Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.
Playlist:
1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle
"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.
The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.
Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.
In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.
The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.
Batverb is the stereo reverb that dreams are made of: less of a room simulator and more of a tail generating pedal, Batverb is an instrument in its own right.
Taking inspiration from our popular tail-generating modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.
Start by setting a predelay time and adjusting Regen to set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. A variety of unique controls make Batverb sing in any signal chain:
Doom adds in chaotic suboctaves, and Shimmer brings in haunting overtones. With each on its own control, go wild and have both at the same time!
Low and high damping settings for the reverb tank
Add filtering and harmonics to reverb tails
Built-in saturation can apply to only the wet signal or the whole output Includes onboard dry/wet Blend control and input- and output-gain parameters
Unique Duck switch controls the reverb’s behavior: duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb
Create instant atmospheres with reverb-freezing Hold footswitch Route the expression input can to any parameter on the pedal
Store and recall 16 different presets and recall them in response to MIDI program-change messages.
Exploring and sharing engaging ideas in sound, music, and synthesis • Eurorack, 5U • Guitar Pedals • VST, AU, AAX plugins • Reason Rack Extensions"
Press release follows:
Noise Engineering announces Batverb, an experimental reverb, delay, and infinite-tail generator
Los Angeles, CA — Noise Engineering, known for their expansive selection of synthesizer effects and sound sources, announces Batverb, a distinctive stereo reverb with a twist.
Noise Engineering’s take on reverb has always been innovative, creating effects that are as much instruments as they are processors. Batverb is no exception: parameters allow the resulting effects to morph organically from slapback delays to infinite reverb tails.
“Batverb was inspired by our Desmodus Versio module, but when we tried to bring the Desmodus experience to guitar, we realized quickly that we would need to rethink the approach. Batverb shares concepts with Desmodus but shares zero code: the entire thing was redesigned from the ground up, with the dynamics and tonality of guitar at the forefront,” said Stephen McCaul, Chief Noisemaker at Noise Engineering. Kris Kaiser who is the Doer of Many Things at the small company added, “Working with guitar was key, but what sounds great on guitar also works really well for loads of other instruments.” Indeed, Batverb’s stereo I/O and MIDI integration make it a perfect choice for a multitude of instruments.
Kaiser continued, “I like to say Batverb isn’t your father’s reverb because it has such unique features.” She’s not wrong. Along with predelay/delay Time and Regen controls, Batverb includes a number of parameters for shaping the tone of the reverb itself. The Grit switch adds a unique harmonic distortion to the tail or the whole mix, and the Doom and Shimmer controls add in subharmonics and overtones. Batverb also has onboard adjustable highpass and lowpass filters to shape the tone to taste.
Batverb’s configurable Bypass footswitch can cut the reverb tail immediately, or simply mute the input to the reverb processor, allowing the tail to ring out while you play. The Infinite footswitch mutes the input to the reverb tank while maximizing the feedback for an infinite atmosphere.
The innovative Duck switch uses the dynamics of your playing to shape the reverb tail. Use the right setting to duck the reverb out of the way of your guitar’s tone, or the left setting to make the reverb’s dynamics match your guitar’s.
Batverb also stores/recalls up to 16 presets with MIDI Program Change messages. Batverb features a convenient MIDI thru jack, so it’s easy to patch into your MIDI control chain. In addition, all parameters can also be controlled via MIDI for automation and remote control from a DAW or configurable controllers.
Noise Engineering is a member of 1% for the Planet and has been donating a percentage of all sales to environmental conservation. Proceeds from Batverb will benefit the organization Bat Conservation International.
Batverb is available for preorder with MSRP of $499. It starts shipping March 13 from noiseengineering.us and retailers worldwide.
Batverb was designed and built in sunny Southern California.
"Ampla Legio was the result of our desire for a stereo gate to accommodate the growing number of stereo audio sources in the Eurorack format. With a multimode filter that can be gnarly or nice, a vactrol-inspired ASD envelope, and CV control over filter frequency and envelope timing, Ampla is a simple-yet-effective solution for organic dynamics control.
If you already own a Legio module, then you can swap to this firmware for free at our website: https://www.noiseengineering.us."
Press release, including the additional firmwares, follows:
"Noise Engineering announces three new firmwares for their popular platform modules: a formant filter, a cross-modulating oscillator, and a multimode-filter gate.
Los Angeles, CA — Noise Engineering, known for their flexible Eurorack synthesizer modules, plugins, and guitar pedals, has announced new options for each of their platform modules: Fala Versio, Toros Iteritas Alia, and Ampla Legio, all releasing this December. Now with10 Versio and 7 Legio and Alia firmwares, Noise Engineering is showing the depth and versatility of the platform concept. In short, if you own a NE platform module, you can go to the Noise Engineering website and swap the firmware to anything else on that platform via USB, as often as you like, free of charge. It’s like getting seven (or ten) modules for the price of one.
First up is Ampla Legio, a simple multimode-filter gate. Lowpass gates are a common tool in modular synthesis, and Ampla Legio brings a modern twist, with a stereo signal path and additional functionality. A vactrol-inspired attack/decay envelope with simple controls modulates the internal stereo VCA and filter, and a sustain phase allows the envelope generator to emulate the response of traditional vactrols. A resonant multimode filter replaces the traditional lowpass model, allowing for LP, BP, or HP response with adjustable squelch. The filter’s base frequency can be adjusted to change the timbre of the gate, and also tracks 1v/8va, allowing the filter to be modulated along with the input signal. Ampla Legio is available as a firmware now.
Coming December 17, 2024 is Fala Versio is a formant filter designed with musicality in mind. While many formant filters attempt to mimic vowel shapes and other traditional sounds, Fala is designed to take the process of formant filtering in a new, musical direction. Along with frequency and resonance controls, Fala features a clock-syncable stereo LFO, a wavefolder, and a post-filter saturator that can take the filter’s tone from beautiful to barbaric. Fala Versio will be available as a module but Versio owners can try it out immediately on release by going to the Noise Engineering Firmware Swap page.
Finally, on December 24, Noise Engineering will drop Toros Iteritas Alia. TIA takes complex three-operator phase-modulation synthesis and makes it simple and fun. Designed for ever-evolving sonic landscapes, Toros has three oscillators with CV-controllable frequency and level parameters. A massive range of timbres are hidden behind its simple interface, with three routing algorithms and a bonus fundamental oscillator output for even more patching capabilities. While Noise Engineering is known for its percussion voices, Toros breaks the mold, excelling at dark drones and ambient performances.
Ampla Legio is a firmware-only release that works on any Legio hardware and is available starting December 10, 2024. Fala Versio will be available as firmware or a paneled module on December 17, 2024. Toros Iteritas Alia will be available as firmware or a paneled module on December 24, 2024. Platform owners can try them out at launch, completely free, by changing the firmware at the Noise Engineering Firmware Swap page: https://noiseengineering.us/portal/firmware/
Just in time for the holidays (and holiday sales!), all three firmwares are available completely free to owners of each platform. Fala Versio and Toros Iteritas Alia available for purchase as complete modules, too.
Features • Three all-new firmwares for Noise Engineering’s popular platforms • Fala Versio brings a new take to formant filtering • Toros Iteritas Alia makes noisy-or-nice PM synthesis easy • Use Ampla Legio to control dynamics and timber of any stereo signal • Platform owners can swap to new firmwares 100% free
Availability and pricing: Fala Versio: Shipping from Noise Engineering and retailers starting December 17th, 2024; MSRP US$393 Toros Iteritas Alia: Shipping from Noise Engineering and retailers starting December 24th, 2024; MSRP US$385
"Our friend Owen Nathanael @owenathanael walks us through a cue breakdown of his piece, 'Sacrifice,' which he modified slightly for this Noise Engineering plugin demo.
0:00 Intro
0:40 Playthrough
2:57 Using Imitor
8:10 Using Desmodus
11:40 Using Polydactyl
15:05 Using Librae
18:20 Using Ruina
19:52 Wrap
This cue is primarily composed with acoustic instruments in mind but with some audio effects. You can transform some of these sounds to be more synth-like and complement that orchestral texture.
Are you an orchestral composer who is afraid to use synths but still wants your music to sound cool? This video is for you.
Credits in Owen's composition:
Vocals: Adriana Corredor
Trumpet: Michelle Lai
Trombone: Nicholas Rozzell
Violins: Anika Thomas, Ava Chen, Peiran Zhao
Violas: Jing Su, Kaedyn Colton, Patrick Kwong
Violoncellos: Heather Kim, James Yueh
The original film with this score can be found here:"
Here are 5 things you can do with Polydactyl from Noise Engineering. We used presets and modified parameters to enhance a dull mix, beef up that drum room mic, and add dynamics processing to a clean guitar, Bass VI, and a 12-string.
Smoosh, limit, expand, drive, saturate, and create with Noise Engineering’s Polydactyl dynamics plugins! Polydactyl is designed for anything from subtle mixing tasks to complete sonic destruction.
We also made another dynamics plugin, Librae, made for mixing, mastering, sound design, and stereo-field experimentation. Check these out and other plugins on our website, and 'build your own bundle' for discounts.
Inspired by over-the-top and aggressive techniques but designed for versatility, Polydactyl and Librae are intended for clean mastering, sound design, and coloration."
"Check out these 5 Jams using the Cursus Iteritas dynamically generated wavetable oscillator using orthogonal functions. We hope these jams will inspire you to think of new ways to patch.
0:05 Jam 1 0:48 Jam 2 1:38 Jam 3 2:08 Jam 4 2:51 Jam 5
Jam 1: We're adjusting the Cursus Iteritas' Fold and Structure controls while sending the signal out through the Electus Versio. The BIA with the kick.
Jam 2: We're adding in CV and pitch inputs on the CI one at a time, then adjusting the Center control to change the harmonic used to build the waveform. The Clep Diaz is adjusting the release on the Sinc Bucina. Mix is then sent through Electus Versio for the clocked reverb.
Jam 3: In this ambient patch, we've added a pitch input and 4 CV inputs to the CI, then we stepped aside and watched it play this beautiful generative journey.
Jam 4: It doesn't take much to make some exciting timbres out of the Cursus Iteritas. It plays very well here with Mimetic Digitalis, Fractio Solum, Horologic Solum, Loquelic Iteritas Percido, Bin Seq, and Imitor Versio. The Sinc Bucina shapes the sounds from Cursus, and the mix is sent through Electus Versio for some clocked reverb.
Jam 5: This time we're sending gates and modulation through every CV input on the Cursus Iteritas. The result is a huge variety of harmonic sounds and timbres. Then we follow that up with some Melotus Versio granular processing.
Yester Versio is the long-awaited answer to the request for a simple delay on the Versio platform. Yester Versio is a three-tap stereo delay designed to be straightforward and easy to control. It’s perfect to help glue together almost any patch, with just enough character to stand out if that’s what you want.
Yester Versio is also part of the Versio DSP platform and can be transformed into a completely different effect by loading a growing number of alternate firmwares, completely free at the Customer Portal. Plus, with open-source support and documentation at LibDaisy, you can write your own firmware. Learn more about the platform at the World of Versio: https://bit.ly/3KJWzZC
Yester Versio comes with controls over panning, delay feedback, and delay time, but we didn’t stop there. The Time control interacts with the Even/Triplet/Dotted switch, allowing for flexible delay syncing. These also work with the Tap button and jack input, making it easy to sync Yester to the rest of your patch and create interesting rhythms.
Use the DJ-style filter to shape your delays. Add flavor with Chorus, a bipolar control that adds a bit of clean pitch shifting or LFO-modulated effects. Turn up Fold for some gentle saturation, then gritty wavefolding, and at the top of the knob, to add in chaotic suboctaves for a bit of doom.
And of course, because it is a Versio, almost everything can be CV controlled.
Yester Versio is the delay you will keep coming back to...back to...back to...
Librae is a mid/side and stereo dynamics processor capable of compression, expansion, limiting, and distortion. The adaptive envelope extraction is designed to be as transparent as possible. Use it on master-bus applications and for creative processing. Now in AU, VST, and AAX formats.
Polydactyl is a multiband dynamics processor with pre and post-processing plus four adjustable bands. Each band features limiting, compression, expansion, noise gating, and saturation and distortion controls. Based on the Eurorack module, now in AU, VST, and AAX formats."
Polydactyl multiband dynamics processor plugin from Noise Engineering
Polydactyl is a powerful multiband dynamics processor plugin that makes it easy to precisely sculpt the dynamics of your audio tracks. Whether you're mixing a full band, tightening up a track, or just looking for creative inspiration, Polydactyl has you covered.
Each stage has separate controls for dynamics and distortion, making it easy to dial in the perfect amount of compression, noise gating and expansion on each adjustable band with ease. Weight controls for Pre and Post stages control how the plugin responds to your signal. Individual Link controls for each stage make it easy to adjust processing. Polydactyl also features lookahead for transparent gain reduction."
Press release follows:
Noise Engineering expands software offerings with Polydactyl and Librae dynamics-processing plug-ins
LOS ANGELES, CA, USA: Noise Engineering is proud to expand its software offerings by announcing availability of Polydactyl and Librae, two new dynamics-processing plug-ins presenting many flavors of compression, expansion, limiting, and distortion — Polydactyl being designed for anything from subtle mixing tasks to complete sonic destruction as a multiband processor, while Librae is made for mixing, mastering, sound design, and stereo-field experimentation — as of April 20…
“From the start, these plug-ins were intended for clean mastering, sound design, and coloration,” comments Noise Engineering Chief Plumber Adam Lange-Pearson, one of two software engineers behind Polydactyl and Librae. “While we worked on these, our chat threads were full for months with picky feedback about levels and sound quality, and heated ergonomics discussion,” he continues, concluding: “By the end, I am pretty sure we argued over every pixel in each meter at least once.”
Ostensibly, Polydactyl is a multiband processor inspired by over-the-top and aggressive techniques, yet it is designed to be versatile enough to be used in almost any mix. Featuring four adjustable bands — plus Pre and Post — to precisely sculpt the dynamics of audio tracks with separate per-section controls for Blend, Gain, Room, Floor, Release, and Stereo Link, the bands can be dialed in individually or the Link function can be utilized to quickly apply user settings across multiple bands (though turning Link off makes it simple to set each band as needed).
Though those controls break away from traditional dynamics-processing layouts, they simplify the workflow for dialing in subtle (or not-so-subtle) dynamics. Dedicated distortion controls such as Saturate, Soft Drive and Hard Drive (with associated Soft Blend and Hard Blend controls for clipping distortion), Zero Pop (for zero-crossing distortion), and output level are also included in each section, which can also be bypassed or soloed.
Saying that, the clean interface of Polydactyl provides a huge range of visual feedback. First and foremost, the frequency spectrum meter displays the output level across the audio spectrum and is interactive — click and drag the lines to adjust the band splits; select bands for further adjustment. Additionally, Polydactyl includes a scalable envelope display to show processing over time and global In and Out VU meters. Moreover, each stage also includes a static curve meter to demonstrate the compression and expansion applied to the signal, and In and Out VU meters.
Librae is a mid/side and stereo dynamics processor with separate controls for Pre, Mid, Side, and Post stages. Duly designed for transparency, Librae is made for master-bus applications, but the team behind the plug-in put a lot of thought into making it a capable tool for creative processing and sound design. Many of its controls are similar to those on Polydactyl. Put it this way: Librae also has separate per-stage controls for Blend, Gain, Saturate, Room, Floor, Release, and Stereo Link, plus distortion controls like Saturate, Soft Drive and Hard Drive (with dedicated Soft Blend and Hard Blend), Zero Pop, and output-level controls. Its Pre and Post stages also feature shelf-EQ weight controls to adjust how the plug-in’s dynamics processing responds to the incoming signal. Librae features a Global Mid < - > Side balance control for easy adjustment. Similarly, each section can also be bypassed or soloed.
It is easy to understand Librae, though, thanks to a detailed graphical interface featuring a goniometer displaying the correlation between the input channels and an envelope display showing processing over time. Each processing stage features a dedicated graphical display with a static curve meter to show the curve applied to the signal, In and Out VU meters, and a weighting graph to visualize the detector shelf EQ weighting (with adjustable Weight High and Weight Low) on the stage input.
In keeping with all Noise Engineering plug-ins, Polydactyl and Librae are designed for automation and each include an extensive internal modulation matrix with LFOs and step sequencers that can be routed to almost any parameter. Moreover, modulators have adjustable randomization for easy humanization.
Intuitive in use from first being opened, Polydactyl and Librae both come complete with a sizeable number of Noise Engineering-provided presets — ranging from subtle and transparent to aggressive and in-your-face — to kickstart anyone in need of inspiration. If more than that is needed then the rand (random) and nudge buttons (to generate and tweak patches in one click) are sure to get creative juices flowing.
Available as two new dynamics-processing plug-ins presenting many flavors of compression, expansion, and distortion, Polydactyl and Librae are ready to take up their positions in signal-processing toolkits the world over.
Polydactyl and Librae are available now in AAX, AU, and VST formats for $49.00 USD apiece, and also available as part of the Build Your Own Bundle (buy any three plug-ins and automatically get one for half price) — only from Noise Engineering here: https://noiseengineering.us
Visit the plugin page on our website, then select the "Presets" dropdown to download the 5 things in this video for free here: https://bit.ly/3t84EQD
Imitor is a delay designed for experimentation. With up to 32 delay taps and tons of time and tone parameters, Imitor is perfect for creating unusual echoes, experimenting with different delay shapes and patterns, adding vintage flare to an atmosphere, and more. Despite its power, we wanted to make it immediate to use, so we included a load of presets, ranging from your bread-and-butter delay settings to otherworldly, wacky ones that will blow your mind. Or, hit the rand button and see where Imitor takes you.
Put Imitor on anything from vocals to rhythms to instruments and more. Turn it up for long, evolving echoes or crank down the delay times for effects like comb filtering, chorus, and flanging.
Imitor is a playground, it’s a beast asking to be tamed, it’s more. Ask your doctor if Imitor is right for you.
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization."
"We're using our sawtooth synthesis plugin Manis Iteritas to make '80s Dance Pop Synth, Claps, House Bass, Sweet Piano, and an Industrial Dirt Synth.
0:16 '80s Dance Pop Synth 0:48 Claps 1:27 House Bass 2:22 Sweet Piano 2:57 Industrial Dirt Synth
Visit the plugin page on our website, then select the "Presets" dropdown to download the 5 things in this video for free here: http://bit.ly/3EgBANb
Built on the concepts of additive, subtractive, and FM synthesis, Manis Iteritas uses saw waves to realize an unrivaled and full-bodied sound.
Manis Iteritas is happiest when it is being fed modulation. It features a quick-to-use MIDI learn function for almost every parameter in the synth, as well as the option to map parameters to velocity, pitch, and aftertouch.
Manis Iteritas features an easy-to-use and immediate interface that makes tweaking patches incredibly simple. Start a sound from scratch, load one of the 1,000 included presets, or hit the Random button to randomize your patch completely for some easy inspiration.
Manis Iteritas is a shapeshifter of a synth. Grab this plugin and use it for almost anything from alien percussion, to unique melodic parts, and to otherworldly sounds and sound effects.
In addition, Manis is the genus of the pangolin, the world’s most endangered mammal. Noise Engineering is proud to be a founding business partner of Savepangolins.org. A portion of the proceeds of every Manis Iteritas sold will be contributed to pangolin conservation. Buy a plugin, feel good about yourself!
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization.
More about the Manis Iteritas plugin and the Bundle 2 package, which includes Imitor and Loquelic Vereor: http://bit.ly/3EgBANb"
Visit the plugin page on our website, then select the "Presets" dropdown to download the 5 things in this video for free here: https://bit.ly/3fOsE8j
Loquelic Vereor is built around our interpretations of three classic synthesis algorithms (VOSIM, phase modulation, summation synthesis). Like the Loquelic Iteritas Eurorack module it’s based on, this synth is capable of a range of sounds that are sure to cut through a mix.
Loquelic Vereor is a complex oscillator, which, while uncommon in the software world, opens up incredible sound-design possibilities. At its core are two oscillators that modulate each other for sounds you have never thought possible in a DAW. Loquelic Vereor also features a quick-to-use MIDI learn function for almost every parameter in the synth, as well as the option to map parameters to velocity, pitch, and aftertouch. From outrageous, chaotic sounds to wild drum sounds to drones, basslines, and leads, with Loquelic Vereor, you can have it all.
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization.
More about the Loquelic Vereor plugin and the Bundle 2 package, which includes Imitor and Manis Iteritas: https://bit.ly/3fOsE8j"
"We're using our reverb plugin Desmodus to make Gated Reverb, Glitchy Echoes, Eno Infinity, Clocked Delayverbs, and Automatic Drama.
0:15 Gated Reverb
0:45 Glitchy Echoes
1:24 Eno Infinity
2:11 Clocked Delayverbs
2:38 Automatic Drama
Visit the plugin page on our website, then select the 'Presets' dropdown to download the 5 things in this video for free here: https://bit.ly/3I3ubzl
Desmodus is part of our Bundle 1, which includes Cursus Vereor and Basimilus Iteritas. It is available for Mac and PC, in VST3, AU, and AAX formats. Get these plugins and more (including some free ones!) at our shop at noiseengineering.us!"
"Let's explore horror sound design with the suite of Noise Engineering plugins.
Get your own NE plugins (some are free!) here: https://noiseengineering.us/collectio...
00:00 intro
00:38 sound design
02:37 final
Join me on Patreon and get access to music, presets, samples, and a great community: http://bit.ly/rmrpatreon
0:00 Overview
0:38 Tap structure
1:04 Presets
1:14 Timing and panning
1:59 Modulation controls
2:27 Processing controls
2:54 Jam
"Get Imitor individually or as part of Bundle 2 which includes Manis Iteritas and Loquelic Vereor: https://bit.ly/3LynNDF
Imitor is a delay designed for experimentation. With up to 32 delay taps and tons of time and tone parameters, Imitor is perfect for creating unusual echoes and experimenting with different delay shapes and patterns. We love Imitor so much that we use it for everything, from long, evolving echoes to effects like comb filtering, chorus, and flanging.
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization. Plus, loads of presets and a handy randomize button to get you started. More info on the LFO modulation controls: [posted here]"
0:00 Overview
0:38 Oscillator modes
1:00 Parameters and presets
1:32 Modulation controls
2:02 Jam
"Get Manis Iteritas individually or as part of Bundle 2 which includes Loquelic Vereor and Imitor: https://bit.ly/3LynNDF
Manis Iteritas uses saw waves to realize its unparalleled sound. It can go from gritty and dark to smooth and beautiful with the tweak of a couple of sliders. Use Manis for almost anything from alien percussion and industrial grit to unique melodic parts and otherworldly sounds and sound effects.
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization. Plus, loads of presets and a handy randomize button to get you started. More info on the LFO modulation controls: [posted here]"
0:00 Overview
0:34 Algorithms and pitch controls
1:38 ADSR and Percido envelopes
1:58 Ampla settings
2:18 Modulation controls
2:35 Presets
2:44 Jam
"Get Loquelic Vereor individually or as part of Bundle 2 which includes Manis Iteritas and Imitor: https://bit.ly/3LynNDF
Loquelic Vereor is a complex oscillator built around our interpretations of three classic synthesis algorithms (VOSIM, phase modulation, summation synthesis). Like the Loquelic Iteritas module it’s based on, this Swiss army knife of a synth is capable of a range of sounds that are sure to cut through your mix.
Loquelic Vereor opens up incredible sound-design possibilities. Its two oscillators modulate each other for sounds you have never thought possible in a DAW. From outrageous, chaotic sounds to wild drum sounds to drones, basslines, and leads, with Loquelic Vereor, you can have it all.
All Noise Engineering plugins feature an extensive modulation system so you can get your patches moving with LFOs, envelopes, and step sequencers – plus, modulators have adjustable randomization for easy humanization. Plus, loads of presets and a handy randomize button to get you started. More info on the LFO modulation controls:" [posted here]
These plugins offer the power of our Eurorack modules with the ease of your DAW. As Bundle 1 is to classic sounds (percussion, gorgeous synths, reverb), Bundle 2 is to sound design and experimentation.
Imitor is a delay designed for experimentation. With up to 32 delay taps and tons of time and tone parameters, Imitor is perfect for creating unusual echoes and experimenting with different delay shapes and patterns. We love Imitor so much that we use it for everything, from long, evolving echoes to effects like comb filtering, chorus, and flanging." Ask your doctor if Imitor is right for you.
Loquelic Vereor is a complex oscillator built around our interpretations of three classic synthesis algorithms (VOSIM, phase modulation, summation synthesis). Like the Loquelic Iteritas module it’s based on, this Swiss army knife of a synth is capable of a range of sounds that are sure to cut through your mix. Loquelic Vereor opens up incredible sound-design possibilities. Its two oscillators modulate each other for sounds you have never thought possible in a DAW. From outrageous, chaotic sounds to wild drum sounds to drones, basslines, and leads, with Loquelic Vereor, you can have it all.
Manis Iteritas uses saw waves to realize its unparalleled sound. It can go from gritty and dark to smooth and beautiful with the tweak of a couple of sliders. Use Manis for almost anything from alien percussion and industrial grit to unique melodic parts and otherworldly sounds and sound effects.
Visit the plugin page on our website, then select the "Presets" dropdown to download the 5 things in this video for free here: https://bit.ly/3sZHFrx
Cursus Vereor is part of our Bundle 1, which includes Basimilus Iteritas and Desmodus. It is available for Mac and PC, in VST3, AU, and AAX formats. Get these plugins and more (including some free ones!) at our shop at noiseengineering.us!
Enjoy Cursus Vereor with powerful modulation controls, extensive MIDI capabilities, and in-the-box ease of automation and sequencing.
Cursus Vereor is a synthesizer that creates its sounds by dynamically generating oscillator waveforms. Use Cursus Vereor for sounds that are gentle, harsh, melodic, distorted, or anything in between. Cursus Vereor features an ADSR envelope with curve shaping and a dynamics section featuring a VCA and a lowpass gate plus a vintage-inspired chorus.
Cursus Vereor excels at chords and pads, as well as gentle leads and hard-hitting basses. It can sound almost acoustic in nature, or harsh and edgy with the help of the wavefolder and oversampling. With simple and intuitive controls, Cursus Vereor makes it easy to design patches for your projects – or quickly find the perfect sound with the included library of presets."
