Saturday, July 16, 2011
Syncromesh - OP-1 Korg Monotribe Bugbrand Modular in sync
YouTube Uploaded by darenager on Jul 16, 2011
"Experiment with syncing the OP-1 to the modular by way of the Monotribe, recorded the Monotribe clock into OP-1, panned hard left, recorded a few parts on the remaining 3 tracks panned hard right, input the Monotribe and OP-1 into the mighty Bug system where they were sequencer filtered. Good fun!"
modcan QuadLFO as psuedo-sequencer
YouTube Uploaded by shaft9000 on Jul 16, 2011
"clocked by VCDO into QuadLFO gate input, mult'd to Quad EG's gate input
sound source: 3vco into 48dB LPF; both modulated by Quad EG and 4VCA
through the timbreMod and DDL(w/ DualFS in it's feedback loop)"
Strand
Strand by reciprocal
Watch your volume levels on this one.
"korg emx recorded straight with FX from logic, 10 minutes chopped down to 6"
Watch your volume levels on this one.
"korg emx recorded straight with FX from logic, 10 minutes chopped down to 6"
MAK NITE© - 19.04.2011 - Lemon Synthesizer
YouTube Uploaded by MAKNite on Jun 13, 2011
"MAK NITE©
19. APRIL 2011
LEMON SYNTHESIZER
Performance/Installation
Im Rahmen der MAK NITE© präsentiert Akemi Takeya ihr aktuelles Projekt "L.S. project" im Kontext eines Museums. Ursprünglich als work in progress konzipiert, hat sich das "L.S. project" aus der simplen Entdeckung entwickelt, dass eine Zitrone unter Strom als Audio-Schnittstelle funktioniert. Der „Lemon Synthesizer" basiert auf der in der Natur auftretenden elektrischen Spannung in Zitronen, die als Signal zur Manipulation von Audioprozessen genutzt wird.
Das "L.S. project" untersucht die Wechselwirkung von Sprache, Bild, Identität und Körper. Die Performance / Installation im MAK fokussiert den menschlichen Körper als Bestandteil des „I" (Ich). Dafür hat Takeya ein kompositorisches System aus 71 „Items" (Begriffen) entwickelt, das von mitwirkenden Performern umgesetzt wird. Die Performer sind dabei Spieler in der sogenannten „I-exhibition" (Ich-Ausstellung), in der die unterschiedlichen Verkörperungen von Takeyas „I" durch eine Kamera aufgezeichnet, verändert und neu arrangiert werden. Das dabei kreierte Bild ist „I = lemon" (Ich = Zitrone), das die Künstlerin als Symbol und Metapher für ihr Leben in Europa definiert hat.
Performance Akemi Takeya and Performers Concept Akemi Takeya Scenery concept Hannes Wurm Sound installation & Composition Noid Live video processing Thomas Wagensommerer Audio technical development Akemi Takeya, Noid, Gordon Monahan Visual concept Naoto lina Video object Jan Machacek Movement coaching Claudia Mader Production assistant Kanako Sako Production IMEKA
Supported by Kulturabteilung der Stadt Wien (MA7), bm:ukk akemitakeya.com"
via noise love
MeeBlip Digital Synth
YouTube Uploaded by clocktrick on Jul 16, 2011
"The MeeBlip sequenced by a Yamaha QY 10 and later added the Eventide Timefactor"
Synthesizers.com controlled by the Kenton Pro 2000
YouTube Uploaded by demokid2000 on Jul 16, 2011
"This is just a short simple test controlling the .COM using the Kenton Pro 2000 instead of the Q104. Cubase 5 is controlling the pitch and the Q960 Sequencer controlling the cutoff and the volume of VCO-2."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
