via this auction
"This is the rarely seen Yamaha CSY-1 synth/organ combination. Yamaha's first ever synth was the SY-1 introduced in 1974, they also decided to build the SY-1 into a 2 manual plus pedalboard type organ cabinet and that's what we have here, the CSY-1.
This really is a fun piece of kit with some great sounds, very expressive too thanks to Yamaha's aftertouch (amazing for 1974) which can be assigned to different parameters. Although a preset synth it's editable, so the presets are just a starting point for sound creation. The synth section is playable from the upper keyboard OR the bass pedalboard. It can be played solo or can be combined with the organ sounds/bass sounds. The CSY-1 has it's own built in amplification/speakers, spring reverb and even a real Leslie type rotary speaker, the synth section sounds great routed through this.
To get an idea of the sound go to YouTube and search for Yamaha SY-1 or SY-2 (the SY-2 is another model variation in a road case)
I must say, old Yamaha gear is incredibly reliable, superb build quality. Also, I read somewhere that the CSY-1 shares much of it's circuitry, particularly the filters, with the monosynth section of the mighty Yamaha GX-1 synth (introduced about a year later), there certainly are sound similarities if you check them both out."
"The RS-09 is an analog string and organ synthesizer (similar to the Saturn-09 which only produced an organ sound). The string sound and organ sounds are nice, fatty analog sounds. The organ and string sections can be played simultaneously or individually. An ensemble/chorus effect and external sound input are welcome features."
YouTube via copperleaves — April 16, 2010 — "This is an archival news film from 1938, showing Martin Taubman and his "Electronde". If you look carefully, you can catch an occasional glimpse of the audio cutoff cable that runs from Taubman's left hand (which he keeps at his side) to the Electronde cabinet. The volume for this device is controlled by a pedal placed under Taubman's right foot. The pad under his left foot is there only for balance so that one leg is not higher than the other.
According to the 1939 CYCLOPEDIA OF MUSIC AND MUSICIANS (which was edited by, among others, Nicolas Slonimsky, a personal friend of Lev Termen, the inventor of the theremin), the absence of "attack" on the "space control" instruments was considered a serious limitation by many musicians of the 1930's. While a fast "dipping" motion of the volume hand of a thereminist can create the impression of attack, it is not instantaneous and cannot produce the true staccato of Taubman's ELECTRONDE.
You will notice that Taubman has placed his Electronde on top of his speaker, and turned the speaker so that it points to Taubman's right. This way, when he plays, his audience sees him only in profile and his left hand (which controls his audio cutoff switch) is hidden on the upstage side."
YouTube via nikefreemusicshoe — April 14, 2010 — "これは、東京某所で行われた、秘密のライブパフォーマンスです。フレキシビリティあふれるランニングシューズ NIKE FREE RUN+をHIFANAが演奏しています。 http://nikerunning.nike.com/nikeos/p/... * 映像の中で実際に演奏に使用されているNIKE FREE RUN+は特別に制作されたものです。 販売している実際の商品では、曲げても音はでません。
This is a secret live performance that was held in Tokyo. Hifana is playing music with Nikes flexible running shoes, Nike Free Run+. http://nikerunning.nike.com/nikeos/p/... *The NIKE FREE RUN+ is absolutely a running shoe. Shoes sold at retail will NOT make music when bent or twisted."