Oberheim Matrix-6 with Custom Wood Sides

via this auction

ROLAND SH-1000

via this auction

"The Roland SH-1000 is historically important because it was the first synthesizer that Roland made (1973)"

Limex Sound Module Doppelpack 256MB

via this auction
"256MB Soundboard with the sounds of AM128 and TRADITION Exclusive200
including Styles capabilities!

For LIMEX Midi SYSTEM MPR3"Pro" and M Series it has 120 built in registers!
Which means simply PLUG and PLAY!!!


Solo Instrument capabilities:
Baritone: Sepp Mattlschweiger and Janez Per
Bassposaune: Sebastian Fuchsberger and Global Kryner
Rhythm Guitar: Renato Verlic and Gerhard Kometer
Clarinet: Vito Muzenic
Trumpet: Ivan Presern
Contra Bass: Tadej Mihelic
Tuba: John Sass
Accordion and Harmonica Selection: Hubert Klausner

Other Instruments: Hackbrett, Zither, Violin and Strings, Tenor Horn, Guitar, E-Bass, Contra Bass (Struck), Percussion and Drums, 25 Accordion and Harmonica Registers"

The Tubon

you might recognize the Tubmon from this post and this post.

These images are from Musikmuseet where you'll find more along with a PDF of the manual.

via Frederic in the comments of this post.

CLICK FOR MORE »

Eowave Persephone analog ribbon synthesizer

via this auction
"eowave Persephone (suitcase version). This instrument cost $1699 and is no longer in production. Great unit - I used it on its own and as a controller for my modular synthesizer.
The Persephone is a fingerboard analogue synthesizer with CV and MIDI in and out. At the first sight, the Persephone reminds of the first electronic fingerboard instruments developed in the 1920s. But beyond this vintage look, the Persephone allies sensors technology and digital controls to a pure analogue generation of sound. The Persephone musicality will be determined by the way it is played. The Persephone respects the traditional play of the first non-keyboard electronic instruments with the right hand controlling the pitch and the left hand controlling the velocity. The ribbon zone can allow all kinds of play. When scaled, the Persephone can be played like a regular keyboard. Though there are no fixed preset notes with the ribbon, keyboard players will easily find their way. Guitars and bass players will certainly play it like a chord instrument and get sounds that are closed to cello or violin, especially when using vibratos. Jazz players will enjoy slapping the Persephone’s ribbon to get wonderful sonorities. Movie music writers and fans of sci-fi effects will enjoy its bi-dimensional structure, which allows creating eerie sounds very easily. A new fingerboard synthesizer Just like any synthesizer, the Persephone offers a classical synthesis architecture with an oscillator section, a filter section, a modulation section and a LFO section. With its 100% analogue oscillator, the Persephone can generate notes with a range of 10 octaves. Its lower frequencies go from a deep and resonant cello tone to a nearly human voice. On the highest pitches, it can reach very high frequencies. The oscillator waveform can be set between triangle and sawtooth for a more or less brilliant sound. The filter is a 12dB low-pass filter. Its ribbon control surface is pressure and position sensitive. While it requires the most advanced sensor technology and allows all kind of glissando a Theremin or les Ondes Martenot would allow. A scaling potentiometer allows scaling the Persephone’s ribbon from 1, 2, 5 to 10 octaves. The expression key, controlled by an optic sensor, can transmit the slightest vibrations on the key with an accuracy the mechanical systems never had. All the controls are digital. The four play modes - A, B, C and D - offer different hierarchy of control between the pitch, the velocity, a filter modulation and a LFO. Connections are located on the rear side of the front panel and are protected from dust and other source of deterioration by the Persephone suitcase top when not used. The Persephone like a CV/MIDI controller The Persephone has a CV out and a MIDI in/out. With its CV out, it can control any other analogue synthesizers and modular systems. With its MIDI in/out, it can also be used as a MIDI controller, what turns it into a powerful new kind of instrument. Technical Specifications Suitcase version or desktop version available Scale : a scaling potentiometer allows to scale the Persephone’s ribbon from 1, 2, 5 to 10 octaves. Tune Finetune Brightness : two waveforms Wave : from sinus to triangle"

DSI Tetra Videos by Dave Smith

DSI Dave Smith Instruments Tetra Introduction

YouTube via DaveSmithInstruments
"http://www.davesmithinstruments.com/p...
Tetra is our next-generation analog poly synth. Tetra takes the award-winning sound and features of Mopho, multiplies them by four, and packs them in a box less than half an inch larger!

Tetra has multiple personalities. It is a four-voice, analog poly synth, a sort of mini Prophet. It's a four-part, multitimbral synth with separate outputs, essentially four Mophos in one very compact box. And its a voice expander for other Tetras or the Prophet 08."

Combos- DSI Dave Smith Instruments Tetra


EDITOR- DSI Dave Smith Instruments TETRA

THE TRIBE

THE TRIBE by gsixtyfour
"All sounds from a korg EMX, recorded and processed in logic"

Waldorf Blofeld Tracks

Trippin in the Bio Blo field by gsixtyfour
"Piano is from korg microX Drums are from an emx chopped by a KP3 All other sounds are from the wonderful waldorf BLOFELD a shot of my studio set up too :) check out my myspace www.myspace.com/harmonicdimension"

Blinking Blofeld Bubbles by gsixtyfour
"4 parts of a sine wave arpegiator on a waldorf blofeld ping pong delay from a KP3 was used if u like add me on myspace www.myspace.com/harmonicdimension"

Aurora Blorealis by gsixtyfour
"yet another blofeld track, all sounds are from blofeld except the drums which are from a korg emx. sequenced using and MPC (no audio comes from the mpc) and delay courtesy of a kaoss pad 3. Another audio burp at 1:26 :( idk whats up with those Im abusing the hell out of C minor lol btw this was ..."

Astral Blofeld by gsixtyfour
"Single Blofeld track recorded in Logic thru a mackie mixer with bass mildly turned up a notch. I used an MPC to sequence the blofeld and did all the filter play live (and a lil synth improv, I apologize for not being the best keyboardist lol). A Kaoss pad kicks in at 6:30 with the Mod.3 effect..."

Blofeld Trancience by gsixtyfour
"All synth sounds (even that deep ass bass) come from blofeld (with mild touches of EQ and reverb) each track was recorded separately, so this is not a demonstration of multimode (sorry :P) Drums are from a korg EMX. this is not finished yet, so please give me advice or criticism, i love..."

Arabesque

Arabesque from Hans-Jörg Scheffler on Vimeo.

"My attempt to create a soundtrack using only sounds from my Virus TI Polar synthesizer including the drums.
The appropiate visuals are coming from the Digital Juice Videotraxx library and were spiced up in Artmatics V-Track."
via Dennis

The joy of techno part 3

YouTube via darenager. click here and scroll for more.
" 3rd installment of the series of 10 parts.

Using a Gakken SX-150 with the Machinedrum, the MD is controlling the pitch of the Gakken which is fed back into the MD input for gating and filtering as well as a bit of reverb, delay and distortion.

No mods are required to the SX-150.

The mix levels of the Gakken are a bit inconsistant as I did not use any compression.

Check out my other videos for some similar stuff and a how-to.

Thanks

Daren"