Roland OP-8 CV Interface SN 260469

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Access Virus B Desktop Synthesizer

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ROLAND GR-500 GUITAR SYNTHESIZER

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RSF BLACK BOX

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OBERHEIM MATRIX 6 SYNTHESIZER

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KORG DS-10 PLUS: 'Transcendence' by Anthony Seeha

YouTube Published on Aug 2, 2012 by seehanth001

"An original song I wrote myself.
This is the flagship song of my latest album 'Transcend'.
Please enjoy!! :D

If you would like to support my musical aspirations, purchase my album for $5

or more -
http://anthonyseeha.bandcamp.com

Follow me on Soundcloud for exclusive updates -
http://soundcloud.com/anthonyseeha"

DSis on eBAy - DSis on Amazon
DS-10 on eBay - DS-10 on Amazon

Blog08 30 lipca-05 sierpnia 2012

Blog08 30 lipca-05 sierpnia 2012 by ShortSleeves
"MoogerFoogers: MF-107, MF-102, MF-105, CP-215 + TC Electronic Flashback."

Moogerfooger Modular

via Łukasz Kacperczyk on The MATRIXSYNTH Lounge

"The latest patch from my weekly sketches. MoogerFoogers MF-107, MF-102, MF-105, CP-251 + TC Electronic Flashback. CP-251's noise into Murf (slow rate) to create ambiance, MF-107 fed its own OCS Out as audio source then fed into Ring Mod. Flashback in the FX loop of a 4-channel mixer. MF-102's Carrier Out into the mixer as well. Hope you enjoy it"

Update:
Blog09 30 lipca-05 sierpnia 2012 by ShortSleeves
"Here's another patch. This time with MoogerFoogers MF-107, MF-102 & CP-251 + TC Electronic Flashback. I don't have a VCA, so to achieve some kind of separation between notes (as well as a short envelope), I'm using CP-215's triangle wave as audio source for the Freqbox. By turning the Drive knob, I'm able to go from mellow, whistle-like sounds, to short, percussive tones."

Mark Mothersbaugh of DEVO & Jeff E. Winner with Raymond Scott's Motown Electronium

Mark Mothersbaugh of DEVO & Jeff E. Winner with Raymond Scott's Motown Electronium from Jeff E. Winner on Vimeo.

"Video shot by Stan Warnow; bonus scene from DVD: http://ScottDoc.com • YouTube alternalink: http://youtu.be/lCvkcGlhwoo

• Transcript follows:

MARK MOTHERSBAUGH: So sick! I mean, there are temporary touch-buttons called "DOOWAH!" What does that mean?!

JEFF E. WINNER: It was made for Motown, so we figure he was trying to relate to their vocabulary.

MM: That's great. I don't know — but it really makes you wanna hear this thing. Looks like this was some sort of a — like that was the sequencer part of it. Decay, staccato, envelopes, and chords, but there's just such a mixture of things...

STAN WARNOW: You don't really know that much about what each one of these things did? It's a mystery to all of us, I think.

MM: It's all speculation until you fire it up. Maybe Mister Entenmann... is that his name? He would probably be able to come here and say, 'Here's what they did, and I'll tell you why he bought red Krylon spray paint for this...'

SW: Yeah, he would.

JW: Raymond told this guy what he wanted, and he executed it, on this very model.

MM: That's amazing.

SW: Mitzi said he worked on it from the very beginning, until it was shipped out to Motown.

MM: They made a beautiful cabinet for it. The cabinet's kinda interesting because it's the most retro part of it, in a way.

JW: Yeah.

MM: It looks like an old telephone communications station or something.

JW: An airplane.

SW: My dad valued all that stuff, and he had a complete wood-working shop, when he had that big place…

MM: When he was really going.

JW: He seemed to like this shape, because even his big rooms full of equipment, when it filled his room, was also this same kind of angle.

MM: Yeah, like a cockpit. You're sitting right there and you're like...

JW (to MM): Here's an earlier version, and here's that digital thing you were talking about last night. But he completely rebuilt it.

MM: Look at that room, that's amazing.

JW: See these angles?

MM: That's cool! (laughs)

JW: It used to be whole walls-full, then he shrunk it down, more and more.

MM: (laughs) This one almost fit on the console of your car, you could drive your Honda around town with a...

JW: Do you happen to remember if this is all removable? Does this stuff come off? Is this the base? You don't know? Is there 'guts' in there, or is that mostly empty?

MM: Oh no, there's stuff in there. Let me see... It's pushed up against the wall right now, so we can't... but there is some things inside it.

SW: That's what I was wondering."

via Jeff E. Winner on The MATRIXSYNTH Lounge

Knot(e) ECAL/Matthieu Minguet

Knot(e) ECAL/Matthieu Minguet from ECAL on Vimeo.

Tutors: Alain Bellet, Gael Hugo, Christophe Guignard
ECAL / University of Art and Design, Lausanne Switzerland
Bachelor Media & Interaction Design
www.ecal.ch + vimeo.com/channels/ecalmid

Knot (e) is a device that offers a new way of using objects that we connect to our mobile devices. The prototypes, shown in the form of a rope, harness themselves to revisit the new node as input data. As an extension of a conventional listening device, it allows the user to generate visual and sound compositions. The intersection of the rope amplifies the signal. Conversely, the absence of knots and curves restores the application to its original position. Each prototype has its own forms, colours, atmospheres and sound effects.

During the writing of my thesis, I was led by my interest in the theories of John Maeda and Hiroshi Ishii. The former describes the idea of "tangible bytes" and proposes to reduce the separation between digital information and physical space. Inspired by the work of Ishii, one of Maeda’s theories questions the importance of simplicity of language in the human / machine interaction. This project allowed me to explore new types of interactions around a physical object. The research allowed me the opportunity to respond to a critical analysis concerning the increase of already existing technologies, through the use of simple and already perfectly ergonomic objects.

LANGUAGES : OPENFRAMEWORKS / C++ / Objective-C
SOFTWARE : ARDUINO / PURE DATA

http://www.creativeapplications.net/sound/knote-by-matthieu-minguet-rope-as-sound-and-visual-interface-for-iphone-ecal/

Jump rope! That would make for an interesting live performance. See the ECAL label below for more.

Doepfer A188-2 Multiple Stages Multiple Mixes Part 1

YouTube Published on Aug 1, 2012 by raulsworldofsynths

"Experimenting with multiple stages in two independent mixes using the Doepfer A188-2 Tapped BBD Delay. Doepfer A149 is used to generate random notes to A110 VCO.Continued in Part Two. Sound and Video by Raul Pena."

All parts here.