"The VS totally unique in it's architecture, and produces a great deal of texture compared with other analogue polysynths. This comes from vector mixing of 4 digital waveforms, both programable (via 5 point envelope) and real-time (via joystick). This provides a complex front end "VCO" that evolves in interesting ways compared with static waveforms, followed by full featured analog VCA's and filters. There are 2 lfo's and extensive modulation routings. The arpeggiator features are simply the best. Each of 8 voices can be panned individually on a given patch. The midi implementation is quite extensive. Best of all it stays in tune, but sounds rich and thick like a true Prophet..."
Sunday, October 23, 2011
Sequential Circuits Prophet VS
"The VS totally unique in it's architecture, and produces a great deal of texture compared with other analogue polysynths. This comes from vector mixing of 4 digital waveforms, both programable (via 5 point envelope) and real-time (via joystick). This provides a complex front end "VCO" that evolves in interesting ways compared with static waveforms, followed by full featured analog VCA's and filters. There are 2 lfo's and extensive modulation routings. The arpeggiator features are simply the best. Each of 8 voices can be panned individually on a given patch. The midi implementation is quite extensive. Best of all it stays in tune, but sounds rich and thick like a true Prophet..."
Bradley Telcom Jitter and Hit Synthesizer Model 2A
via this auction
"RADLEY TELCOM JITTER and HIT SYNTHESIZER model 2A with FREQUENCY TRANSLATION AND HARMONIC DISTORTION MODULE model 2B
This is a rare, vintage jitter and hit synthesizer for producing far out sounds and noises. This was built for telcom equipment testing but is now used in electronic music. It can both generate tones, as well as process or modulate any incoming signal(great fun on drums). the harmonic distortion unit on the top half is a partly-separate unit."
Addictive microSynth
YouTube Uploaded by virsyn on Oct 23, 2011
"Combines the synthesis power of Addictive Synth with an easy to use 4 track loop recorder.
It was never so easy to create beautiful sounds and driving loops.
The unique dynamic wavetable synthesis allows you to explore an unprecedented
wide range of sonic territory. From acid loops, crystal clear percussions, realistic
human choirs to complex musical soundscapes nothing seems impossible
with only a handful parameters to tweak."
Addictive microSynth - VirSyn
iPads on eBay
iPod Touch on eBay
Mos-Lab 970 Waveform Processor Demo
YouTube Uploaded by JohnLRice on Oct 23, 2011
"I think the Mos-Lab 970 is one of the most beautiful panel designs ever for a synth module. It is a combination of several functions in one module. This module was only available for about a year then discontinued so it is quite rare. (I've been told I may own one of the only two that exist in North America) I'm going to sell it since I don't use it a lot and need the room of other modules."
bb2
YouTube Uploaded by alkexinstruments on Oct 23, 2011
Alkex BallBeats
I'm breaking my balls looking for it on iTunes. I'm not seeing it at the time of this post. If anyone finds it, feel free to comment. My guess is it's coming very soon. Boobicorn chaser for the earlier chiptune video.
iPads on eBay
LELL PSR RARE VINTAGE SOVIET DRUM MACHINE

mechanical animals
(RSS)
"Lel' PSR is the digital drum machine that has a built-in sequencer for 8 songs, 32 patterns of the factory (64 of user), 16 styles, each of them contains 2 variations. Maximum duration of the composition - 255 bars. Minimum tempo value from 40 to 250. It contains 12 internal sounds of percussion instruments: bass drum, bongo, clap, gong, rim, snare, tom1, tom2, tom3. Each of sounds has an accent.

Functional buttons: song, time, pattern, +/-, copy, clean 4/4, (3), Midi, step mode, metronome, forward, backward, stop, pause, accent, sounds (12 drums).
Display: # song, # pattern, bar, step, duration of step, value.

Specifications:
— Signal-to-noise ratio - 60 dB
— Power consumption - 11 W
— Mains voltage - 12 V
— Dimensions - 350х220х50 mm
— Weight - 3,2 kg (approx. 7.10 lbs)"
RARE CRUMAR COMPOSER

SN 00180
"Crumar Composer - italian analog paraphonic synth. Less than 500 of these were produced! Serial number is U1/00108. It is very rare and unique synthesizer. It sounds thick and combining all instruments (solo synth, poly synth, organ and strings) gives a unique sound.

Interestingly Composer uses the same CEM chip to VCA, filters and envelope at such giants as Memorymoog, Oberheim OBX, OBXa/OB8, SCI Prophet 5! This is no joke, check for yourself! This is a description made by sounddoctorin and a comparasion and list of chips used in the Crumar.

- oscilators: (same used in: Crumar Stratus, Trilogy, Performer, Multiman)
- envelopes: Curtis CEM3310 (same used in: Crumar Stratus, Trilogy, Memorymoog, Oberheim OBX, OBXa/OB8, SCI Prophet 5)
- filter: Curtis CEM3320 (same used in: Crumar Stratus, Trilogy, Memorymoog, Oberheim OBXa/OB8, SCI Prophet 5)
- VCA: Curtis CEM3330 (same used in: Crumar Stratus, Trilogy).

There is a mixer for the 4 sections and bender for monosynth only ,mod for all other sections' vibrato (with speed knob right there by the wheel) and 'touch dynamics' knob for touch vibrato. Also it has a breath input (tubing goes directly in) which can be switched to give volume control for either poly or mono synth section.
1) Monosynth is one fat oscillator. But you have 5 waveform types - pulses and triangle added and also you can vary footage from 32' to 4'. PORTAMENTO amount is very useful for creating sounds where the lead lage the other parts. This thing can sound very phat.
2) Polysynth is at least as nice as the ARP omni's I think overall. I dunno that ARP filter is awful cool sounding I think. But the curtis CEM3320 is ok too in it's own way and there is one of them shared again with eg retrigger when all notes are lifted. CEM3310EG, and CEM3330vca. These same three chips are in the mono section also. But on the poly section there are three presets...a nice piano enveloped sound and a more brassy sound and a more tweaky synth sound... and then you can select 'free' which means you program it with the knobs for ADSR, amount (invertable like Korg Delta etc.) and cutoff/resonance. Anyway in the oscillator control section there are two oscillators and both can be dropped an octave with a switch and one can be detuned up or down a fifth or like that. Also second oscillator can be muted. You can select between square and saw for both independently.
3) 4 great preset organ tones plus percussion stops with master volume and decay knobs. Overall organ 'sustain', a release envelope. It's all paraphonic with retrig on all notes off but wow. Great BBD leslie emulator that speeds up and slows down like the real thing. And nice tone selection.
4) Performer sounding strings pretty much save the cool eq of the performer of course. But at least the same kind of quality for the tones it does have and a decent eq sweep and 8' 16' 'stops'.
Other funtions: keybord split, mixer for all sections, ADSR, positive/negative envelope amount, cutoff, resonance, independent outputs for all parts, breath controller.
Check more info:
link 1
link 2
link 3
link 4
link 5
Other demos of a Crumar Composer in action:" [videos posted here]
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH