Vintage Digisound 80 Synthesizer Module 80.2 Voltage Controlled Oscillator

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"information can be found here about this unit"

Akai MPC-60 SN 50425-00466

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"Akai MPC-60 vintage drum machine sampler OS 2.02."

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Akai MPC-60 II SN A9125-00225

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"loaded with OS 2.12"

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MOOG Source SN 3655

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Serge Modular ADSR pitch modulation

YouTube Uploaded by WearEarplugs on Feb 6, 2012

"Serge Modular synthesizer doing crazy pitch slides and controlling a Moog Voyager through CV."

Arp Odyssey Strange noises and drones, using sample and Hold modulations

YouTube Uploaded by Polynominaldotcom on Feb 6, 2012

"For more info, longer demo and more, please visit the arp odyssey page at this URL:
http://www.polynominal.com/site/studio/gear/synth/Arp_odyssey/index.html"

From the Vault: Korg Prophecy Product Overview

YouTube Uploaded by KorgUSAVideos on Feb 3, 2012

"Straight from the Korg USA archives, here is a product overview of the revolutionary Korg Prophecy, with demos from world renowned keyboardists, Jan Hammer and Joe Zawinul. This video was originally produced in 1995."

Korg Kronos Soundtrack Mix - Other Worlds

YouTube Uploaded by KidNepro on Feb 6, 2012

"A demo from our second release for the Korg Kronos - Soundtrack Mix.

V2 Soundtrack Mix for the Korg Kronos includes 64 New Programs, 32 New Combis & 75 new sound effects from our Effectron sound libraries. More info and demos can be found at:

http://www.kidnepro.com/KN/Korg/Kronos/korg-kronos-v2.html"

Introducing the Tiptop Audio HATS808 Drum Module

"Introducing the HATS808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and test to sound just like it did back in the 80's. Adapting to modular format has allowed us to add some special features for each voice like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without compromising the signature sound of the TR-808 hig-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what gives the 808 hi-hat sounds their unique metallic character and makes each HSTS808 sound slightly different from one another. The original 'choke' circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed by disconnecting the internal connection between the two hats.

Just like the other drums in their series, the HATS807 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, we have included a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse sour. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

For more information please check the HATS808 User Guide." http://www.tiptopaudio.com/ht808.php

JLR

YouTube Uploaded by JohnLRice on Feb 6, 2012

"In a recent video I wasn't using the Moon Modular 568 trigger sequencer so I made a smiley face on it by activating certain switches. (an expensive 'Lite-Brite' toy!) I then realized I could do a pretty accurate representation of my JLR logo in the same way. Then I decided to try to make a patch to see what my logo "sounds like"! ;-) That's what this video is.

A Modcan 53B clock feeds the Moon 554 clock divider (and also the Modcan 59B delay). The first four outputs drive the 568 trigger sequencer and initially the divisors are set to 1, 2, 3 and 4. The 568 is in 4x32 mode and each bank is being used as the clock for one of the 4 banks of the 569 sequencer in 4x8 mode. Initially the 569 banks are operating in "up" mode but about halfway through I switch them all to random. I also switch the clock divisions 2, 3 and 4 to just 1 about 3/4 of the way through.

Thanks for watching!"