MATRIXSYNTH


Tuesday, February 08, 2011

JH. Minotaurus (Moog Taurus 1 clone without VCOs)


via this auction

via JH in the description:
"I built this many years ago. It's an emulation of a Moog Taurus 1, minus the oscillators.

The idea was to run another synthesizer thru the VCF and VCA of a Moog Taurus, to get the same increadible sound that only a Taurus 1 can normally provide (and which has never been accomplished by the Taurus 2, and I don't know about the Taurus 3 ...)

This worked great in combination with my Yamaha CS-50. Setting the CS-50's own filters wide open, and running it thru my Minotaurus, created an earth-shattering bass sound, that I only know from records that were using the original Taurus 1 Pedal.

For fairness' sake I have to meation that the CS-50's VCOs have a lot in common with the Taurus 1 VCOs, so you might not get 100% close to "the" sound with a synth that has rather thin-sounding VCOs to start with.

Nevertheless, the unique Filter/VCA configuration of the Taurus 1 that is built into the Minotaurus, will give tremendous enhancement to _any_ audio signal you run thru it.

I have carefully replicated even some of the so-called "flaws" of the original, such as the envelope level depending on the attack time setting, and the interaction of the various envelope parameters. There are no presets, however - just the manual controls.
Potentiometers are high quality types, and I haven't noticed any scratchy noise from them so far. Front panel is black anodized aluminium and milled - the lettering is engraved, not printed.

I never built this commercially - I have built this for myself when music electronics was still just a hobby for me."

Roland Jupiter 6 With Europa Mod Ver2

via this auction

"This Europa Jupiter-6 is running the newest version of Europa (v2) that includes a random patch generator and a multivariable arpeggiator. If you are in any way familiar with the Jupiter-6, the Europa Jupiter-6 will come as a blast of fresh oxygenated air. This machine may now serve as the beating heart of a seriously professional synth studio. All sliders now send midi and the arpeggiator sends, receives and will now sync to midi. There are more options for sound creation as one now has the ability to turn on and off all waveforms individually. The random patch generator is really something. Beatkamp will not be responsible for any drool that may run down your chin whilst operating this legendary monster synth. Read about the Europa upgrade at synthcom.com."

The New Sound Of Music 1979 - BBC Documentary Featuring EMS & More


YouTube via JeffreyPlaide | October 17, 2010 |

"The New Sound of Music is a fascinating BBC historical documentary from the year 1979. It charts the development of recorded music from the first barrel organs, pianolas, the phonograph, the magnetic tape recorder and onto the concepts of musique concrete and electronic music development with voltage-controlled oscillators making up the analogue synthesizers of the day. EMS Synthesizers and equipment are a heavily featured technology resource in this film, with the show's host, Michael Rodd, demonstrating the EMS VCS3 synthesizer and it's waveform output. Other EMS products include the incredible Synthi 100 modular console system, the EMS AKS, the Poly Synthi and the EMS Vocoder. Most of the location shots are filmed within the BBC's Radiophonic Workshop studios as they were in 1979. Malcolm Clarke demonstrates the Synthi 100, also known as the "Delaware", Michael Rodd demonstrates musique concrete by tape splicing and manipulation and Paddy Kingsland demonstrates tape recorder delay techniques (also known as "Frippertronics"). The Yamaha CS-80 analogue synthesizer is demonstrated by both Peter Howell and Roger Limb. The EMS Vocoder is also expertly put to use by Peter Howell on his classic "Greenwich Chorus" for the television series "The Body in Question". Dick Mills works on sound effects for Doctor Who using a VCS3 unit, and Elizabeth Parker uses bubble sounds to create music for an academic film on particle physics. Peter Zinovieff is featured using his computer music studio and DEC PDP8 computer to produce electronic variations on classic vintage scores. David Vorhaus is featured using his invention, the MANIAC (Multiphasic ANalog Inter-Active Chromataphonic (sequencer)), and playing his other invention, the Kaleidophon -- which uses lengths of magnetic tape as velocity-sensitive ribbon controllers. The New Sound of Music is a fascinating insight into the birth of the world of recorded and electronic music and features some very classic British analogue synthesizers creating the electronic sounds in this film. The prime location for these demonstrations is the BBC Radiophonic Workshop where much creativity and invention took place during the period the workshop was in operation in the latter part of the twentieth century. Electronic music today is used everywhere, and many musicians gain inspiration from the past, as well as delving into the realms of sonic structures and theories made possible by the widespread use of computers to manipulate sounds for the creation of all kinds of musical forms."

The New Sound Of Music 1979 (part 2)


Thingamagoop 1 VCO Synth Noise Bot

via this auction

"This is a mint condition Thingamagoop 1: An analog VCO (voltage-controlled oscillator) activated by a photo cell. It'll work with an internal speaker, or plugged into an amplifier.

You use the light at the top of the system to interact with the photo cell while using the knobs to control the wave shape and frequency.

This was manufactured by Bleep Labs: http://bleeplabs.com/"

Got My Synth On My Back... Ready to Roll

via tumblr

spotted by obscotch

George Harrison - When We Was Fab - HQ - Remastered


YouTube via ChitoEdo | September 29, 2009

Massive synth spotting at 2:48. This one in via Brian.

アンティーク・シンセ

flickr By makotogawa

"Antique synths"

Yamaha CS-10 demo


YouTube via TheRainDesign | February 07, 2011 |

"off-the-cuff demonstration of the wee little Yamaha CS-10 analog synthesizer from 1981. My sound card had a meltdown at around 5:30 and stopped recording.

http://www.soundcloud.com/sylphid"

Folktek Collection Volume 1 version 2

via Folktek

"By strong request, we've created this version 2 of our folktek collection for those who choose not to delve into the kontakt-based vst environment. We re-recorded and arranged a massive collection of over 1.76gb of the best folktek sounds to be integrated however the player likes - whether it be with other programs such as Logic, Acid, Ableton, etc. or straight to hardware sampler..."

Folktek on eBay

AudioFront DSP Trigger FREE

"DSP Trigger FREE is feature reduced version of DSP Trigger. It processes audio output from drum pads and converts it to MIDI without the need of a hardware drum brain. It only supports single zone pads and can output up to two separate articulations. For full support for dual zone pads and positional sensing, be sure to check out the full version.
Features

* easy to use
* both sensitive and dynamic
* extremely fast and accurate triggering
* designed specifically for drum pads
* multiple articulations
* low CPU usage"
PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH