Monday, January 23, 2012
DX5 Working with the Emu Emax I (1/2)
YouTube Uploaded by DX5 on Jan 23, 2012
"**Technical video, not a cover**. If you are not into keyboard technology, you are allowed to skip this video :-)
As some Youtube users requested me, I shot some Emax basic operations, specially the ones I use to do more often.
This is the first part, showing the Emax I focused on allocating samples, copy/paste and related. Also, showing how to create a new preset loading different samples from the floppy drive.
Video edition is quite amateur, so I apologize if you find some random jumps. Also, my english is not good, apologies for it.
Created by DX5 (Jose MarĂa Bara-Spain)"
Waveform 72 with Valhalla Ubermod
YouTube Uploaded by tronsonics on Jan 23, 2012
"This plugin's nice :)
All sounds from the waveform 72 sample pack.
Best loud or with headphones."
Doepfer Dark Energy Glide with iPad
YouTube Uploaded by canecreek00 on Jan 23, 2012
"Show casing the glide modification on Doepfer Dark Energy which i installed on a previous video"
iPads on eBay
GIFTS FROM THE MOON.mov
YouTube Uploaded by projektmelodik on Jan 21, 2012
"The wonderful new MOON 567 Universal Programmer from our friends on the rock !"
NAMM: Line 6 Mobile Keys with Release Velocity
Mobile Keys 25 and 49 Line 6 - Namm 2012 Musicianews
YouTube Uploaded by musicianews on Jan 23, 2012
At 1:17 he mentions these have release velocity. You don't see that often. Velocity allows you to affect a sound based on how hard or quickly you hit the keys. Aftertouch allows you to affect a sound based on pressure you apply to the keys after pressing them. Release velocity, however, allows you to affect a sound based on how quickly you remove your hands from the keyboard. In short it offers an extra level of expression and can be quite useful. It's one thing I really liked about the Oberheim Matrix-6 keyboard. A simple example would be to assign the amplitude envelope release level to release velocity so that if you release quickly the sound cuts off, but if you release slowly the sound sustains.
YouTube Uploaded by musicianews on Jan 23, 2012
At 1:17 he mentions these have release velocity. You don't see that often. Velocity allows you to affect a sound based on how hard or quickly you hit the keys. Aftertouch allows you to affect a sound based on pressure you apply to the keys after pressing them. Release velocity, however, allows you to affect a sound based on how quickly you remove your hands from the keyboard. In short it offers an extra level of expression and can be quite useful. It's one thing I really liked about the Oberheim Matrix-6 keyboard. A simple example would be to assign the amplitude envelope release level to release velocity so that if you release quickly the sound cuts off, but if you release slowly the sound sustains.
New Moog Ladder - Moog Music - Namm 2012 Musicianews
YouTube Uploaded by musicianews on Jan 23, 2012
IDOW & MATRIXSYNTH Modular Pic of the Week - Week 13 Contest Winner!

George Mattson started investing in synthesizers in 1973. In 1978, he invented the first self-contained keytar, known as the Syntar. Mattson currently manufactures modular systems and custom modular systems as Mattson Mini Modular. Ichabod is a custom system commissioned by Billy Corgan of The Smashing Pumpkins.
For more info, please check out Mattson Mini Modular's website: http://www.mattsonminimodular.com
We'd like to give a big thanks and congratulations to George and Michael Mattson for their submission! This is the 13th week of a 30-week contest, and we are looking forward to many more modular photo submissions, so please keep 'em coming! For details on how to submit and what you can win, see this post
.
For more info on the upcoming 'I Dream of Wires' documentary, be sure to see the trailer and IndieGoGo fund raising campaign here.
See the IDOW label for all posts pertaining to the film including the weekly contest winners."
Sweetwater at Winter NAMM 2012 - Feeltune Rhizome SXE Video Overview
YouTube Uploaded by SweetwaterSound on Jan 23, 2012
"Nicholas Piau from Feeltune presents the Rhizome SXE groove production workstation. Combining both the flexibility of software and the hands-on control of hardware, the Feeltune Rhizome SXE offers a whole new approach to electronic groove production with VST virtual instruments. Sixteen touch-sensitive pads, tons of hands-on controls, and an intuitive sequencer make music creation fun and simple. Enjoy the video, then learn all about the Feeltune Rhizome SXE right here: http://bit.ly/sw_RhizomeSXE
A controller-only version of the Rhizome, the Rhizome LE, is also available."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH