Din Sync DrumDokta Faceplates

via Din Sync

TEMPEST! Analog Drum Machine - Part A - Unboxing - At NOISEBUG Synthesizer Showroom

YouTube Uploaded by VJFranzK on Oct 18, 2011

"The Ultimate Drum Machine is HERE! at NoiseBug.net synthesizer showroom

Part A of my review covers the exterior design
(with sounds from later parts as the background music!)

Parts B and C will introduce the playing of this amazing instrument."

Noisebug on eBay (RSS)

Update:

TEMPEST Analog Drum Machine - Part B - ELECTRO GLITCH IDM - Harsh Beats!

YouTube Uploaded by VJFranzK on Oct 20, 2011

"Hard Hitting Rhythms of Infinite Complexity - Glitch Electro or IDM ( IIntelligent Dance Music ) is once of many styles you can create ( or deconstruct! ) with the amazing TEMPEST analog drum machine."

TEMPEST Part C - HIP HOP and BASSLINE Examples - Incredible DRUM MACHINE

YouTube Uploaded by VJFranzK on Oct 23, 2011

"Linn invented the MPC! and now this - with a full sample bank as well as TRUE ANALOG drum and bassline synthesis for that mega-LOW 808, 909, Moog type sound, we have what could be the most incredible drum machine ever."

TEMPEST D Dubstep Minimal Tech

YouTube Uploaded by VJFranzK on Oct 22, 2011

ADDAC102 – VC FM Radio

via ADDAC

"Digital based module with ATMEGA328 IC and Si4703 FM Tuner

8HP Eurorack format
compatible with +-12v and +-15v power supplies

Controls:
Tune
Volume
Seek Up/Down
Search Up/Down
Mute

*i’ve been having some reports mentioning that, with some power supplies, the radio doesn’t initialize properly after the initial frame switch on. If you experience this problem please power your frame, wait 5 seconds, turn it off and on again. This procedure solves this issue.

-

Electrical specs:
CV inputs: ±10v
CV output: ±10v
Gate in threshold: 2.5v

±12 to ±15v
max current: 100mA
Bus Board Cable: 8×2 IDC (Doepfer style) connector

-
Mechanical specs:
format: Eurorack
width: 8HP
depth: 6cm deep"

Video walkthrough previously posted here.

Hi Vostok !

"Vostok Noodle."

ALESIS Fusion : Lights in the Dark

YouTube Uploaded by interlogic on Oct 18, 2011

"ALESIS Fusion : Lights in the Dark"

OS 4.5.3 for the entire Virus TI series of synthesizers has been released

"2011-10-18, Recklinghausen, Germany

After a series of public beta versions, Access Music released a final build of OS 4.5 which can be downloaded free of charge from the Access Music website. OS4.5 focuses on additional vintage effect emulations and additions to the modulation matrix.
The "Vintage Chorus" was modeled after one of the nicest and most famous choruses build in the late 70s. The flexible subset of parameters allows seamless "morphing" from one emulation to another without having to change the algorithm and therefore stop the sound. It's a great addition to the TI's sound engine making it really easy to emulate the famous chorus ensemble sound found in many productions back from 70s and 80s.
The "Air Chorus" is based on creating the Chorus effect in the air, right in between the speakers. In difference to many other chorus effects, it works more subtile and opens the stereo panorama up in an more natural and less intrusive way.
OS4.5 also features a rotary speaker emulation which offers the usual controls such as a fast/slow setting in combination with creative controls such as microphone distance as well as a crossover setting which allows you to limit the effect to a certain frequency range.
And there are now modulation matrix sources which allow Virus TI users to add further "analog" feeling to pretty much any parameter available within the over 100 modulation destinations. Access claims, it adds "unsteadiness" and enables covers a wide range of those beloved analog side effects known from slightly damaged or simply poorly engineered vintage synths.

The update can be downloaded free of charge from the Access Music website: http://www.virus.info"

Oberheim DMX Classic 80's Tracks part 3 - Harlem Nights Music

YouTube Uploaded by harlemnightsmusic on Oct 18, 2011

"Alisha, Madonna, Colonel Abrams, Steve Allen.. Tribute and exercise in that mid 80's disco sound, based on the Oberheim DMX drummachine.

As always, selected and recreated by ear only. None of the original tracks were sampled. See electrongate for DMX samples. Contains original video footage, please contact in case of questions.

Tracklist:
Art of Noise - Beat Box
Madonna - Holiday
Madonna - Get into the Groove
Alisha - Baby Talk
Colonel Abrams - Trapped
Steve Allen - Letter from my Heart
Dazz Band - Let it all Blow
Rockers Revenge - Walkin' on Sunshine
Ray Parker Jr - Ghostbusters

See part 1 for faster Disco, part 2 for Oldschool Hip Hop. Part 4 coming soon.

Gear used:
Korg Electribe SX (Oberheim DMX sounds, bass sequencing, staccato fx)
Moog MG1, Roland Juno 106 (basses, stabs)
Roland Juno 60, Korg Polysix, Sequential Prophet VS, Crumar Performer

Enjoy
HN"

moog rogue lfo mod demo

YouTube Uploaded by Gummo22 on Jun 13, 2011

SEM Pro + MF-108M Cluster Flux + Space = Semflux

YouTube Uploaded by n3bsvid on Oct 17, 2011

"Oberheim SEM Pro running through the MF-108M cluster flux moogerfooger and eventide space.

Hardware:
Tom Oberheim SEM Pro
Moog MF-108 M Cluster Flux moogerfooger
Eventide Space"

Blue Eyes and a Bob

YouTube Uploaded by davidryle on Oct 17, 2011

"A first rough draft of an idea using a newly bought Moon Modular 563 Trigger Sequencer and the 554 Octal Divider. I used the 553 Midi to Clock module to handle reset/start/stop functions on the 563 and 554. The main clock timing was from Cubase with midi.

The entire piece was a live take with the modular except for the melodic line which was a midi track from a session the night before. It was a megatron patch from MTron played by Cubase midi at the time of the live recording.

The 554 was sending shift gates to the Q960, Q119 and STG sequencers as well as the 563 and some switches for selecting double beats for the bassline. Row switching of the sequencers was handled by a Random Gates (Yusynth) module and various switches. Two suboscillators (CGS01) were used for bass crunch and portions of the percussion sounds.

The bass line voice was fun. It was 2 Q106's with a triangle wave to an Ian Fritz 5 Pulser as well as various waveforms routed through an Oakley SVF. The SVF was frequency swept by an LFO and it's LP output was sent through a CGS01 along with a sine from another Q106 to pick up a few sub-octaves with the Ring Modulation feature and summed with the notch output from the SVF before blended with the 5 Pulser signal. Lots of slowly changing timbres."