Published on May 20, 2013 Sergiusz Waplak·16 videos
"Arturia's Analog Laboratory plays the bass on this one. The video features my analog oscilloscope."
Monday, May 20, 2013
Serge Modular Sounds 4
Published on May 20, 2013 pjoris2·37 videos
"Another Serge patch with VCFQ pinging."
"Another Serge patch with VCFQ pinging."
1980 SEQUENTIAL CIRCUITS PROPHET-10 SYNTHESIZER PRINT AD
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Ad measures approx. 8"X 10.5" inches."
See the seller's other items for more.
via this auction
"Ad measures approx. 8"X 10.5" inches."
See the seller's other items for more.
Sequential Circuits "Prophet 10" demo
Published on May 20, 2013 superfroe·31 videos
"Just a quick run-through of the functionality and sounds of this SCI Prophet 10 classic analog synthesizer..."
"Everlasting Love!" by Danielle TSF
Published on May 20, 2013 TheSynthFreq·198 videos
"2013: "Everlasting Love" by Danielle (TSF).
Hello! This new composition is a project for a very special occasion, a song for a special friend of mine who is celebrating an 80s themed wedding. I used the Yamaha QX-3 sequencer (daisy chained the synths essentially a complete 16 track sequencer with 1-4 channel per synth).
The synths used: Roland D-50 synth strings, track 1 channel 1, Alpha Juno-1 res bass track 3 channel 3, JV-880 short strings, live, EMU-Emax Se track 2, channel 2 new sampled 80s drums.
The drums I created on the emax se were sampled digital drums from the JV and highly processed through the VCF (analogue processing) of the Emax se. The Emax Se is then played in real time into QX-3 track 2 and sequenced there.
All tracks were sequenced in real time record mode, no step sequencing used although the QX-3 and QX-1 are capable of step recording mode.
Please enjoy!
:) TSF"
"This heart of mine: by Danielle TSF
Published on May 20, 2013
"Hi! :) This new composition is part of a project for a special friend. I wanted to share this upbeat Jupiter-8 jam session. :)
I also used the QX-3 sequencer for daisy chaining several synths as a means of "tape recording" track1-track4 on the QX-3 digital midi recorder.
Recording through midi channels is a new endeavor, and is proving to be terrific! I will post a video on how to sequence synths (up to 16 possible) with 1-4 channels each. I typically use just 1 channel per synth to keep the midi chain free of data errors.
As long as there is a thru port on a synth or module or drum machine, it can be chained in a complex network of synthesizers to one QX-3 through 1 single midi cable while leaving the second Midi Out 2 port of the QX-3 free for other devices and even more possibilities. :) Everything is recorded in real time.
Synths used: Roland Jupiter-8 New lead 58 with Boss digital delay pedal, Alpha Juno-1 res bass, E-MU Emax SE 80s classic drums, D-50 syn comp strings 88.
I want to congratulate my friend on their upcoming 80s themed wedding! :)
Much love from TSF and the Synths!
:) TSF"
Sunday, May 19, 2013
How To Play Hardware Synths in Ableton Live
Published on May 14, 2013 AfroDjMac·138 videos
"External instruments can easily be played inside of Ableton Live. Enjoy this Ableton Live Quick Tip in which AfroDJMac shows you how to set up an external instrument, such as the Synthboy ( http://ninstrument.com ). Once inside Ableton, it can be sequenced and effects can be added to further the potential of your hardware synthesizers!
Visit my site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com
AfroDJMac
http://www.facebook.com/afrodjmac
http://www.twitter.com/afrodjmac
http://www.afrodjmac.tumblr.com"
YAMAHA CS-80 SN 1484
YAMAHA CS-70M SN 1198
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BugBrand Micro Crusher Sample Reducer Bitcrusher
Note: Auction links are affiliate links for which the site may be compensated.
EE9s2uiPV!BRlV!Cl6Rg~~60_3.JPG)
via this auction
"This is a rare and excellent bitcrushing/sample reducing pedal, very difficult to find outside of the UK.
Controls are Rate and Blend. The pedal has a push button on/off switch,
there is also a jack to connect an external switch for on/off.
This pedal has been tested and is in good working condition. Auction includes pedal, manual and original power connectors.
Pedal has mild to moderate wear, some scuffs and scrapes.
Uses standard "boss-style" 9v negative tip adapter.
MANUFACTURER'S INFO:
BugBrand MicroCrusher
The Micro BugCrusher returns after two years away - updated and in a new package!
The BugCrusher effect comes from using a Sample & Hold circuit clocked at audio rates - this Sample Rate Reduction is an analogue process and should not be confused with BitCrushing [most BitCrush plugins will have Sample Rate and Bit Depth controls]. Rate Reduction sounds somewhat like RingModulation, but tends to appear more musical - at high frequencies you get a fizzle to the sound while maintaining most of the original audio, and at low frequencies any high notes will seem to wrap-around and the overall sound is much more chaotic. You could read about Aliasing and Nyquist for further technical details.
The Micro or μCrusher features two simple controls, one to set the Sample Rate and one to Blend between the Dry and Effected signals.
There is a button to Engage/Bypass the effect with a status LED. As the case and switch are not designed to be stompable, an external footswitch can be attached via the front jack socket. This should be a simple momentary switch such as keyboard sustain pedal. Switching is achieved electronically and is noiseless - the effect is not true-bypass and audio always passes through an input buffer amplifier even when bypassed. The devices has a unity gain structure and applies no amplification to signals.
The Micro is happy with instrument or line input signals. Input and Output connections are on the rear with standard Mono 1/4" Jack Sockets - note that Mono cables should always be used as inserting a jack plug into the Input socket serves to apply power to the unit in typical stompbox manner.
Power is supplied on a standard external 'Boss-type' 9V Regulated DC Supply with 2.1mm centre-negative barrel plug. A simple battery connector is also supplied with each unit. Max. power consumption is 10mA and the device is polarity and over-current protected..."
EE9s2uiPV!BRlV!Cl6Rg~~60_3.JPG)
via this auction"This is a rare and excellent bitcrushing/sample reducing pedal, very difficult to find outside of the UK.
Controls are Rate and Blend. The pedal has a push button on/off switch,
there is also a jack to connect an external switch for on/off.
This pedal has been tested and is in good working condition. Auction includes pedal, manual and original power connectors.
Pedal has mild to moderate wear, some scuffs and scrapes.
Uses standard "boss-style" 9v negative tip adapter.
MANUFACTURER'S INFO:
BugBrand MicroCrusher
The Micro BugCrusher returns after two years away - updated and in a new package!
The BugCrusher effect comes from using a Sample & Hold circuit clocked at audio rates - this Sample Rate Reduction is an analogue process and should not be confused with BitCrushing [most BitCrush plugins will have Sample Rate and Bit Depth controls]. Rate Reduction sounds somewhat like RingModulation, but tends to appear more musical - at high frequencies you get a fizzle to the sound while maintaining most of the original audio, and at low frequencies any high notes will seem to wrap-around and the overall sound is much more chaotic. You could read about Aliasing and Nyquist for further technical details.
The Micro or μCrusher features two simple controls, one to set the Sample Rate and one to Blend between the Dry and Effected signals.
There is a button to Engage/Bypass the effect with a status LED. As the case and switch are not designed to be stompable, an external footswitch can be attached via the front jack socket. This should be a simple momentary switch such as keyboard sustain pedal. Switching is achieved electronically and is noiseless - the effect is not true-bypass and audio always passes through an input buffer amplifier even when bypassed. The devices has a unity gain structure and applies no amplification to signals.
The Micro is happy with instrument or line input signals. Input and Output connections are on the rear with standard Mono 1/4" Jack Sockets - note that Mono cables should always be used as inserting a jack plug into the Input socket serves to apply power to the unit in typical stompbox manner.
Power is supplied on a standard external 'Boss-type' 9V Regulated DC Supply with 2.1mm centre-negative barrel plug. A simple battery connector is also supplied with each unit. Max. power consumption is 10mA and the device is polarity and over-current protected..."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
