Monday, February 09, 2009
Samples Back Again!!!!!!
YouTube via ArhythmticProduction. beatles
"Arhythmtic Myspace- http://www.myspace.com/arhythmticprod..."
Mattel Synsonics w/ Speakers
"You can hit its pads with your fingers or drumsticks to trigger 4 sounds - snare, hihat, and two tom toms. One of the toms has a variable pitch control wheel on the side so you can either tune it to your liking or better yet vary the sound as you play. so, sounds like fun, right? But wait... THERE"S MORE!!!!
What made this thing so wiggy back then was the ability to RECORD phrases and use them to make songs. I actually used the Synsonics when I made demos on my 4 track cassette way back when. The way it works is, you turn on the bass drum, which serves as a steady beat - then you can record 16 beats on any of three channels. It can get crazy, and onplayback, you can actually switch between "loops." Hope all these words help, it really is just loads of fun and sounds cool too. You can adjust the rhythm, theres an accent button to "close" your hihat, you can use the buttons on the front to set rhythms by instrument if you don't play drums (my choice) . All of these options are explained clearly on the sticker on the back. Instructions are long gone.
And, this model has STEREO speakers - unbelieveable!!! Plus there is a midi plug (NEVER USED IT) [It's not actually MIDI - via craig m in the comments: "it's for footpedals for accent/bd and two flavors of sync."] left and right stereo RCA plug outputs for direct connections, headphone jack, and power adapter jack (never used it either, do not have the plug). I use the batteries, they seem to last a long time (6 "C" batteries not included). Oh, yeah, there is also a jack for "CASSETTE INPUT" - more old school opportunities, but never used that either.
A GREAT fun vintage retro analog drum machine. Sold as a toy (why do I remember this being expensive back then?) but way better than anyone ever expected."
MEMORYMOOG PLUS
"Memorymoog Plus synthesizer with factory midi and poly sequencer... Autotune version is 84. Synthesizer was recently serviced and calibrated by Mike Bucki, former Moog tech with 25 years experience. Second set of rare factory programs patch sheets included. Program tape included."
johnson intonation trainer synthesizer tunable keyboard
via this auction
Made by the E.F. Johnson Co.
Waseca, Minnesota U.S.A.
* Cool four-voice tunable electronic keyboard (scale selector switch offers choice of standard/tempered tuning or tunable modes)
* Originally used to test the relationship of pitch-matching and pitch-discrimination abilities
Highlights
* Three octave keyboard
* Scale Selector - choose between reference (tempered tuning) or tunable
* Tunable Scale Controls - correspond to notes on keyboard and adjust pitch in tunable mode
* Voicing - choose from four voices - - basic sine wave to reedy / edgy
* Speaker in case (can also connect to external amp, mixer, etc)"
Smother - Luis Gispert, 2008

via Josh Kay (Phoenecia): "I just finished a soundtrack for a 26 minute film called Smother. I used my monster-case housed Euro-Rack modular and an Arp 2600 as the primary sound sources. These analogue synths were made for drones. There was plenty of post-processing involved, but not a single vsti."
Regarding the image:
"This is my system (the monster case on the left) mixed with Richard Devine's setup. That's the Arp I used on the soundtrack, it used to be mine. Actuality, Rich sold it to me many years ago and eventually I sold it back to him. Since then he's had Phil Cirocco (CMS) thoroughly baptize it (all options except the Moog ladder filter).
In my system, I'd have to say my favorites are the 2 Livewire AFG's the Frequensteiner, the Zeroscillator, the Bananlogue Serge VCS (I wish I had 3 of them), The Plan B model 10 and 24, the Doepfer BBD's (I do have 3 of them), and without a doubt, the MakeNoise QMMG. "
Smother - Luis Gispert, 2008 (Phoenecia's Alternate Score & Edit) from Josh Kay on Vimeo.
"Smother (Phoenecia's Alternate Score & Edit)Directed by Luis Gispert
Score & Sound Design by Phoenecia (Joshua Kay & Romulo Del Castillo)
From the New York Times review:
"A boy lies on a trampoline, clutching a boombox to his chest. Gradually the blue tarpaulin turns a sickly green as he empties his bladder. “Smother,” a riveting new 26-minute film at Mary Boone Gallery by the New York artist Luis Gispert, explores the relationship between this 11-year-old chronic bed-wetter, also depicted in the photograph at right, and his domineering mother. Like “Stereomongrel,” Mr. Gispert’s 2005 film collaboration with Jeffrey Reed, it follows a precocious pre-adolescent’s odyssey through a perilous adult landscape - in this case 1980s Miami (where Mr. Gispert was raised).
“Smother,” which has a script by Mr. Gispert and the artist Orly Genger and a soundtrack by the experimental duo Phoenecia, is the throbbing, flamingo-pink heart of Mr. Gispert’s two-gallery show, at Mary Boone and Zach Feuer. With its tropical palette and episodic magical realism (which might be too real for some animal lovers), it can seem less like a film than a tenuously linked series of Mr. Gispert’s stills. Dialogue is sparse, and as melodramatic as a telenovela’s. The camera lingers over the spectacular stucco-mansion setting, which Mr. Gispert has aptly described as “narco-nouveau-riche.”
At Zach Feuer Gallery, a sculptural installation echoes the film’s lurid scenery. Photographs of truck interiors, racing-striped walls and high-gloss, heart-shaped speakers put forth a Miami version of the hot-rod-inspired art that emerged in 1960s Southern California. - Karen Rosenberg
Notes:
The alternate score & edit is a remixed version of Smother including parts that were omitted from the release version. An alternate reworked 20 minute version of Smother appears on Phoenecia's Echelon Mall, a collection of works for film & gallery exhibitions. Echelon Mall is scheduled for release in March on Schematic.
Links:
Mary Boone Gallery page:
maryboonegallery.com/exhibitions/2007-2008/gispert/index.html
Zach Feuer Gallery page:
zachfeuer.com/luisgispert_2008.html
New York Times review:
nytimes.com/2008/01/25/arts/design/25wart.html?_r=2&scp=1&sq=zach+feuer&st=nyt&oref=slogin
Artnet Magazine review:
artnet.com/magazineus/reviews/davis/davis2-15-08.asp
New York Sun review:
nysun.com/arts/dislocating-dreams/70863/
Phoenecia:
schematic.net & schematic.net/phoenecia"
E.S.C Monophonic Synthesizer
YouTube via hilltree
"Noodeling around with my old analog E.S.C monophonic synthesizer.
After 30 years it's still alive ... Muhahaha !!!!!!"
A Clockwork Orange - Theme Song C64 synth sample style
YouTube via feelie75
"Ultra-Violence.
That's the theme of A Clockwork Orange, an awesome movie by Stanley Kubrick.
I've merged a 1985 Commodore 64 cover of the theme (by Georg Feil) with clips from the movie to create this montage.
The theme, btw, is based on Henry Purcell's "Funeral Music for Queen Mary".
Enjoy!"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH