Thursday, November 08, 2012
The Analog Lab NYC-EMS VCS3 mkII
Published on Nov 8, 2012 by TheAnalogLab
"An EMS VCS mkII was recently in for service at The Analog Lab in NYC. The joystick was repaired, VCO2 was brought back into cal, and the unit had a general cleaning/tuneup."
www.theanaloglab.com
DUBREQ PIANO MATE ANALOG SYNTHESIZER with Manual
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Ultra rare museum piece synth module circa early 1970s British made by Stylophone designers Dubreq
It's a simple polyphonic synthesiser working on the divide down principal from a master oscillator (I'm told - i'm not an expert on PianoMates but it seems to work that way.) The idea was that any pianist could add the PianoMate to a piano by attaching the two (bass and treble) two octave bars above the keyboard. The two bars have plungers which sit over the piano keys. when a key is pressed by the player, the plunger is released, makes up a circuit and a note is played by the PianoMate as well. The two (bass and treble) plunger bars are attached by multi-pin plugs to what looks like a small combo amplifier. This has controls for tone, voice, articulation of vibrato, speed of vibrato and master tuning. There's a 'swell' pedal to allow control of the overall volume of the PianoMate and an input and volume control for a microphone.
http://www.preservationsound.com/?p=483"
via this auction
"Ultra rare museum piece synth module circa early 1970s British made by Stylophone designers Dubreq
It's a simple polyphonic synthesiser working on the divide down principal from a master oscillator (I'm told - i'm not an expert on PianoMates but it seems to work that way.) The idea was that any pianist could add the PianoMate to a piano by attaching the two (bass and treble) two octave bars above the keyboard. The two bars have plungers which sit over the piano keys. when a key is pressed by the player, the plunger is released, makes up a circuit and a note is played by the PianoMate as well. The two (bass and treble) plunger bars are attached by multi-pin plugs to what looks like a small combo amplifier. This has controls for tone, voice, articulation of vibrato, speed of vibrato and master tuning. There's a 'swell' pedal to allow control of the overall volume of the PianoMate and an input and volume control for a microphone.
http://www.preservationsound.com/?p=483"
ARP Odyssey SN 1594
Analogue Solutions Vostok V2
Moog Sonic Six Synth Vintage Rare
GIBSON MAESTRO RHYTHM QUEEN MRQ-1 SN 17008
Roland SH-09 Vintage Analog Synthesizer
DIY SEAGULL BOX
Published on Nov 8, 2012 by lofistudioz
"DIY unit that reproduces the famous screaming seagull effect used by David Gilmour."
"This is a Virtual Analog Synthesizer duplicating Analog Synthesizer.
4-Voice Polyphonic Synthesizer.
Eurypharynx is a 4-Voice Polyphonic Virtual Analog Synthesizer.
Basically it models features after Analog Synthesizer.
But more importantly, it combines the following five remarkable features.
- In each OSC, you can select two waveforms and also morph them.
- Flexible patching operation is available with Matrix Patching.
- Alter numerous parameters sequentially with Modulation Sequencer.
- Intuitive performance is available with XY Pad Control.
- It is possible to save up to 256 patches.
Specifications:
Implemented Features:
- 4-Voice Polyphony
- OSC x 2 / NG x 1
- OSC Modulation
Ring Modulation
OSC Sync
- Glide
- Filter x 1
- EG x 2
- LFO x 2
- Arpeggiator Type x 6
- Matrix Patching
- Modulation Sequencer
- XY Pad Control x 2
- FX
Delay
Chorus
Over Drive
- Keyboard (Scale) x 35
- Real-Time Recording
Others:
- Wireless Sync-Start Technology (WIST) is supported.
- AudioCopy is supported.
- CoreMIDI is supported."
iTunes:
Eurypharynx - Sobal Corporation
iPads on eBay, on Amazon
4-Voice Polyphonic Synthesizer.
Eurypharynx is a 4-Voice Polyphonic Virtual Analog Synthesizer.
Basically it models features after Analog Synthesizer.
But more importantly, it combines the following five remarkable features.
- In each OSC, you can select two waveforms and also morph them.
- Flexible patching operation is available with Matrix Patching.

- Intuitive performance is available with XY Pad Control.
- It is possible to save up to 256 patches.
Specifications:
Implemented Features:
- 4-Voice Polyphony
- OSC x 2 / NG x 1
- OSC Modulation
Ring Modulation
OSC Sync
- Glide
- Filter x 1
- EG x 2
- LFO x 2
- Arpeggiator Type x 6
- Matrix Patching
- Modulation Sequencer
- XY Pad Control x 2
- FX
Delay
Chorus
Over Drive
- Keyboard (Scale) x 35
- Real-Time Recording
Others:
- Wireless Sync-Start Technology (WIST) is supported.
- AudioCopy is supported.
- CoreMIDI is supported."
iTunes:
Eurypharynx - Sobal Corporation
iPads on eBay, on Amazon
EINKLANG - The most intuitive software synthesizer
EINKLANG - the most intuitive synthesizer. from Eisenberg on Vimeo.
"After nine years of research and over three years of development, we at Eisenberg are very proud to present EINKLANG, our first software synthesizer. At the moment, we are working on its completion so EINKLANG will be available in stores in early December.
Discover what makes EINKLANG so special and pre-order here at a discount of up to 66% of the retail price: http://www.indiegogo.com/einklang
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EINKLANG (Ein•klang [ˈaɪ̯nklaŋ] noun. German word for unison, equilibrium, a sound)
EINKLANG introduces an all-new paradigm in music production. While existing synthesizers are controlled by many complicated, technical knobs, EINKLANG can be controlled by a few, powerful musical parameters. One of EINKLANG’s key features is the triangle morphing field, which allows users to morph between three different instruments with great ease. With the turn of one knob, a piano, a violin and timpani become a timpianolin. EINKLANG allows the user to focus exclusively on the creative aspects of making music, without being distracted by the complex technical processes.

Instead of synthesizing sounds like traditional synthesizers according to a set of technical parameters (i.e. amplitudes, frequencies, spectra…), EINKLANG re-synthesizes sounds using instrument models. These instrument models can not only be tweaked directly in their musical parameters (i.e. loudness, pitch, timbre…) but also be morphed from one sound to another.

The instrument models are based on Artificial Intelligence Studio Technology (AIST), an award winning, patent-pending technology that allows synthesizers to understand the structures of sounds, and remembers specific nuances of different instruments. So the musician can concentrate on musical aspects, while the synthesizer does all of the underlying technical processing.
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Also find us on
www.eisenberg-audio.de
www.facebook.com/EisenbergAudio"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH