Monday, August 30, 2010
Akai Mpc 60 beat set on analog fire
YouTube via michal23pl | August 30, 2010
"gear used
Akai Mpc 60: drums and sequencing,
Akai s2000: rhodes piano 73 emulation from Scarbee.
Cheetah ms6: synth
Fat FB383: bassline
Tasam 22-2 tape recorder
thanks for watching"
Red Roland SH-101 with Bag and Sound Direction Series 2 Book / Magazine
via this auction
"The synth comes complete with red Mod Grip, original Japanese Owner's Manual and soft carry case."
Anyone confirm that's the Japanese owner's manual? Anyone know what it is?
Synton Fenix Modular Synthesizer
"This is a very rare dutch made modular synthesizer produced by the original Synton team in the late 1990s. Only 75 units were made (there was a first run of 25 and then a second run of 50. This is part of the second run) This unit for sale is serial number 1129. It is in excellent condition and comes with the power supply and the SKB case.
Specs can be found here
And a review from 1999 is here"
Yamaha SHS-10 Digital FM synth with MIDI
"(a musical keyboard that can be held like a guitar)It has 32 minikeys and a pitch-bend wheel, vibrato and sustain buttons, an internal frequency modulation offering 25 different voices with 6-note polyphony, two operators, and a chord sequencer It also has an internal loudspeaker
It supports MIDI, which allows the keyboard to control external MIDI equipment. It does not have a MIDI In connector. The keytar's MIDI out features are very powerful. It has several drum rhythms and accompaniment and tempos can be adjusted.
It includes the following sounds:
synthesizer, violin, flute, jazz organ, cello, piano, rock guitar, electric piano, trombone, trumpet, and many more (25-total sounds)"
Hammond Melody Maker synthesizer endblock
"This is a used Hammond Melody Maker synthesizer control endblock assy with PC board. PC board number is 124-000566."
Thomas Organ Company 1970's MOOG SATELLITE SYNTHESIZER
"This auction is for an early Moog synthesizer. A single VCO monophonic preset. By today's standards this is probably considered an inferior synthesizer. I fiddled around with it for a few hours before posting for sale, seems like a nice vintage instrument that could still have a pratical purpose, although simplistic."
MEMORYMOOG PLUS

"This synth has XLR output and built in midi functionality (i.e. Memorymoog PLUS) for superior recording capabilities. In fact the functionality of this analog polysynth is almost second to none as far as 80s polysynths went. The features this synth has far exceed those of say a Roland Jupiter 8, having a built in sequencer with full clock control, interactive LED display, intuitive functionality, and a slew of extra modifiable parameters. Also, as you can see, the frequency knobs for two of the oscillators have fine tunable potentiometers, which are a feature that you do not see very often and reinforces the point that this was Moog’s last synth creation from the original company, and that they pulled off all the stops to develop this machine. This is one legendary synthesizer and can create some of the most miraculous analog sounds from gurgling basses to enchanting strings. There are even a couple of well programmed choir patches that will blow you away. This synth works equally well as a polysynth as a lead monosynth and has the legendary Moog sounds that make it cut through and liven up any boring modern mix."

FuzzHugger(fx) AB-Synth Dream(Alternative Graphic) New

See the seller's other items for more.
"FuzzHugger(fx) AB-Synth Dream(Alt. Graphics)
The AB-Synth Dream is one of the craziest and most versatile designs to come from FuzzHugger Effects! It starts with the full five-knob AB-Synth, adds a Voice toggle (for a whole new side to the oscillation mode, as well as more bass response), AND an independently-switchable third mode in front of it--FuzzHugger's Phantom Octave!
The AB-Synth is a harmonic-blasting, liquidy, light-sabery, layered fuzz--with tone-shaping Fuzz and Texture controls that take you from smooth and searing to splattery! From there, add a mind-altering second mode with wild oscillation, whale calls, blips, self- arpeggiation, more synth tones, and fat octave down! ...but don't stop there! The AB-Synth Dream adds a fifth-knob, giving you full control over gain and clean-up! You can also use it to "gate" the oscillation. Super versatile in both modes!
The Phantom Octave side can be run by itself or into the AB-Synth, bringing an incredibly amount of added tones--from octave down to fuzz-glitch ring mod tones, to smooth fuzz (all by adjusting your guitar's Tone controls!). Highly interactive with your pickups and guitar's Tone control.
The Controls!
Gain: Reduces gain and fuzz! Majorly cleans things up, allows for some sputtery tones, and lets you gate/adjust the oscillation.
Fuzz: This control takes you from high-gain to higher, while increasing focus and sizzle! Harmonic open fuzz, to overfuzzed, compressed, sizzling synth!
Texture: Lets you control the texture and response of the fuzz. Hard left is gainier, and hard right is looser. Lots of tones and responses to dial in! (slight scratch as circuit rebiases).
Level: Your master volume control...with a huge amount of available volume!
2nd Footswitch: Oscillation mode on/off (operates independently from on/off footswitch).
Trip: In Oscillation mode, this knob is your main oscillation control.
In Oscillation mode, Gain, Fuzz, and Texture controls become additional oscillation tuners with the Trip knob being your main oscillation flavor control. For synth bass, roll back on your guitar's volume knob! The oscillation mode requires passive pickups."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH