YouTube via theglyph "KLEE's A CV controlling wave and B CV controlling bank of the Piston Honda. The Piston's output is feeding channel 3 of my QMMG. The rest of the set is the same as my last video."
KLEE run!
"A short demo of my KLEE sequencer controlling my modular. KLEE into MATHS with the MATHS controlling the QMMG. KLEE is also controling my M15 and AFG which are both feeding the QMMG."
YouTube via moonmodular "Algoa-Base invites you to an extraordinary, unique workshop in a beautiful location at the Algarve: (area La Goa/Ferragudo/Portimão) Get the infos @ http://www.algoa-base.com/"
YouTube via MarkkIIStudios. Part 1 here. "After 2 bottles of wine, I was just goofing off with my Synthesizers.com modular, and this is from a different camera angle. I was just being stupid and silly... but what the heck... I figured I'll share with you all... cause it has lots of pretty lights :-) LOL... Markk "
YouTube via KorgUSAVideos "Korg's new KAOSSILATOR PRO Dynamic Phrase Synthesizer/Loop Recorder may look like the KP3 KAOSS Pad Dynamic Effects Sampler, but they are very different... This video shows you what makes them unique."
KAOSSILATOR PRO- Recording External Audio - In The Studio with Korg.mp4
"One of the greatest features of the new KAOSSILATOR PRO is its ability to record external audio, with or without effects, and loop it the same way you would with the internal sounds. This video will show you how it works!"
YouTube via 4ADRecords. via Mike. Anyone ID the stop boxes [see :29 and 2:38]? At 2:40 it looks like he uses a ribbon controller. "'Dominos' is taken from The Big Pink's debut album A Brief History Of Love (available to order from http://bit.ly/IKGaM).
"Zimoun : Sound Sculptures & Installations Compilation Video V1.7 / Last update: March 2010
Zimoun focusses on creating installations and sound sculptures, usually in connection with mechanical features, movement and physically generated sounds. His creations are graceful, mechanically harmonized works of poetic playfulness - simple yet complex, the result of repetitions with slight irregularities caused by routine and coincidence.
Zimoun uses simple components. Through mutual interference and interaction these generate complex sound structures and movements. He often works with a great number of identical mechanical industrial elements, which he then manipulates and prepares for his creations. His interest lies in the artistic research of resonance, space, movement, simplicity, materials and generative systems. The result is an artificially generated yet seemingly organic behaviour of these installations and sound sculptures.