posts
Showing posts sorted by relevance for query KATSUNORI UJIIE Synth, Keyboard. Sort by date Show all posts

Monday, April 10, 2023

Introducing the Kodamo MASK1 Bitmask Synthesizer


video uploads by Kodamo

"The Kodamo MASK1 is a musical instrument focused on the sound interaction between the player and the keyboard. With its exclusive Bitmask™ engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style."

"What is Bitmask synthesis?

Bitmask synthesis is the method the MASK1 uses to generate its sound. Internally, oscillators do only have one waveform. Various tones are created by applying what is called a bitmask. This is a technique inherited from computing, which alters a number by masking some of its digits. Here we adapted this technique to make sound. Bit-masking creates complex wave shapes that are full of harmonics and give the MASK1 its sonic character."

Playlist:
Introducing the Kodamo MASK1
Kodamo MASK1 - Ethereal choir
Kodamo MASK1 - Chorused saw
Kodamo MASK1 - Bit Piano
Kodamo MASK1 - Paraphonic evolving pad
Kodamo MASK1 - Notch filter
Kodamo MASK1 - Filter resonances & sound editing
Kodamo MASK1 - Almost clean guitar
Kodamo MASK1 - Gritty formant
Kodamo MASK1 - Creating a sound in 1 minute
Kodamo MASK1 - Analog pluck
Kodamo MASK1 - Asian fifth
Kodamo MASK1 - Ambient/Atmospheric soundscape
Kodamo MASK1 - Hybrid monophonic/polyphonic (moly) mode
Kodamo MASK1 Teaser

Also see [SOUNDMIT 2022] KODAMO MASK 1 (+ DEMO) - New "Bitmask" Keyboard Synthesizer Incoming

Test et sons : le Mask1 de Kodamo

video upload by Eric Synthwalker

KODAMO MASK1 Demo & Review

video upload by musictrackjp

"DEMO by Katsunori UJIIE.

KODAMO MASK1
https://kodamo.org/mask1"



via Kodamo

Expressive & Characterful

The Kodamo MASK1 is a musical instrument focused on the interaction between the player and the keyboard. With its exclusive Bitmask engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style.

It's not just the notes

Most synths just play the notes you press. We went a bit further, by looking at how the notes interact with each other. Only by playing the keyboard, you can control when the attacks are triggered, how notes are tied or separated from each other, or if they should keep resonating or stop each other like if they were played on the same string on a stringed instrument. You will discover new ways of playing the keyboard.

Built with love

The MASK1 uses a high quality, 5-octave Fatar keyboard with velocity and aftertouch. It's fully made of painted metal, with two ALPS knobs and 23 KAILH mechanical switches. Everything is assembled in France with high attention to detail. We love creating musical instruments that have their own identity. We spent a lot of time selecting parts and suppliers to balance price and work ethics, while always aiming for the highest quality.

For live and studio players

With its compact size and light weight, the MASK1 will easily fit in your studio and is ideal for gigs. It remembers settings between sessions. With its unique sound, premium keyboard and MIDI connectivity, it can become the main keyboard of your setup.


Synth engine specs:

Sunday, July 26, 2026

"moog 16 Channel Vocoder" Short Live !


video upload by KATSUNORI UJIIE Synth, Keyboard & Music Channel

"moogの16 Channel Vocoderによるショートライブです。
音声入力による本格的なヴォコーダーサウンドだけでなく、付属のパッチコードを使って他のアナログ・ギアを相互接続したり、プログラムの任意の周波数レンジを選択してキャリアの任意の周波数レンジにその特性を課すことができる珍しい「クロス・パッチ」を作成することもできるので、実験的な音作りも可能。

Short live performance using Moog’s 16-Channel Vocoder.
Not only does it produce authentic vocoder sounds from audio input, but you can also use the included patch cables to interconnect other analog gear and create unique “cross-patches”—where you select a specific frequency range from a program and apply its characteristics to any carrier frequency range—enabling experimental sound design."

Tuesday, April 15, 2014

【DEMO】YAMAHA Dream Synthesizer


Published on Apr 15, 2014 musictrackjp·238 videos

Yamaha KX49, AN1x, FS1r and Motif XS Rack layered.

"We propose this synthesizer structured by AWM2(Sampling),AN(Virtual Analog) and FM/FS Synthesis System by YAMAHA.

It will be Great, isn't it ?

DEMO by Katsunori UJIIE.
Facebook: Like me please!
https://www.facebook.com/musictrack.jp"

The Yamaha EX5 and EX5r rack came close only missing the Formant component of the FS1R.

"AWM is Yamaha's original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to "shape" and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument's sound, with independent control over each.

Yamaha AN Synthesis (Analog Physical Modeling) offers all the benefits of traditional analog synthesis with the stability, reproducability, and precise control of digital technology. It is capable of accurately reproducing the sound of classic analog synthesizers without patch cables, setting charts, or the frustrating instability that was the bane of the analog age. A standard (Poly) AN voice can have 1 AN element and from 1 to 3 AWM elements. Classic analog synth type sounds can be created with the single AN element alone. AWM elements can be added as necessary to "modernize" the sound.

FDSP adds a sophisticated note-dependent effect processor to the basic AWM synthesis system. In contrast to a stand effect stage, the FDSP synthesis stage uses individual note and velocity data to control effect parameters, thus making it possible to simulate the characteristics of a number of real-world musical components, as well as produce totally new effects. FDSP can produce totally new sounds that are responsive and "alive". FDSP voices have from 1 to 4 AWM elements with an FDSP stage between the elements and the main effect stage. The FDSP stage can be applied to any or all of the AWM elements used, as required.

Yamaha's Virtual Acoustic ("VL") Synthesis tone generation system applies sophisticated computer based "physical modeling" technology to musical sound synthesis, accurately simulating the very complex vibrations, resonances, reflections and other acoustic phenomena that occur in a real wind or string instrument. VL voices can have 1 VL element and from 1 to 3 AWM elements. The VL element can be used alone to emphasize the full realism and expressive power of the VL tone generator, or with added AWM elements for thicker textures.

The EX5 allows the AN and FDSP tone generator systems to be combined in "AN + FDSP" voices which can have 1 AN element and from 1 to 3 FDSP elements. The FDSP stage can be applied to any or all of the AWM elements used, as required."

The EX5 also features sophisticated sampling capability. Samples can be used in AWM voice elements or mapped to and played via individual keys of the keyboard using the Key Map mode. It is also possible to sample internal sounds created in the EX5. The Sample mode has all the features you'd expect from a professional sampler and is compatible with WAV, AIFF and AKAI formats. Sampled waveforms can be saved to floppy disk or to an external storage device via the optional ASIB1 SCSI Interface.

The features don't stop there. Six Controller Knobs can be assigned to a wide range of parameters for extraordinary real-time control capability along with the Pitch wheel, two Mod wheels, assignable Ribbon Controller and Scene memory buttons. Two types of full featured built-in Sequencers are on-board. A 16-Track Song Sequencer has real-time play effects and "groove" quantization. An 8-Track Pattern Sequencer has most of the functions and features of the 16-track song sequencer, but is more suited to the production of drum tracks, dance grooves, or other frequently used phrases. There's also a great 4-track Arpeggiator with 50 preset and user patterns.

Top-quality digital effects processors of two types are onboard. The "System" effects includes two separate effect units: Reverb and Chorus. Independent reverb and chorus settings can be made for each voice in the Voice mode, and for each performance setup in the Performance mode. Two "Insertion" effects provide up to 79 additional effects like chorus, distortion and overdrive, amp simulation, auto wah, equalization, delay, reverb, and other effects.

Use the 16-part Performance mode to create elaborate sequences, layer sounds and so on. Different parts can be assigned to different areas of the keyboard, there are up to 16 zones. The EX Key Map mode allows you to assign individual samples, patterns, or pattern tracks to different keys of the keyboard. These can then be played or triggered from the keyboard or an external sequencer or other MIDI controller. Every knob and controller on the keyboard sends and receives MIDI data in real-time."

Wednesday, December 28, 2016

Arturia Announces Availability of MatrixBrute


Published on Dec 28, 2016 ARTURIA

"Discover a real-time performance made with 2 MatrixBrute and listen to its amazing sound palette."

"Arturia’s MatrixBrute synthesizer now shipping

Grenoble, France, 28 December 2016

MatrixBrute, the powerful analog synthesizer from Arturia, is now shipping. Offering three Brute oscillators, a Steiner-Parker filter and a ladder filter, five analog effects, and the incredible modulation matrix, MatrixBrute looks set to raise the bar for sound designers and performers alike.

Announced at the NAMM show in January 2016, the Arturia team have worked with sound designers such as Richard Divine and Katsunori Ujiie to include presets to show the full capabilities of the synthesizer, from classic ripping leads to never head before soundscapes, possible because of the revolutionary matrix section. The 100% analog MatrixBrute also features a 49-note full size keyboard with velocity sensitivity and aftertouch for a fully expressive experience. Add to this the sequencer, arpeggiator, Steiner Parker filter, and a host of connectivity options, MatrixBrute is a monster of a synth.

Arturia have received their first units which will be shipping to select retailers, with additional stock expected very early 2017."

Check with the shops on the right for price and availability.
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