"i got this keyboard friday for ten bucks. for some reason i'm falling for it.here i ran it through the electroharmonix the worm and the ibanez ad-202, but it has some sort of charm all by itself too. i dont think i'll mod it (much)"
"MIDI Chord Dictionary is an application for MIDI musicians interested in programming tonal music. An intuitive interface allows quick navigation to select the root note, chord type, and inversion. The chord information is displayed as note name, octave number, and MIDI note number."
Promo codes for the first four that grab them: JJ44PXRWFNWR PYWKRFK3TXA9 7RWN44MHFWLF XTW9TPJWJHAA
"Crumar DS 2 analog synthesizer. This synth was manufactured from 1978 through the early 1980s and has a rich analog sound. The Crumar DS 2 is rare and very unique. The synth has two monophonic oscillators and a separate polyphonic section. All oscillators are routed to a 4-pole lowpass filter and then through the VCA. The VCOs, VCF, and VCA can all be modulated by two LFOs. The LFO routing capabilities of the Crumar DS 2 are very unique. The synthesizer is fully functional with the exception of a non-functioning LFO delay and pitch drift in the polyphonic section."
"Demo of the 1980's Yamaha DX7 Mk1 FM Synthesizer. All sounds in this video were created by ajantred. All video editing by ajantred. No factory presets, eqs or sound enhancements were used. All sounds were programmed solely on the DX7's interface i.e. no sysex files, computers or midi data transfers were used either. The DX7 should not be treated as a preset instrument. I feel like the DX7 (and the other DXs) is a brand new creature, it doesnt do what all the other synths do... over and over again. It doesnt try to be analogue, it doesnt try to imitate, it instead explores new sounds like an extension of the human mind. Many people have told me that this synth is hard to program so I was skeptical when I bought it (for £185 from a dealer in Lancashire) but after exploring the interface, I have found this is actually very easy to program, it just requires a bit of patience and some getting used to the idea of FM synthesis as opposed to the traditional, subtractive synthesis. The presets on this machine are very cheesy (and extremely recognisable if you listen to ALOT of 80's - 90's music) so its worth creating brand new, vivid, lurid, scary, beautiful sounds as Yamaha had originally intended. FM synthesis is very different from traditional synths but the results are stunning once you get your head (easily) round it."