MATRIXSYNTH

Monday, October 12, 2009

TEISCO S-110F (1981) ELECTRONIC SYNTHESIZER / KEYBOARD


via this auction

Specs:
"Keyboard 37 keys (C-C).
Type 2 x VCO, 1 x VCF, 1 x VCA, 2 x EG, 2 x Voice.
VCO-1 Range: Low, 64', 32', 16', 8', 4'.
Tune, Pitch, KCV Off, EG-1/LFO (Triangular, Square), PW.
VCO-2 Range: Low, 64', 32', 16', 8', 4'.
Tune, VCO-1, LFO (S/H, Triangular, Square), PW/PWM (LFO/Triangular, Manual, EG-1).
Mixer VCO-1(Traingular, Saw, Square).
VCO-2 (External In, Saw, Square).
VCO-1. 2 Ring Modulator/Noise (pink, White).
LFO Frequency (0.1Hz - 20KHz), Wave Shape 3 modes: periodically, varied continuously).
VCF Cut-Off (16Hz - 20Khz), Resonance, KCV, LFO(S/H, Triangular, Square), EG-1.
VCA Gain Control.
Filter Bank Frequency 250, 350, 500, 700, 1K, 1.4K, 2K, 2.8K (Hz).
EG-1 Attack Time, Decay Time, Sustain Level, Release Time.
EG-2 Attack Time, Decay Time, Sustain Level, Release Time.
High Pass Filter Cut-Off (16Hz - 16Khz).
Effect Controls Portamento (ON/Legato/Multi-Trigger), Transpose (UP/N/Down),
Sensitivity: Vib/Wow Wow, VCF (Up/Down), VCO (Up, Down) .
Sensitivity Level: Vib/Wow Wow, VCF (Up, Down), VCO (Up, Down),
Sensitivity Selector: (VCO-1,VCO-1/2, VCO-2), Delay, Vibrato Control, Bender Control,
EG/LFO Trigger (Keyboard & LFO, Keyboard, LFO).
Input KCV in (1V / 1 oct), Gate In (On over +1V), External In.
Output Signal Out (High, Low), Headphone, KCV Out (1V / 1 oct), Gate Out (0-+15V).
Indicator Leds Power, Signal Way, Modulation & Level.
Power Cons. 10 W.
Dimensions 855 x 400 x 110 (W x H x V in m/m).
Weight 13 Kg."

Roland MKS-80 Super Jupiter Rack Synth

via this auction




Yamaha SK15 Symphonic Ensemble Keyboard

via this auction

Organ - String Synth




Rhodes Chroma Polaris Vintage Analog Synthesizer

via this auction







Inside a Moog Memorymoog

via Analog Sweden where you will find more shots and the write-up.

Livid Block Control Surface Intro

Livid Block Control Surface Intro from Livid Instruments on Vimeo.


"Here is our new control surface block. lividinstruments.com In this video I give a general introduction and show you how to use it with Live. Notice the great camera placing hiding my follicle deficiency! Thanks HD

The audio is from my band Sinch's sinch.net 2006 EP Subdivisions, Bluskreen created the samples and they are available under a cc license here bluskreen.com/soundshare.php

These controllers are hand-crafted by artists for artists in our Austin, Texas shop. lividinstruments.com"

303

flickr by matthiaswerner1984

"just a little homage to the craziest music machine"

Plague Bearer Front and Back - MOTM Format


flickr by sduck409
(click for more)

"This is my Plague Bearer, built from a barebones kit from Flight of Harmony. In MOTM format. This is a sort of filter/distortion module - it's hard to describe the exact effect, as it depends on what kind of signal is fed into it, and the way the knobs are set - they're all interconnected."

Voice of Saturn Filter in Blacet/Frac Format

via the Voice of Saturn blog

Voice of Saturn via Curious Inventor

Modular Piano - Acoustic piano simulation by subtractive synthesis


YouTube via zioaxiom
"While programming my first library I ran into the need to have an acoustic piano sound. Since I don't have a real piano to sample, I decided to synthesize it from scratch using "traditional" subtractive synthesis technique. This is my first good result and has been achived only by using basic oscillators, filters and so on. The only downside is the limited polyphony due to heavy CPU usage so I sampled almost every key and mapped them into a sampler in order to make this sound more usable.

Leave your appreciation on Behance Network: http://www.behance.net/Gallery/Modula..."
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