esx tubes - New Flickr Shot

flickr by lukatoyboy.

EML 100 - New Flickr Set

fickr by Heath Finnie. Title link takes you to the set.

BallDroppings

"BallDroppings is an addicting and noisy play-toy. It can also be seen as an emergence game. Alternatively this software can be taken seriously as an audio-visual performance instrument. Balls fall from the top of the screen and bounce off the lines you are drawing with the mouse. The balls make a percussive and melodic sound, whose pitch depends on how fast the ball is moving when it hits the line. This delightful application allows experimentation with sound and vision which will compound and intrigue you. Whether you are an adult or child, scientific brainbox or avid gamer. It doesn't have a plot, no heroine, no villain. It has no guns or alien beings. It is simply time to get creative, and those who are creative will love this. --Gosfish Games "

Addicting... You can have multiple instances running at the same time for some interesting sequences. Title link takes you to the site with download. The download is a single exe that runs the app directoy - no install. Now if you could only use it as a MIDI trigger... Via Joe McMahon on SynthSights.

Anyware Groove Generator

Title link takes you there. Unfortunately I hear they are no longer made. Update: looks like there will be a new one - see the comments in this post.

MOTM, MacBeth and More

Title link takes you to a couple more shots on Moogulator's Synthesizer Forum.



Check out the modded WASP.

MoS 289 Cropped - New Flickr Shot

flickr by Knuckledragger. Title link takes you to more.



Virus and Doepfer.

Musikmesse Videos on Moogulator

Title link takes you there.


Jörg at the Radikal Spectralis

CS01 - New Flickr Shot

flickr by JSRockit.

Tsutomu Katoh and the History of Korg

Title link takes you to Part 1 of an excellent three part series by Gordon Reid on the history of Korg and its founder, Tsutomu Katoh. Part 1 starts in the early 1960s with the DoncaMatic rhythm machines and ends with the DW Series in 1986. Here are links to Part 2, Part 3. Fascinating reads if you haven't read them before.





Their first synth? The Minikorg 700


Image via Sequencer.de's Korg page.

Via SOS:
"Whether by luck or genius, Katoh and his team produced something truly innovative. Taking many of the concepts from the 1970 organ prototype, they broke numerous unwritten rules that decreed that synths should have multiple oscillators, self-oscillating filters, and variable parameters for all the functions on the panel. Instead, the 700 offered oscillator settings such as 'chorus I' and 'chorus II' (which produced rich, swirling tones), and its strange percussion/singing controls created envelopes quite unlike those of the competition. But the little synth's greatest strength was its 'Traveler', a low-pass/high-pass filter section that proved to be extremely intuitive and manageable. Sure, there were limitations, but to concentrate on these was to miss the point entirely. The 700 was stable, it was affordable and, most important of all, it sounded great, eventually numbering players as respected as Kitaro and Vangelis among its users."

Korg Professional Laboratory Systems

Click here for a full sized image of the ad to the left on Korg Kornukopia. The ad is for the Korg PS3100 and PS3300 fully polyphonic analog modulars. Yep, fully polyphonic. Each offered full polyphony at a stagering 48 voices - you could press every key down and they would all play. They used divide down circuitry for the oscillators but each note triggered its own dynamic filter, envelope and VCA. The PS3100 featured 32 patch points and the PS3300 featured over 60. The PS3300 was in essence three PS3100s in one.

Read the ad for more followed by this Sound on Sound article on 40 years of Korg by Gordon Reid. Do a find for PS3100 to jump to it's section when you get there.