
click here for the full article (Google translated from French) and a sample on Making Sound.
Note the the G2 does not actually have granular synthesis.
"To carry out this example, I used a microphone on one of the audio entries of G2 to sample a sentence with the stolen one. Once the audio source captured by the modules delay (it is enough to press on a key to launch the capture), it any more but does not remain to be played with the other parameters of the patch, associated the various interfaces of G2. Most important are associated the keyboard (height of the sample), the pitch stick (reading rate of the sample) and the serrated roller of modulation (position of “the read head”). Consequently, by choosing a null speed and by moving “the read head”, it is possible to traverse in real time the form of wave at the speed which one wishes. I let to you imagine the astronomical quantity of textures which it is possible to create by multiplying the audio sources…"







































