MATRIXSYNTH


Monday, April 12, 2010

Darrel Johansen - Snapshots of Early Serge History


"1107 1/2 N. Western Ave. Serge's Hollywood factory. The door is just to the left of that brown sedan, to the right of the wig store. This is just a few yards north of Santa Monica Blvd."



"A test station in the Hollywood factory where transistors were matched for Serge's low-noise, high-gain VCAs."



"An assembly station, with circuit boards in rails so that multiple boards could be assembled at once. The styrofoam on the left was used to cover the boards which could then be turned over to be soldered. The styrofoam kept the components in the board when the whole assembly was flipped over. Some finished panels are on the shelves up on the wall."



"Someone's wooden Serge unit on the floor. The broom was used to sweep up the clipped metal leads that would cover the floor as PC boards were assembled. It was also used to sweep up when the ceiling collapsed --causing pigeon quano to rain down over the assembly stations during a disaster that took days to clean up."



"The Haight Street facility in San Francisco in 1980. This is in the lower Haight, and right next to the "Gentleman's Social Club" on the bottom left. Eric Drew Feldman wrote a song for Butch the dog, the club's mascot, who was usually hanging on the street with the mostly older 'gentlemen.' They looked with amusement at the young white people coming and going to Serge's."



"A look up the street. If you travel past the shop on the right (the brick structure with bay windows just beyond the church), you go up the hill to "upper" Haight, the more famous part of the street, adjacent to Golden Gate Park."



"My front office, with bay window to my back. This is on the second floor. Serge lived on the third floor, and the first floor, which was a shop at one time, was mostly vacant."



"My test station."



"A look down the shop and assembly stations. The face panels were developed with a photographic process on the right."



"Panel assembly station in SF."



"PC board assembly station. Note the styrofoam was replaced with these velcro'd panels with foam rubber --causing the resistors and capacitors to acquire fuzzy heads as the heat melted the some of the foam on the components. The two Anchor Steam bottles, I think, are evidence of Paul's station."



"Another angle of my front office. Very cold in winter."



"zero case system"



"zero case system"



"When I was teaching at The Evergreen State College, I assembled this new electronic music studio."



"Chas Smith in his recording studio, with his Serge - circa 1980"


Update via Kevin Fortune in the comments: "Interesting to see those old photos. I started working with Serge in Newhall before that first photo. I built those worktables and just about everything else in there. When we first got to the L.A. shop in '76 or '77 the shops next door were a little different... If you were coming down Western Ave (from the right in the 1st photo) and read the shop signs from top to bottom they read: Live Nude Hamburgers Wrestling. Later I came up to Haight St to help him get started renovating the building. Check out "The Mighty Serge" photos in my Facebook page. I built it in '77 and finished in april '78. http://www.facebook.com/profile.php?id=1038349981&ref=profile or www.kevinbrahenyfortune.com

I go to do engineering at Sound Transform in Wisconsin every few months. We've upgraded the components and the grounding and the audio quality is superb! Orders of magnitude above what we were making back then."

[VST] Kawaisound Casio CT-390 V2


YouTube via KawaiFS630 — April 12, 2010 — "NOTE: Hear this video with a medium / low volume. (Sorry for that, different output volumes) This VST doesn´t sound like the video. It´s because youtube.

NOTE2 : Sorry for latency...

Yes! Full Action auto-rhythm! xD. Besides that, fully sampled presets, 44khz flat EQ, 200 mb uncompressed, 100 megabytes compressed.

Instruction & operation manual included. Download at: http://kawaifs630.iespana.es/"

The Nebulophone and The Pico Paso

flickr by Dr. Bleep
(click for more)

http://bleeplabs.com/

Mattson5UEGTest.wmv


YouTube via JohnLRice — April 12, 2010 — "A quick test for fun of a Mattson Mini Modular EG behind a 5U panel prototype. (Thanks George!)
More info at http://mattsonminimodular.com/"

ESKAMON: "Fine Objects" - Ableton Tutorial by ill.Gates

ESKAMON: "Fine Objects" - Ableton Tutorial by ill.Gates from ESKMO on Vimeo.


"To Download the free Ableton Live Pack for ESKAMON: "Fine Objects", visit ESKAMON.com
Video tutorial shown here by illGates.com

ESKAMON is the new collaboration project between Amon Tobin (Ninja Tune) & Eskmo (Warp, Planet Mu, Ancestor). “Fine Objects” is the first single by the duo that’s set for release on Eskmo’s own imprint “Ancestor.”

“Fine Objects” is the result of the pair’s unique take on sonic exploration and the manipulation of field recordings. From the onset, the two went out with a recorder, gathering sounds from around the house, yard and studio. Material recorded out of the studio included sounds from a parking garage elevator, a broken harp and the droning tones from a discarded piano. These were combined with more home-centric sounds to form the central theme to the song. With lumbering alien bass and intentionally dry, off-kilter percussion, “Objects” quickly grew into it’s own symbolic representation of taking “odd pieces” and allowing them to grow into something a bit more “refined and ablaze.”

As part of the release ESKAMON released a free WAV sample pack of the sounds created in the song. From these original WAVs, an Ableton Live pack was also created by ill. Gates for the project and given out for free with the release as well. This video is the tutorial ill.Gates shot to help explain the features he made on the Ableton side of the project.

“Fine Objects” (Ancestor, ANC004)
ancestormedia.com/ANC004.html
Written and produced by Amon Tobin & Brendan Angelides
Publishing: Just Isn't Music / Ancestor Publishing - ASCAP"

via Resonant Filter

Roland OP-08 CV Interface

via this auction

"The Roland OP-8 interface was designed to control Roland polyphonic synthesizers that were equipped with a DCB (Digital Control Bus) interface such as the Roland Juno and Jupiter via a analog sequencer such as the Roland MC-4 Microcomposer or the System 100 model 104. The OP-8 and synthesizer were connected together usin a DCB cable wich added in this auction. The OP-8 and analog sequencer can be patched together using patchcords via each of their patchbays.

I did used the machine with an Juno 60 and a System 100 sequencer. Works like a charm and fun to patch. + It looks great ;-)
Its a 220v device, but can easily be converted.
Check out the pics, its a museum piece..."

Hannah Peel

via It's Full of Stars

Dotcom and Moog Modular
ARP 2500

AHMW 2010 by glacial23

flickr set by glacial23
(click for more)

Pictured: Wiard System

1976 Steiner Parker Ad

via Retro Synth Ads where you'll find the write-up.

New Products From Blacet Research


"VCA2930 Quad VCA/Mixer, Expo to Linear Control pots, Master Channel, dual
panners.

FX3030 FX/Reverb.

DAD2930 Delay, Attack, Decay, LFO.

MA3010 Multi Attenuator.

All available for order.

More Details and Order Page:

http://www.blacet.com/news.html

http://www.blacet.com

http://www.blacet.com/store2.html"
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