MATRIXSYNTH


Friday, October 21, 2011

Analogue Solutions SY04 VCA & VCF Amp & Filter


via this auction
Noisebug (RSS)

"Analogue Solutions Modules are the same physical size and use the same power connectors as Doepfer a100 modules. They will mount in Doepfer eurorack cases and are 100% compatible when patching. The red stripe on the power ribbon is red line down if used with Doepfer cases. Included is a eurorack power ribbon and eurorack screws. Analogue Solutions screws available upon request. Width 6HP

Manufacturer Description:
VCF & VCA in one compact module.

Use Filters to change the Tone of a VCO.

A cut-down versions of the SY03 module in a compact 6HP size.

Controls:
Cut Off, Resonance

Connections:
Signal 1 input, CV 1 and 2 inputs, VCA CV input, Signal Output."

Vintage 1972 ARP ODYSSEY white face synthesizer

via this auction

"Found in old house clean out."

underlit sequrencer.mp4


YouTube Uploaded by drmoonstien on Oct 21, 2011
drmoonstien (RSS)

Dave Smith Instruments Poly Evolver Keyboard


via this auction

Background makes the shot.
"Manufacturer Description:
The Poly Evolver Keyboard is DSI's flagship synthesizer, a nearly-knob-per-function knockout that sounds unlike any other synth out there—except another Evolver, of course! Don't like a high-end hardware synth that requires wading through endless menus to program? Not an issue with the Poly Evolver's 78 knobs—60 of them potentiometers—and 58 buttons, incuding a keypad for direct access of programs.

An analog/digital hybrid, the four-voice Poly Evolver features four oscillators per voice—two analog and two digital—in a unique stereo voice architecture with a real Curtis analog low-pass filter per channel. The digital processing does not simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics for tuned feedback, distortion, bit crushing, and synced delays. It can also process external audio and has separate stereo outputs for each voice.

The Poly Evolver is capable of producing sounds ranging from classic analog to more brash and edgy digital sounds. It is also multitimbral, with the ability to play up to four parts simultaneously through separate stereo outputs. And it can process external audio.

The Poly Evolver is not a generic "slab" workstation. If you're looking for realistic pianos and strings, keep looking. But if you want a truly unique, inspirational, real instrument, look no further.

* Each voice is a complete Evolver with four oscillators per voice, two analog and two digital.
* True stereo signal path with separate Curtis analog low-pass filters in each channel for each voice. Each voice has its own independent effects (feedback, delay, distortion, high-pass filter, etc.).
* Highly accessible sound control for easy, intuitive operation: 78 knobs and 58 switches.
* Clocked, pulsing blue LEDs and hardwood end-panels.
* Each voice has an independent 16 x 4 step sequencer. Everything (sequencer, LFOs, and delay) syncs perfectly to MIDI.
* In Program mode, all four voices play the same sound. In Combo mode, voices can be allocated however desired: stack all 4 for a huge unison sound, split or layer the keyboard in any configuration, and/or play one or all sequences at the same time. Each voice can respond to a different MIDI channel.
* Each voice has its own stereo output in addition to the mix and headphones outputs.
* Stereo audio input that can be routed to any or all of the voices, enabling parallel audio processing of external stereo or mono signals. The output of one voice can be routed to the input of another for interesting double-processing effects.

Specifications

* 5-octave, semi-weighted keyboard action with velocity and aftertouch.
* Spring-loaded pitch wheel and assignable mod wheel.
* 512 fully editable Programs (4 banks of 128) and 384 Combos (3 banks of 128).
* Numeric keypad for direct access of Programs and Combos.
* Oscillators per voice: 2 digitally controlled analog oscillators (DCOs) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation), and hard sync; 2 digital wavetable oscillators with Prophet VS waves and wave sequencing capability, FM and ring modulation.
* White noise generator.
* 2 Low-pass filters per voice: 1 analog Curtis filter per channel, selectable 2- and 4-pole operation (self-resonating in 4-pole mode).
* 3 Envelope Generators per voice: filter, VCA, and assignable (four-stage ADSR).
* 4 LFOs per voice.
* Glide (portamento): separate rates per oscillator.
* Analog VCAs.
* Digital high-pass filter.
* Digital delays: 3 separate, syncable, stereo delay lines per voice.
* Tuned feedback with "Grunge": use feedback as a pitched sound source.
* Distortion and "Output Hack."
* 16 x 4 step sequencer per voice.
* Dimensions: 14.00" (35.56 cm) W x 38.5 " (97.79 cm) L x 5.09" (12.95 cm) H (2.84" at front edge; the feet account for 0.625" of the total height)
* Weight: ~28 lbs. (12.7 kg)

Ins and Outs

* MIDI In, Out, Thru, and Poly Chain.
* Stereo audio input: 1/4" unbalanced.
* Main stereo audio output: 1/4" unbalanced.
* Separate stereo outputs (per voice): 1/4" unbalanced
* Sustain pedal input: accepts normally on or normally off momentary footswitch.
* Pedal/CV1 and Pedal/CV2 inputs: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).
* Headphone output: 1/4" stereo phone jack.

Includes power supply for 110V – 240V AC operation (15 VDC, 1300 mA) and operation manual."

Thomas White Moog/Synthesizers.com Format Buchla Dual Lopass Gate


Model 292

This one in via Roman who shared his Verbos Buchla 258 with us (video here and here).

Panel by Roman, PCB by Thomas White.

KORG mono/poly

via this auction

KORG MS2000R ANALOG MODELING SYNTHESIZER VOCODER

via this auction

"This TWO VCO (with multiple waveforms and external audio input) 4 voice synth features a ton of useful features like 2 LFOs, 2 ADSR Envelope Generators, Multi-mode Filter, Modulation Matrix, Sequencer with Visual Display, Portamento, Memory and MUCH MORE!

You get ALL THIS. More than with any other Korg MS2000. (Note: an even BETTER MICROPHONE than show below will be included :)"

SND SAM-16 Sequential Analogue Memory

via this auction
Noisebug (RSS)

"high-end MIDI / analogue sequencer

- The SAM-16 is a high-end analogue and MIDI-sequencer with special emphasis on tightness and intuitive handling. It has 16 steps, each with the following controls:

* 3-position toggle switch for trigger/mute/reset
* 12-position rotary encoder for semitones/chords
* 3-position toggle switch for transpositions
* control for second parameter (i.e. filter)
* control for third parameter (i.e. volume) or gate/step length
* 3-position toggle switch for audio/CV routing between 2 busses and individual input/ouput jacks

- A fundamental problem of all sequencers using pots and electronic quantisation, is that a control may be (unknowingly) set close to a switching point of the quantizer, such that even a small (and inevitable) drift will cause sudden and unwanted changes in the sequence. The use of rotary encoders for setting the notes eliminates this problem, and - in conjunction with the transpose-switches - it also allows a much more intuitive and predictable control of the sequence.
- The second row of knobs controls MIDI-velocity. In addition to the normal mode there are 6 special modes, in which the SAM-16 simultaniously or alternatingly transmits on 2 MIDI-channels to allow velocity -crossfades and -switching.
- The third row can be used for various functions. It controls either step or gate length, but can also generate another control voltage and/or MIDI-controller (#1-14). In addition it is possible to feed it 1 or 2 audio/CV signals, that appear at the rows output with a different attenuation/mix for each step.
- With the lower row of toggle switches audio and/or CV-signals can be routed from or to 2 busses and 14 individual jacks. This can be used to create ´wave-sequences´ by routing various waveforms of a modular system´s oscillators (or other audio sources) to the filter, or to activate CV-modulations only for certain steps of a sequence. The row can also control the gate length, or generate MIDI-switch-controllers (#64-74).
- All rows have CV-outputs (0-5V, pitch 1V/octave), rows 1 and 2 also have a CV-input that is added to the values produced by the sequencer. These modulations also influence the MIDI-output data. The input attenuator for pitch modulation doubles as a global tranpose control with a 2-octave range.
- The build-in MIDI-interface syncronises the SAM-16 to MIDI-clock or MIDI-notes (!) and translates all settings into MIDI-data. Thus it is possible to control classic analogue equipment as well as modern sound generators. Also sequences and their transformations over time can be recorded into a software sequencer for further editing, storage, and recall. A special feature of the MIDI-section is the possibility to ´re-define´ the 12 positions of the pitch encoders, that is to assign any note or chord (up to 7 notes) to each position. The timing control of the SAM-16 also has some advanced options, such as the possibility to wait untill the end of the current measure at any given step. This allows convenient syncronisation even when changing the sequence length. An ´alternating´-mode allows the sequence to be split into 2 halfes, and to switch between them by hand or automatically after 1 - 15 runs.
- Only high-grade controls and components are used in the SAM-16. The internal MIDI-software has been carefully optimized for speed (latency < 0.1 mS) and reliability.
- All CV-inputs/outpus through 1/4"-jacks on the frontpanel, MIDI-In/Thru/Out on the back
- 19", 5 rack units, depth (behind frontpanel): 105mm + plugs, external power supply"

ELKA SYNTHEX

via this auction

Nord Modular G2 with Gig Bag

via this auction

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