ARP Quadra

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Sequential Circuits Split 8

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"he Sequential Split 8 is Japanese produced analog synth marketed by Sequential Circuits. It is very similar in voice architecture and sound to the MultiTrak and SixTrak. All of these synths as well as the Akai AX 60 use one Curtis SENTE (CEM 3394) chip per voice. The Split 8 has eight voices where as the others mentioned above only have 6. The Split 8 seems to be designed for more use as a traditional analog poly synth like the Prophet 5 than as an analog workstation like the SixtTrak and MultiTrak. The Split 8 is capable of doing splits and layers and this is really its strength. As it has 8 voices, you can double up the oscilators and still have 4 note polyphony! By creating a split you can basically have a 4 voice synth with two oscilators per voice that can be detune really thickening up your pads. In split mode the Split 8 is also capable of Poly Mod like the Prophet 5 which uses once voice in the stack to modulate the other. Neither the SixTrak or MultiTrak have this ability. The Split 8 can also stack up all 8 voices to have one massive monosynth; great for supper thick leads and weighty basses!"

EMS DK1 Cricklewood Keyboard

Title link takes you to shots via this auction.

"The Cricklewood is a Velocity sensitive "Dynamic" monophonic Keyboard for use with the Synthi VCS3. Cricklewood has 1 VCO and 1 VCA, and the VCO can be used as a mod source or a second voice making the synth Duophonic. This example is really in amazing shape for almost being 40 years old! as you can see in the pictures, there are some very minor wood scuffs. Playing wise this keyboard practically feels new! absolutely no clickity clack that can be felt on keyboards of this type that have worn brushings. includes 8 way cinch-jones cable for connection to Synthi."

DSI Prophet '08 Demo - p8l.mp3

Title link takes you to one more via Stefan Trippler.
BTW, click on the DSI link below for all previous posts.

Customsynth Roland JX-3P

Another shot of the white Roland JX-3P via CustomSynth.

Previous posts.

What The Future Sounded Like - EMS Documentary

Remember this video? Title link takes you to the official site.

"Documentary, 27 minutes
HDV and Digital Betacam
16:9 Anamorphic Widescreen
Stereo and 5.1 Surround Sound

From Dr Who to the Dark Side of the Moon, the members of the Electronic Music Studios used pioneering technology and ideas to create a radical new soundscape for the 20th century."

KORG PS 3200

Title link takes you to shots via this auction. via Matt.

More Prophet '08 Demos

Title link takes you there. Via HarriL

Funny side note. I wonder if it will be the Prophet '08, Prophet 08, or Prophet 8 in the end. And... with or without a dash? It's interesting to me in that how will people search for it?

Update: Looks like the link is currently down. Some more info [below] though.
Update: try this link. Not sure if it takes you to the same samples, but there you go. Thanks goes to Steven in the comments.
"The P8 has some other new features, too, such as a nice arpeggiator (with latch), a loopable third envelope (try modulating envelope stages while it's looping!), much easier modulation of oscillator mix (you can set up a four way analog vector using the wheels!), and the whole "two Programs in one"
thing, where each Program is really two Programs, and where the "Part B" can be stacked/layered, or split with Part A, or just used as an "alternate take" if you will (similar to the EX5 "Scenes", except Part B is a completely different Program). Hey, when stacked/layered, you have 4 analog osc, 2 filters, 2 amps, 6 env, 8 LFOs, 8 assignable mod source/destinations,
8 seq tracks, and 2 arps at your disposal! Analog bliss."

acidlab bassline 2

flickr by pac209.

Click here for the full size shot.

The pac209 link takes you to more.

YuSynth Filter Bank

"Although this module is often missing in many modular set-ups, I think a fixed filters bank (FFB) is a really useful module and personally I could not imagine a decent set-up without one. The reference FFB is the 914 module from Moog .

The FFB makes it possible to greatly enrich the sonic palette of a modular system. It is also a key element for the recreation of "natural" and environmental sounds, or of conventional music instruments. Although it evokes the principle of a mere graphic equalizer, it has marked differences. Mainly, the filter Q is higher and the BP slopes are steeper than in a graphic EQ. Furthermore when a control is set to zero, the corresponding spectral band is completely muted. Complex/entangled rhythms can be created on the fly by multi-band filtering a simple sequence."

via YuSynth