Tuesday, July 02, 2013
Hard Mod Custom Synth-01.
Custom Synth-01. from Hard Mod Electronics on Vimeo.
"The customer of this Synth decided the modules configuration, so these are the features:
- 6 independent VCO (with Saw output & CV input)
- VCF 24 dB Low Pass Filter with CV input
- VCF 12 dB Variable Filter (LPF & HPF) with CV input
- 2 independent VCLFO (with Saw, Tri, Ramp, Square & Sine output / CV input)
- 2 independent LFO (with Square & Sine waveform)
- 1 Pitch Shifter
- Delay effect
- 2 independent VCA (Log & linear with CV input)
- Mixer 6 channels
- AC input 100-260V
- Jack 3.5mm (Patchbay)
Please check it out this:
To more information go to www.hard-mod.com"
DEST/ Keishi Yonao - DEMO for KORG M01D nintendo 3DS downloads -
Published on Jul 2, 2013 DETUNEltd·51 videos
3DS on eBAy - 3DS on Amazon
M01 on Amazon
New Synthesizers.com Q174 MIDI Interface
via Synthesizers.com
"The Q174 MIDI Interface module accepts MIDI data from a keyboard, computer or other device and produces Pitch, Gate and other signals needed to control the synthesizer.
Three modes of operation offer a variety of outputs for one or two MIDI channels. Outputs include standard 1V/Octave Pitch outputs with 10-octave ranges, 5V Gates, Trigger pulse, On and Off Velocity, Channel Pressure and several Continuous Controller outputs.
Complete control over Note Priority and Gate modes provide virtually any type of keyboard response emulating virtually all vintage and modern keyboards along with some that are unique.
Controls and Connectors
MIDI Input
MIDI input. Channel is jumper-selectable to 1,3,5 or 7.
Pitch Output
Pitch voltage output. 1V/Octave scaling. 10-Octave range. This output also responds to pitch bend messages from the MIDI port (+/- 2 semitones).
Add In Input
Voltages patched into this input are added to the voltage at the Pitch output. This allows transposing using a sequencer, vibrato from oscillators, merging of other controllers, etc.
Velocity Output
Note On Velocity messages produce a voltage at the Velocity Output. The range is 0-5V. This voltage can be used to set amplitude, filter frequence or any voltage-controllable parameter within the synthesizer.
Gate Output
Gate output. 5 volt positive. Typically used to control envelope generators are start sequencers. An LED indicates the status of this output.
Mode Switch
The mode switch determines the function of the middle three outputs. Regardless of the mode, data from the first MIDI channel produces signals in the top section. Gate and Priority switches are in effect in all modes.
Mode 1
Full-featured single-channel operation. The middle three outputs produce Channel Pressure voltage, Off Velocity voltage and a Trigger Pulse.
Mode 2
Full-featured single-channel operation. The middle three outputs produce Pitch, Velocity and Gate signals for a second channel (selected channel+1).
Mode 3
The middle three outputs produce analog voltages from Continuous Controller Messages #1 and #7, along with an On/Off Gate signal from #4. These can be used to control filters, start sequencers, etc.
Gate Mode
Determines how Gate signals are produced when multiple keys are pressed. Single mode produces a new Gate signal only when there is one key being pressed, subsequent overlapping notes do not produce a Gate. Multiple mode produces a new Gate at ever keypress regardless of the number being pressed simultaneously. Mulitple+R mode is like Multiple mode but also produces a new gate when keys are released.
Note Priority
Determines how Pitch voltages are created when multiple keys are pressed. Last mode produces a pitch that is the most recent note played. Low mode produces a the lowest being played. High mode produces a the lowest being played.
Specifications
Panel Size: Single width 2.125"w x 8.75"h.
Pitch Outputs: 1V/Octave, 10-octave range.
Velocity Outputs: 0-5V.
Gate Outputs: 5V positive.
Trigger Output: 5V positive, 5ms.
Channel Pressure: 0-5V.
MIDI Pitch Bend: Affects Pitch outputs +/- 2 semitones.
Pitch Add Input: External voltage added to Pitch.
CC Outputs: CC1(analog 0-5V), CC7(analog 0-5V), CC4(digital 0-5V).
MIDI Channel #: Jumper-selectable to 1, 3, 5 or 7.
Gate Modes: Single, Multiple, Multiple+Release.
Note Priority: Last, Low, High.
Power: +15V@30ma, -15V@30ma, +5V@50ma."
"The Q174 MIDI Interface module accepts MIDI data from a keyboard, computer or other device and produces Pitch, Gate and other signals needed to control the synthesizer.
Three modes of operation offer a variety of outputs for one or two MIDI channels. Outputs include standard 1V/Octave Pitch outputs with 10-octave ranges, 5V Gates, Trigger pulse, On and Off Velocity, Channel Pressure and several Continuous Controller outputs.
Complete control over Note Priority and Gate modes provide virtually any type of keyboard response emulating virtually all vintage and modern keyboards along with some that are unique.
Controls and Connectors
MIDI Input
MIDI input. Channel is jumper-selectable to 1,3,5 or 7.
Pitch Output
Pitch voltage output. 1V/Octave scaling. 10-Octave range. This output also responds to pitch bend messages from the MIDI port (+/- 2 semitones).
Add In Input
Voltages patched into this input are added to the voltage at the Pitch output. This allows transposing using a sequencer, vibrato from oscillators, merging of other controllers, etc.
Velocity Output
Note On Velocity messages produce a voltage at the Velocity Output. The range is 0-5V. This voltage can be used to set amplitude, filter frequence or any voltage-controllable parameter within the synthesizer.
Gate Output
Gate output. 5 volt positive. Typically used to control envelope generators are start sequencers. An LED indicates the status of this output.
Mode Switch
The mode switch determines the function of the middle three outputs. Regardless of the mode, data from the first MIDI channel produces signals in the top section. Gate and Priority switches are in effect in all modes.
Mode 1
Full-featured single-channel operation. The middle three outputs produce Channel Pressure voltage, Off Velocity voltage and a Trigger Pulse.
Mode 2
Full-featured single-channel operation. The middle three outputs produce Pitch, Velocity and Gate signals for a second channel (selected channel+1).
Mode 3
The middle three outputs produce analog voltages from Continuous Controller Messages #1 and #7, along with an On/Off Gate signal from #4. These can be used to control filters, start sequencers, etc.
Gate Mode
Determines how Gate signals are produced when multiple keys are pressed. Single mode produces a new Gate signal only when there is one key being pressed, subsequent overlapping notes do not produce a Gate. Multiple mode produces a new Gate at ever keypress regardless of the number being pressed simultaneously. Mulitple+R mode is like Multiple mode but also produces a new gate when keys are released.
Note Priority
Determines how Pitch voltages are created when multiple keys are pressed. Last mode produces a pitch that is the most recent note played. Low mode produces a the lowest being played. High mode produces a the lowest being played.
Specifications
Panel Size: Single width 2.125"w x 8.75"h.
Pitch Outputs: 1V/Octave, 10-octave range.
Velocity Outputs: 0-5V.
Gate Outputs: 5V positive.
Trigger Output: 5V positive, 5ms.
Channel Pressure: 0-5V.
MIDI Pitch Bend: Affects Pitch outputs +/- 2 semitones.
Pitch Add Input: External voltage added to Pitch.
CC Outputs: CC1(analog 0-5V), CC7(analog 0-5V), CC4(digital 0-5V).
MIDI Channel #: Jumper-selectable to 1, 3, 5 or 7.
Gate Modes: Single, Multiple, Multiple+Release.
Note Priority: Last, Low, High.
Power: +15V@30ma, -15V@30ma, +5V@50ma."
Multivox MX-2000 Duo Synth w/2nd Oscillator
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Roland SH-2000
via this auction
Roland SH-2000
Yamaha CS-20 SN 1745 with Custom Knobs
Seaview Synth Jam (Nord Lead 2X, Moog Slim Phatty, Tinysizer, MPC 500, MFB 503, Tenori-On)
Published on Jul 2, 2013 flx04·39 videos
"Wow, it's been a while since I jammed and recorded a video ... kind of sounds like train tracks and waves. Questions or comments? Go ahead and post them below! :) Thanks for watching! MORE INFO: V V V V
Gear used in this video:
- Nord Rack 2X (Lead Synth)
- Moog Slim Phatty (Bass)
- Anyware Tinysizer (Noise, background melody)
- MFB-503 (Drums)
- Akai MPC 500 (Sequencing Nord Lead, Slim Phatty & 503)
- Yamaha Tenori-On (Sequencing Tinysizer)
- Yamaha AW1600 (Recording & Mastering)
Filmed with a GoPro HD Hero.
____LINKS:____
SUBSCRIBE TO MY CHANNEL:
http://www.youtube.com/subscription_c...
GET MY MUSIC AT BANDCAMP:
http://nightmachines.bandcamp.com
FOLLOW ME ON TWITTER:
http://twitter.com/Flixxx"
"Wow, it's been a while since I jammed and recorded a video ... kind of sounds like train tracks and waves. Questions or comments? Go ahead and post them below! :) Thanks for watching! MORE INFO: V V V V
Gear used in this video:
- Nord Rack 2X (Lead Synth)
- Moog Slim Phatty (Bass)
- Anyware Tinysizer (Noise, background melody)
- MFB-503 (Drums)
- Akai MPC 500 (Sequencing Nord Lead, Slim Phatty & 503)
- Yamaha Tenori-On (Sequencing Tinysizer)
- Yamaha AW1600 (Recording & Mastering)
Filmed with a GoPro HD Hero.
____LINKS:____
SUBSCRIBE TO MY CHANNEL:
http://www.youtube.com/subscription_c...
GET MY MUSIC AT BANDCAMP:
http://nightmachines.bandcamp.com
FOLLOW ME ON TWITTER:
http://twitter.com/Flixxx"
The Analog Lab NYC-Grainer, Derbyshire | Doctor Who
Published on Jul 2, 2013 TheAnalogLab·42 videos
"We recently serviced an EMS Synthi AKS here at The Analog Lab in NYC. The unit came in for repair,refurbishment, and the modifications were streamlined. The mods were done for Studio Hofschneider Berlin. The owner had the original document of all the modifications.
The AKS has its own sound and has definitely stood the test of time. It is very easy to overdrive and the envelopes are generally a little wonky, but its a classic sound.
We decided it would be fun to have a classic British synth playing the Doctor Who Theme. Allons-y!"
"We recently serviced an EMS Synthi AKS here at The Analog Lab in NYC. The unit came in for repair,refurbishment, and the modifications were streamlined. The mods were done for Studio Hofschneider Berlin. The owner had the original document of all the modifications.
The AKS has its own sound and has definitely stood the test of time. It is very easy to overdrive and the envelopes are generally a little wonky, but its a classic sound.
We decided it would be fun to have a classic British synth playing the Doctor Who Theme. Allons-y!"
Deerhorn Organ, with two patches, two more, and finally, two more.
Published on Jul 2, 2013 Peter B·92 videos
"Showing the modulation capabilities of the three element, 'deerhorn organ'. Played by gesturing in the air, patching with wires, and turning knobs."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH