via this auction"5-din in and out changed to 1/4 jacks."
Saturday, October 08, 2011
MOTM Frac Rack 1190 DUAL VCA
via this auction
"You can never have enough VCAs in a modular. The MOTM-1190 packs 2 CD-quality VCAs in a small space. Each VCA can simultaneously be modulated by a linear and an exponential control voltage. A unique output stage allows 'soft clipping' at full gain, adding a slight amount of harmonic distortion.
- Two independent VCAs
- Very low noise and THD
- Outputs can be over-driven
- Both linear and exponential CVs
- Discrete Class-A VCA circuitry
_______
the motm series of analog synthesizer modules is the benchmark for audio quality, stable operation and craftsmanship. the 1xxx family shrinks the physical size 50% without sacrificing the sound or reliability. the motm-1000 series comes fully assembled and calibrated. small and lightweight, these modules can be the basis of your studio or as an expansion to your existing setup. many other modules will be released in 2006, including the motm-1650 4-channel midi-cv converter ($469), the motm-1510 wavewarper ($299), the motm-1475 diode bandpass vcf ($249), and the motm-1300 ultravco ($299)
Specifications:
- industry-standard 'frac rack' format, compatible with blacet and paia cases, power supplies and modules and wiard modules - amongst others.
- module size is 5.24" x 2.98" (133mm x 75.7mm).
- +15v/-15v operation using 4-pin mta-156 connector.
- surface-mount technology using high-grade components.
- 1 year warranty.
- distributed exclusively by analogue haven."
MFB DRUM-01 BD/SD 501
via this auction
"*2 analogue drum-sounds (Kick, Snare)
*dynamic trigger-inputs
*Kick with Attack and Decay controls
*Snare with Tune, Noise and Decay controls
*separate output for integrated digital Noise Generator
The DRUM-01 revives the kick- and snare sounds of the legendary seventies drum-machines MFB-301/302 as well as the model MFB-501. Their unique sound is based on digital C-MOS gates that produce less distortion than conventional OpAmp’s and therefore sound softer.
Bass- and snare can be triggered thru individual inputs. However, triggering does not need to take place with conventional analogue or digital signals only. You may as well use drum-pads or piezo- and dynamic microphones. Separate sensitivity controls adjust the input gain. Dynamic triggering will not only affect the volume but also attack and decay parameters.
DRUM-01 offers the following functions:
Kick: Attack produces a short impulse sound that is mixed with the kick drum signal to enhance its percussive character. Decay defines the length of the kick – a parameter that was only adjustable inside the MFB-501.
Snare: Tune controls the tonal part of the snare sound while noise controls the atonal part. Decay defines the length of the noise part after triggering.
Noise Out: This separate jack outputs the unfiltered signal of the digital noise generator. Use it in combination with other modules to create hi-hats, claps or cymbals.
The module has a width of 40 mm (8 TE)."
MFB DRUM-03 HH/CY501
via this auction
"The DRUM-03 module revives the cymbal, closed- and open hihat sounds that were originally found in MFB’s drum-machines MFB-301/302 and later on in model MFB-501.
DRUM-03 complements DRUM-01 and DRUM-02 modules to a complete MFB old-school beatbox drum-set.
Just like the other MFB drum modules, DRUM-03 has that specific MFB-sound that derives from analogue sounding digital C-MOS gates. These units work with less distortion compared to typical op-amps and therefore sound softer.
Hihat and cymbal accept different trigger signals at their inputs. These don’t necessarily need to be analogue or digital trigger signals of a step-sequencer but can also derive from drum pads, piezo- or dynamic microphones. The two sens-controls will individually adjust the input sensitivity. Dynamic triggering will not only affect the volume of the sound but slightly also attack and decay parameters.
DRUM-03 offers the following functions:
Hihat: The sound source for the hihat is a digital noise generator that is sent into a bandpass filter. Two parameters quality and filter offers different sound variations. Decay controls the duration of the open hihat sound and also affects the closed hihat’s decay slightly.
Cymbal: The cymbal sound uses the same combination of digital noise generator and bandpass filer as the hihat section. Here, only the bandpass frequency can be altered. Decay sets the decay time of the cymbal with a range that is almost equal to the open hihat section. Accordingly, the cymbal can also be used as a second hihat sound. With a shorter decay time it may complement the groove as a half open hihat.
The module has a width of 40 mm (8 TE)."
Roland Space Echo RE-201 + Mackie + other shit
YouTube Uploaded by felmoe on Oct 6, 2011
"Roland Space Echo RE-201 + Mackie + other shit"
MiniMoog Voyager - ( Granulated)
YouTube Uploaded by ANTsynth on Oct 7, 2011
"Piece I did of my MiniMoog Voyager being granulated."
HSS3i_On
flickr By oliverchesler
(click for more)
http://gieskes.nl/shop/#HSS3i
"features:
15 selectable synths.
analog lowpass filter.
composite and s-video out, NTSC or PAL.
connectors:
- line out
- trigger out
- trigger in
- ir in
- ir out
- composite video out
- s-video out"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
